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#1 |
Member
Join Date: Dec 2004
Location: Cincinnati, OH
Posts: 940
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Hi Klaus, willkommen. The dress is typical of a touristy variety common to Borneo. A rather elaborate version of this even made it into Frey's "The Kris", Fig. 27. Whether nicer versions of this form were ever made for indigenous use i do not know. The blade genuine and has some age to it. There is much blade erosion and damage, so it would be hard to place this blade in period or original quality, though i suspect it was a fairly average village made keris, probably from Jawa.
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#2 |
Member
Join Date: Jan 2005
Location: Austria
Posts: 8
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Hello,
thanks a lot for your answers. a short time ago i got an mail from an man, who i ask for this keris, what do you mean: "The fittings of the keris is rather odd, and is surely not originally a type for keris and is newly made to look rather "authentic". With the teeth and painting decorations, it resembles more of a dayak's sword or mandau, which is more commonly seen in Borneo. The blade is a more good older piece, with very Javanese looking features. The patterns on the blade or pamor is of the scattered rice variations, and from the picture I can judge that it can be about early 19th to late 18th century." greetings from austria klaus |
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#3 |
Member
Join Date: Dec 2004
Location: The Netherlands
Posts: 1,209
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Herzlich wilkommen, Klaus.
Nechesh is right. The blade is probably javanese. Not uncommon for this type of keris. Also balinese blades were used for these keris. The dress is refered to as Borneo and probably the new ones for the tourists will come from Borneo, but this dresstype is also used for mandaus. This dress is typical for Irian Jiya, former Dutch West New Guinea. The authentic keris and mandau from that area had the same dress and painting style. Only paint made from natural materials was used and the result was not so bright and shiny as this one. The blades were imported from Indonesia so therefore you can see them with balinese or javanese blades. And of course the blades weren't treated at all. Thats why these keris are always so terrible rusty. What you have here Klaus is a new keris from Irian Jiya, made for export or if you like for tourists but made in the traditional way. |
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#4 |
Member
Join Date: Dec 2004
Location: Boca Raton, Florida, USA
Posts: 108
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Hi fellow forum members,
I have attached photos of a piece in my collection which I know arrived in Scandinavia in the early 20th century, while it does fit the description from Henk as being authentic mandau, I have over the years been looking for any evidence (drawings or photos) of this keris actually being used, perhaps one of the members have the proof I seek. Frankly, I have considered this piece to be an early tourist keris, but then again in the early 20th century, I for one would not like to be a tourist in Irian Jiya. ![]() |
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#5 |
Member
Join Date: Dec 2004
Location: Big old machine shop/foundry/warehouse in Atlanta GA USA
Posts: 51
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I got one of these also, more like the first keris than Eric's. I thought that it was a made-for-tourist joke, but I showed it to a guy who knows keris and he said that he thought mine was a legitimate keris that had been "customized" by a Batak or Dyak. The colors on my paint are a bit more faded, but it does have the boar's teeth and hair.
My wife loves it and has it hanging in the kitchen. |
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#6 |
Vikingsword Staff
Join Date: Nov 2004
Posts: 6,348
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Do you think that the wrongko has been re-carved ?
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#7 |
Member
Join Date: Dec 2004
Location: Boca Raton, Florida, USA
Posts: 108
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Hi Rick,
I do not believe the wrongko has been re-carved, everything on the piece is consistant with the arrival date to Scandinavia. I have not re-touched it in any way, all I did when I got it back in the sixties was to clean the blade (which was rather rusty) and preserve it, everything else I left alone. The gandar have old repairs, it was broken in two places in the middle and a part of the top is missing, but I do think it is original despite the early repairs. Best Regards, Naga Sasra ![]() |
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