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#1 |
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Well noted on the 'weakly' but embellished pair from Mysore, as shown and described by Richardson (1999), which were apparently vestigial examples reflecting the heritage of the 'war elephant'.
From what I have understood, again in the very informative article by Thom Richardson in the "Royal Armouries Yearbook" of 1999 the elephant armour that was on display there came from Powis Castle collection, and the tusk swords were acquired from there later. It is noted that the armor and the pair of tusk swords were regarded as from different periods, and the sense was that the swords were likely notably earlier (the armor acquired mid 18th c.). I think that perhaps as these were not of the same period it was deemed more prudent to display them separately. It is interesting that having established that the tusks were sawn off, the term 'tusk covers' may well have been used whether they were just covers for exposed tusk or embellished with formidable appearing blades. The case seems unclear. I had not noticed the instance with multiple blades, which again well displays the innovation of these Indian armourers, who always sought to impress their patrons with novelty weaponry. |
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#2 |
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I remember that Sunde, maybe fifty years ago, told me that he had an elephant armour in an Indian storehouse, but they would not let it go.
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#3 |
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I am reasonably OK with the idea of tusk swords, provided they were just extensions of the tusk: they would improve on the penetrating ability of the tusk and at the same time would protect the tips of the tusks from mechanical damage inflicted on them by the contact with enemy’s metal protective devices. I agree with Jim’s disbelief in the veracity of Nikitin’s description of tusk swords.
But the more I imagine curved trunk swords and especially the chains attached to the trunk the more I doubt the wisdom of their use. Inevitably, wild dangling of either ( or both) such contraptions would run a significant risk of injuring elephant’s legs and tusks. War elephants were a).not easily replaceable and b). any painful injury to them would run a risk of running away from the enemy and squishing their own soldiers. |
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#4 | |
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"...large scythes attached to the tusks and trunks of the elephants". I would drop the 'trunk' part as being the author's 'flowering' the narration. But the 'scythe' term sounds not so distant to Garcia de Orta's 'plow iron'. I, for one, realize that, all we can say about these things based on the infinitesimal part that we know compared to whatever happened, is perhaps rather reducing. Notwithstanding the fun of enjoying such appealing conversation. And a little question: What was the primary purpose to saw their tusks ? |
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#5 |
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Chains attached to the elephant's trunk. 1750 year. India
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#6 |
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Mythological plot. But ... Is the author just invented an elephant who has a sword, which is attached to the trunk? Or...
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#7 |
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Mahratt, it is an interseting miniature you show, although I think the artist has taken over some of the details.
I have been wondering if the trunk sword was made like a kind of gauntlet sword, which would make it easier for the elephant to carry and use. |
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#8 | |
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I agree the artist here in the miniature shown by Mahratt (post 42) clearly has employed certain license in the portrayal of mythological figures and the image of a sword in the elephants trunk should be regarded as inclusive in such theme. Actually in the accounts concerning the inventory of the Tanjore armoury in 1860 describes a 'puttah' (clearly a pata or 'gauntlet' sword') which the author perceives as a sword for an elephant to wield with his trunk. With the sawing off of elephants tusks, I would consider, could it have been to render the elephant less threatening while in captivity/training by removing its natural weapons? While the thought comes to mind of using the ivory, it begs the question, was the Indian elephant ivory in the same kind of demand as that of African? are they of the same composition and quality? The sawn tusks then may require 'covers' as noted by Pant, which might have simply been a cap of some sort, but then in certain cases having an embellishment of a blade...in the manner of a prosthetic device. It is clearly a subject that did not seem to warrant elaboration in period accounts. All it takes is one writer to see an instance of such embellishment in a ceremony or parade, and taking off with it in perceptions, then their account becomes read by others, and it projects into lore and legend. Not that this is the case, but it is quite possible in considering various views in explaing these matters with elephant weaponry. |
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#9 | |
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What one needs for that is just some curvature or angling of the blade. Attacking with slightly bent head would impale the opponent and raising the head back would lift or throw away the (already lifeless) body. |
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#10 | |
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#11 |
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Hmmm - interesting comparison.
Travellers in India in the 15th century mentions the many war elephants being used, armed with swords on the trusks and the trunks, but they also mention guns and canons - not to speak about the rockets, of which the elephants were very afraid. Whether these early rockets were made of wood or maybe of lacquered paper is unknown to me, but Tipo had taken them a step further as he made them of iron, and he had several different kinds of rockets. What we dont know is, if the elephant sword at the MET has been bend, or if it was made the way it look to day. |
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#12 |
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That the evolution of weaponry was also 'shared' with elephants is an indisputable fact; Garcia de Orta, for one, was positive about that. We can read out there about Indian lords in the XVI century putting a culverin on their elephants.
But while with the previous weapons elephants were themselves the 'handlers', with the later they were only the 'carriers'. Is this the real thing ? . |
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