![]() |
|
![]() |
#1 |
Member
Join Date: Dec 2004
Location: Ann Arbor, MI
Posts: 5,503
|
![]()
Your first image is not “ yet another one”: it is a yet another re- drawing of one of the two images shown in the Post #7 . They are 3 variants of the same image, and which one was the original source is a mystery not worth solving.
The astonishing scarcity of physical representations of this pattern suggests IMHO that they did not exist in reality. Till now we see similar “ oriental scimitars” only in theatrical objects. I think the Sotheby’s one is from the same opera:-) Orientalists did not just depict the Orient; they have created one for the multitudes of homebound Europeans. This was one of the very few correct observations of Edward Said. |
![]() |
![]() |
![]() |
#2 |
Member
Join Date: Jun 2011
Location: Russia, Moscow
Posts: 379
|
![]()
Perhaps the roots of this tradition make sense to look for in the art of the Renaissance. Antonio del Pollaiuolo "The Battle of the Naked Men" (about 1465–1475)
|
![]() |
![]() |
![]() |
#3 |
Member
Join Date: Jul 2006
Location: Buraimi Oman, on the border with the UAE
Posts: 4,408
|
![]()
For more artwork and stimulating discussion please see http://www.vikingsword.com/vb/showth...9&page=1&pp=30
For example below ~ Last edited by Ibrahiim al Balooshi; 4th November 2019 at 12:15 PM. |
![]() |
![]() |
![]() |
#4 |
Member
Join Date: Dec 2004
Location: Ann Arbor, MI
Posts: 5,503
|
![]()
Ren Ren’s illustration may be quite revealing: European artists might have used their own falchions/stortas as a model for exotic Turkish swords.
Didn’t even have to spend money for a trip to Constantinople :-) |
![]() |
![]() |
![]() |
|
|