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#1 |
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Hello everyone! I saw recent interest in gunongs and I'm sharing photos of one from my personal collection. The blade is 19 cm long and 2.6 cm at the widest end. With the wooden hilt (banati?) and metal guard, the total length is 28 cm. It comes with the original scabbard with metal rings and belt loop. However, the scabbard is damaged with some parts missing. It is estimated to be from the year 1900 or thereabouts. For reference, I've included a photo of the gunong prior to restoration. Your thoughts would be greatly appreciated.
Fernando Last edited by F. de Luzon; 16th February 2018 at 11:17 PM. Reason: Photo added |
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#2 |
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Thanks for sharing this one. I agree it looks to be from the turn of the 20th C and you did a nice clean up. I particularly like the blade with its tight luk that gradually get shorter in length and width, and obviously made with a lot of skill.
Very nice piece. Ian Last edited by Ian; 16th February 2018 at 03:29 PM. |
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#3 |
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The metal looks to be low silver/copper alloy.
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#4 |
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Suwasa?
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#5 |
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I assumed the metal is brass but I don't know much about metals. I'll have it tested by a jeweler to find out. Thank you all for your insights. I appreciate your comments.
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#6 |
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Very nice and the photos are impressive as well.
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#7 |
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Very nice gunong!
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#8 | |
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#9 |
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Very nice sir!
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#10 |
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Red brass, what we call gilding metal in the trade..... could be. I forget about this alloy sometimes, and suwasa/swassa would probably not patina like that.
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#11 | |
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Regards, Detlef |
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#12 |
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Hello Fernando,
I'm with David in that suasa usually doesn't patinate that heavily during active use. However, if not handled for longer periods and with varnish/grime/whatever accumulating, it still is a valid possibility. There are some quite unusual alloys with low gold and/or silver contents in Asia. IMHO it would be interesting to have it tested: Just make sure the jeweller understands that you're looking for (very) low gold content as this will influence the testing approach. Better yet, results from modern XRF instruments should allow a full understanding of this unusual alloy. Regardless of the alloy utilized, a nice , early example! Regards, Kai Last edited by kai; 18th February 2018 at 12:37 PM. Reason: clearer wording |
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#13 | |
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#14 |
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Hello Detlef,
Thanks for the pics! I wasn't directly referring to your posting and my wording possibly wasn't clear enough. I believe in these cases it's more like build-up of oil and dirt rather than typical patina. Still lower gold/silver alloys will also result in some oxidized metal, so this POV will be open to debate. Regards, Kai |
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#15 |
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P.S.: Out of active use is the key word here, I believe.
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#16 | |
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no worries, my post wasn't meant regarding your comment. Oxidation is transfer from electrons from chemical view. And even gold do it but extremely slow. And suassa has a lower gold content so it will patinate more fast. I am not a chemist but think that this is correct. Regards, Detlef |
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#17 | |
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#18 |
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First and foremost, what a lovely gunong! And I wish I could do half as good of a cleaning job.
Secondly, the "belt loop" on the scabbard is unusually isn't it? I don't think I've seen one like this on an older one before. Is this maybe a latter addition? The color of the metal of matches both the metal bands and the ferule/guard, so if it is latter, it's a good match. Thanks, Leif |
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#19 |
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Hi Leif:
One does find older gunong with a belt loop like this, and it is not all that uncommon a finding. Often, however, the knife was simply thrust through a waist band and there was no need for a loop. Ian. |
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#20 |
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Ian,
Thank you for your willingness to share your formidable knowledge. I always learn something from your comments. Thanks, Leif |
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#21 | |
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Ian. |
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#22 | |
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Hello Ian,
Quote:
However, alloys can exhibit quite a few funny/weird characteristics which need in-depth research to really appreciate them fully. Regards, Kai |
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#23 |
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I too Ian, my kris that once belonged to Datu Piang that has a solid suassa hilt (with solid yellow gold accents) was once black! I thought it was silver until I polished it and found the solid suassa.
![]() What I base my leanings on the metal is the type of hue in its cleaned state, which looks to have less gold and more silver. Ian I think this is more like samrit than suassa. Either way, it is a nice piece! |
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#24 |
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That's interesting Jose. For these non-silver black oxidized pieces, I wonder if there might be some arsenic also in the mix. Some oxides of arsenic can be very black in appearance. I seem to recall that arsenic has some mystical properties in mainland SE Asia--certainly some of the Hmong who live in the Twin Cities used arsenic for medicinal purposes and I was told by members of that community that arsenic is a powerful substance in their culture.
Ian. |
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#25 |
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That is a beautiful and elegant old gunong you have there Fernando. Amazing how many luks were fit into its 19cm length. Very nice work there. Also a very nice restoration on your part.
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#26 |
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That's a good question Ian. I don't know for sure. I know Bali uses arsenic in etching their keris blades.
One thing is for sure - often even the copper/gold mix of suassa has some silver content in it so that it won't become too brittle to work. Although copper is incredibly soft, when mixed with other metals it makes the new alloy brittle. Also, some used the silver/copper alloy in a particular mix to LOOK like copper/gold suassa (especially since gold is so expensive). |
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#27 | ||
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Hello Ian,
as mentioned by Jose, most suasa also contains silver and it will be mostly silver sulphides contributing to any very dark patina. Quote:
It's the arsenate salts with metals like iron that are blackish (cp. warangan). Metallic arsenic in an alloy is a quite different kettle of fish though and unlikely to be more than a trace contaminant... Quote:
Regards, Kai |
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#28 |
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Thanks Kai.
Yes, it's arsenates [–AsO4(-3), etc.] not oxides of arsenic [As2O3, As2O5, etc.] that are black. I'm not sure that silver oxidation explains the intense black oxidation that I observed on my samrit covered daab. Some time ago I was sent an old formula for samrit, and no mention was made of silver in the mixture if I recall correctly. Also, the intensity of the black color was much more than I see on silver covered pieces from the same general region--silver oxidation tends to be more grey than black. I have another Lao daab from the 17th C with a samrit hilt that has virtually no oxidation, and I have no explanation why one would have such a dark patina and the other virtually none. Presumably it reflects different components in each sample of samrit. |
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#29 |
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Actually for silver the longer the oxidation the blacker it gets.
Another consideration is the copper content, because when copper is involved, then the darker the oxidation gets as well. Copper often gets the green/blue/even multi-color patinas. However, when mixed with certain metals, the patina might change depending on the metal mix. Copper/tin mixes (bronzes) may yield a green patina, but can also give a dark brown to even black patina. This black patina can also be seen on silver/copper mixes where the mix has a large percentage of copper (in fact, silver/copper mixes with large amounts of copper often patina quicker than either silver or copper by themselves! ![]() Hope this is now clear as mud........... ![]() |
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#30 |
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Thanks Jose.
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