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#8 |
Vikingsword Staff
Join Date: Dec 2004
Location: The Aussie Bush
Posts: 4,361
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Elsewhere on this web site, Abel Domenech has posted a masterful essay on the knives of the South American gauchos. Here is what he has to say about the treatment of the ricasso area on many of these knives, and specifically the "Spanish notch" and the finger-stop structure:
"... Much has been written regarding the true purpose of the so-called "Spanish notch." As a matter of fact, on page 7 of ABKA Newsletter # 4 there is an interesting paragraph about Mr. Sterling Wortham's tracing of an old "Toledo" marked Spanish scissors and a discussion about the possible use of its "notches" when working with twine. Another interesting discussion on this issue was written by the late noted collector and writer Mr. William Williamson on the occasion of the publishing of a special work for the famous Exhibition of La Commission des Avoyelles (Bowie Knives/Origin & Development, October 1979 - pages 24 & 25). The two Spanish daggers shown on page 25 of that work show several features usually associated with gaucho puñales, including round bolsters and half-moon cuts on the ricasso, confirming the common roots of Bowies and gaucho knives. I have often asked myself if we can really link the purpose of those notches with the menacing rompe puntas (point breakers) of those Spanish left hand (main gauche) daggers used in the past, as has often been suggested; I really doubt it. It is possible that its intended use was that of catching the opponent's blade, but the shape of the notch present in some Bowies suggests another use to me. For example, the knife pictured in the book Bowie Knives by Robert Abels (The Ohio Hist. Scty, 1962), under number 3-K1A3c 10 1/2, depicts a corresponding hole in the sheath. This feature suggests an intended use to secure the knife to its scabbard by means of a leather thong. The notch in a well known Samuel Bell knife could have accommodated some quick release retention device, like a small short chain with a ring secured to the belt. Truly, it is a thrilling view that we get when we think about a duel occurring in those far gone days, during which the duelists try to break or catch the other's knife blade. But I think that we have to remember that the fighting methods of our ancestors were more dictated by their natural instincts, survival desire and personal skill than by formally educated and learned esgrima technique, like that of the different European swordsmanship schools. Thus, it is my personal belief that the presence of the "Spanish notch" responds to a less romantic or thrilling reason: it was more a cosmetic touch of the artisan who made the piece, reminiscent maybe of those European knives he might have seen, than a feature intended to be used in parrying techniques.Ian |
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