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#1 | |
Member
Join Date: Jun 2013
Posts: 2,145
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I disagree with the "short blades" for tourists, I've seen several short blades on Tabouka and Kaskara and in fact its the opposite they were the real daily life kaskara much more easier to use... Two examples from Beni Amer and Beja hills, Hadendoa. |
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#2 |
Member
Join Date: Apr 2018
Posts: 6
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Thank you all for your feedback. Blade is sharp and looks like it was bought sharp. Were tourist or wedding pieces usually made sharp? Also, how would one go about fixing a loose hilt? Is it fixed with just resin or can I expect a rivett under the wrap too?
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#3 |
Member
Join Date: Jan 2011
Posts: 1,114
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They are usually a fairly short tang, with a punched hole towards the end. They are fixed by a metal pin, or a nail through the grip and the tang.
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#4 | |
Member
Join Date: Apr 2018
Posts: 6
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#5 |
Member
Join Date: Oct 2010
Posts: 411
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The blade would have been sharp when it left the "factory" as the maker would not know the ultimate type of customer. In the 1960s-70s sword use was still an active means of self defence and/or of "being armed". BTW the cross guard is of good quality and rather old; in the Sennar location style.
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#6 | |
Member
Join Date: Mar 2010
Location: Olomouc
Posts: 1,708
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I've seen some shortened older blades but these are rare. There are mainly examples of poor quality thuluth blades and period quotations I have posted in the past of these being hawked to tourists. That doesn't mean every example is/was for the purpose. But certainly some were during the time madhist pieces were in fashion as bring backs. |
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#7 |
Member
Join Date: Mar 2006
Location: Room 101, Glos. UK
Posts: 4,215
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That does look like the blade was fullered rather than a more touristy flat stock. the wormholes in the grip could be filled in with superglue to help stabilise the wood if you do try cutting with it. If there is no staple/bent nail/cotter pin hidden under the wrap, holding the grip scales and blade, I'd be leery of cutting anything with it, especially with anyone in the immediate vicinity that might be hit by a flying blade while you are left holding the remains of the grip. The long ones were often used from camelback & would be an impediment if dismounted, or trying to defend a building, these, like naval hangers (and roman gladii) are more suited for close work. A lot of indigenous people STILL guard their homes with cold steel.
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#8 | |
Member
Join Date: Apr 2018
Posts: 6
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Was thinking on selling it as is but my kid said that he wants to have it when he grows up...I was a bit surprised he would prefer it over the shiny, modern reproduction European swords I have... ![]() |
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#9 |
Member
Join Date: Mar 2006
Location: Room 101, Glos. UK
Posts: 4,215
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Just found a photo of a takouba's tang, might be of interest...
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#10 | |
Member
Join Date: Mar 2010
Location: Olomouc
Posts: 1,708
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Takouba don't use a pin, but a full tang through the pommel. |
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#11 |
Arms Historian
Join Date: Dec 2004
Location: Route 66
Posts: 10,189
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It is always interesting to see discussions on kaskara, especially when these aspects of more modern examples are observed. I very much agree with the date consensus on this one, and as noted, these were not necessarily made 'just' for tourists. While many traditional ethnographic weapons do end up in souks and sale venues, they are likely most honestly intended for traditional uses, with weddings of course as well as other celebratory events.
I also agree that the shorter examples are intended for the wear over the shoulder, which is often seen in period photographs. It seems I recall one of Zubier Pasha, a notorious slaver, mounted wearing one in this manner, while a longer (full size) one was attached to the saddle under his leg. This was very much in the European manner of a 'tuck' (large straight sword) under the riders leg while he wears a sabre. The steel used in this blade was probably in the same manner as the old lorry springs used in the early days of British occupation in Sudan and it would seem that the very process of grinding the blade down would render a reasonably sharp edge. These methods of kaskara production have been handed down for generations, which is why I have always considered even newer examples like this very much good 'ethnographic examples'. Selohr, its a nice thing that your son has expressed interest in this kaskara, and it is almost in keeping with the true character of owning such a sword in the Sudan. …..passed from father to son. ![]() |
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