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#1 |
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Old 20th October 2009, 04:39 PM
Posted by. Jim McDougall EAA Research Consultant Join Date: Dec 2004 Location: Route 66 When I first saw this, I thought also of the 'Caribbean' versions of cup hilt rapier, as described by Peterson and Brickerhoff/Chamberlain, and are as previously noted, basically military 'arming' versions of the traditional cuphilt. However, this example has more refined, though heavy, styling carrying the vestigial elements such as the rompepuntas. The term 'Caribbean' seems to have become somewhat misaligned as these are actually 'colonial' as thier use and apparantly their production appear to have been widespread far beyond that sphere. The dual colored grip is similar to those seen on Spanish colonial hilts on a number of edged weapons typically of latter 18th into early 19th. I have an example of court type sword of probably 1820's Mexico with this type of horn/ivory type grip. In style it is also with neoclassic style elements that are often seemingly incongruent, such as vestigial quillon arms placed reduntantly under a dish guard. The mark truly is intriguing, and I think is likely associated in some way to an officer, probably with interest or membership in a group in league with the numerous fraternal or perhaps some Masonic presence. Also, it would seem that the use of the Caravaca Cross, with South American prevalence mentioned may have some bearing on its presumed colonial provenance. . Last edited by fernando; 20th October 2017 at 02:39 PM. |
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#2 |
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Old 20th October 2009, 06:36 PM
Posted : celtan Member Join Date: Sep 2008 Location: PR, USA Hi Guys, The central wide fuller makes the blade distinctly different to the "a dos mesas" type, so characteristic of iberian battle-swords in the 17-18th Cs. I have seen such fullers in swedish, german and belgian blades. The grip is a later replacement, its type was often seen in Spanish colonies from Filipinas to America.. Incidentally, the blade is too heavy for the pommel's size. The motto is either galician or portuguese, most likely the latter. Very good condition overall, congrats Ferd! . Last edited by fernando; 20th October 2017 at 02:40 PM. |
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#3 |
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Old 20th October 2009, 07:20 PM
Posted by: Jim McDougall EAA Research Consultant Join Date: Dec 2004 Location: Route 66 Excellent observations Manolo!!! Could you please say more on the term 'dos mesas' ? I am unfamiliar with that particular term and would like to know more. I agree with the cross section of the blade resembling the Solingen type productions of c.1760's with the 'Spanish motto' often found on 'dragoon' swords. All the best, Jim . Last edited by fernando; 20th October 2017 at 02:40 PM. |
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#4 |
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Old 20th October 2009, 08:33 PM
Posted by: celtan Member Join Date: Sep 2008 Location: PR, USA You mean the "No me saques sin razon, no me envaines sin honor" ? The " a dos mesas" is roughly a flat hexagonal cross cut blade. Jim, I'm afraid I must eat crow: checked my database of old Iberian blades, and saw several with the central wide fuller... Drat! I'm fallible after all.... Or am I? Perhaps I was just testing you. Yeah, that's it, just testing you... : ) Manolo, you rascal!! LOL!! Thats OK, I need testing, besides eating crow is often part of my regimen and I do it a lot Thank you for the info on 'dos mesas' is the hexagonal blade which I always call the dragoon blade (from certain references) and indeed often with the No me saques sin Razon motto. All the best, Jim . Last edited by fernando; 20th October 2017 at 02:41 PM. |
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#5 |
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Old 20th October 2009, 11:24 PM
Posted by: fernando Lead Moderator European Armoury Join Date: Dec 2004 Location: Portugal Hi guys, thank you all In face of so many coments, i decided to take off my cuff links and do a bit research myself, trying to instantly catch pace with those, like you, whom gathered a lot of luggage in this subject through long time. I will in any case continue researching and try and join as most material as i can on this item, as i usually do. Concerning Norman's sugestion about the crucifix; considering he is right ... or half way to it. We can even go as far as imagining that this mark is a composition made with the smith punction and the client's symbol. But i am not personaly inclined to it, until further evidence ... or until we find this mark in some book or picture. I went into the unusual (for me) adventure of dismounting the guard; fortunately the pommel is the screw type. Now the mark is as clear as possible. A real chalenge; besides the classic christ in a crucified position, as may be seen in Pedro Hernandez mark, there is a peripherical double beam cross, upon a sort of calvary and with an aureole on the top. I wonder whether this is a Patriarchal or a Lorena Cross, or a 'modified' setup created by the smith. I couldn't yet confirm if and what inscriptions Pedro Hernandez and other eventual crucifix mark smiths used to inscribe in their blades, but suddenly i realized that the phrase MIN SINAL HES EL SANTISSIMO CRUCIFICIO is not an abstract allusion but an objective one, that is, the signal (sign) they refer is the mark they punction on the blade recazo: the crucifix. I don't think i assimilate the sugestion that this sword is Caribbean ... or Spanish colonial, or the like; much less a rapier . I am totally convinced that this sword is Peninsular; either Spanish or Portuguese ... or both; like a XVII century Spanish blade with a XVIII century Portuguese hilt ... for instance . I have just checked the digital copy of a catalogue published to cover the Ornamental Art Exhibition held in the Lisbon Academy of Fine Arts in 1882. There were four swords with the inscription MIN SINAL HES ... all (syntomaticaly) with the same spelling, and all dated by the catalogue author as being from the XVII century. And, two amazing things: one of them was a schiavona sword and another, a cup hilted one, had the marks of famous Alonso Sahagun on the blade forte. Except for the schiavona, the other three were quoted to have a crucifix on both sides of the recazo. I agree with Manolo that the blade shape of 'bulk' cup hilt battle swords was the dos mesas (two convex faces cross-section); i have one myself and also find one pictured and described in a book i have. But i guess this doesn't eliminate other shapes, does it? I eventually have a similarly fullered specimen in the same book, precisely with the MIN SINAL HES motto ... and in the same lettering as my example; and also dated XVII century, although i can't guarantee the author's rigour; it belongs to his own collection. ... And, Manolo, i don't think the blade is too heavy for the pommel size . Remember the blade is fullered and of short length; the point of balance is 8 cms away from the guard. What do you think? Concerning the dimension of the rumpe puntas (quebra pontas) Jim, i see plenty like this one, as still being within the 'norm'; but here between us two, i think such implement was more on the fantasy side, rather than an operational device . My best wishes to everyone ... and thanks a lot for your participation. Fernando (missing attachments) . Last edited by fernando; 21st October 2017 at 06:19 PM. |
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Old 21st October 2009, 01:48 PM
Posted by: fernando Lead Moderator European Armoury Join Date: Dec 2004 Location: Portugal Meet the crucifix used by Pedro Hernandez. Fernando . Last edited by fernando; 20th October 2017 at 08:15 PM. |
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Old 21st October 2009, 03:35 PM
Posted by: celtan Member Join Date: Sep 2008 Location: PR, USA Hi Nando, I forgot to take into consideration the weight of its hefty cup guard, it should help the pommel maintain the balance. . Last edited by fernando; 20th October 2017 at 02:45 PM. |
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