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Old 4th June 2020, 04:12 AM   #1
Jim McDougall
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Thank you Mark!
Actually we are not digressing from the outstanding cuphilt Fernando has posted in the OP, but discussing various avenues toward classification and identifying it. Often a great deal of related material and comparisons, regardless of even tenuous observations, clues can be found in most unusual places!

Interesting about the contrived examples I mentioned with the odd crossguard UNDER the cup being cataloged as 'pirate'
I have one of these which was found with this seemingly cliche' classification as well (need to find pics of it).
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Old 8th June 2020, 10:03 AM   #2
midelburgo
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For the identity of the German blade maker, possibly numbers 49 and 88 of this catalogue are relevant.

https://www.yumpu.com/es/document/re...a-de-andalucia

He could be Enrique Coel - Köhl.

As for quillions under the cup, they are a distinctive characteristic of Mexican revolutionary swords with archaistic and rustic aspect.

Last edited by midelburgo; 8th June 2020 at 11:45 AM.
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Old 9th June 2020, 11:54 AM   #3
fernando
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Quote:
Originally Posted by midelburgo
For the identity of the German blade maker, possibly numbers 49 and 88 of this catalogue are relevant.

https://www.yumpu.com/es/document/re...a-de-andalucia

He could be Enrique Coel - Köhl...
I wouldn't take as so solid the determination of a blade smith by judging on this type of symbols.
The crucified Christ, with or without the cross, the MIN SENAL motto, the mention EN ALEMANIA, whether by Coel - Köhl - Col not, are allusive motives that were used by several smiths, famous and not, originators of the said symbols us just replicators.
Take a look at theses few swords shown in a exhibition of Portuguese/Spanish ornamental art held in 1882 in the Academy of Beaux Arts.
In some cases is the symbol/motto that figures, in others figures the smith names ... or his marks.


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