Warangan treatment of an old Javanese blade?

[kai]

Dear Jean,

I already showed this strong blade attributed to Blambangan or Banten and estimated from 17th century or possibly earlier (end of Majapahit period or soon after). It is very similar to the blades shown in the Krisdisk from the late K.S. Jensen, for instance on figure 77, page 30 of the North-East Java chapter. Unfortunately the blade was shortened at the tip for any reason and the last 2 or 4 waves are missing.

Say, has it been possible to smooth out the tip a bit?

The blade surface is very smooth and shiny, and it shows traces of a refined pamor pattern. I never saw any blade in this category after warangan treatment as all the known specimens are in European museums and the curators won't apparently consider to have them treated?

Musea are really obsessed with preservation. You'll have a really tough time to even have them considering any treatments that bear the slightest risk of corrosion/etc. much less experimental treatments! I also believe there is no certified museum conservator competent in doing warangan either.

On the pro side, this is the reason why we have some of these early collected blades surviving almost untouched; on the con side, this also is the reason why blades in some collections rust away rather than being rescued in time...

So I have decided that I should do it for the benefit of the kris people even if it would reduce the blade value, what do you think and which result would you expect?

Thanks a lot for your efforts - I am certainly very eager to see the results!

We can already see traces of a nicely controlled and fairly dense pamor mlumah of the wos wutah type on both sides. Thus, I don't expect any miracles but guess that we'll see a bold contrast. I'm looking forward to the great opportunity to study the pamor in detail - please post a lot of close-ups!

BTW, I don't think the warangan treatment (if competently done by the paste method rather than soaking) will reduce the value of this blade. I would not dare to ship such a piece to Indonesia though...

Regards,
Kai

[Jean]

Thank you Kai and your comments will be welcome!
Regards

[David]

Beautiful result and nice to see. Thanks Jean!

[GIO]

Yes, the blade could be North-East Javanese. The overall shape doesn't seem Balinese to me. Compliments for the etching: it's you who did it ?
Best regards

[Marcokeris]

very very nice blade ... and hilt!

[Jean]

Originally Posted by GIO

Yes, the blade could be North-East Javanese. The overall shape doesn't seem Balinese to me. Compliments for the etching: it's you who did it ?
Best regards

Hello Gio,
The etching was done by Master Herman from Solo, the pamor contrast is excellent and the bade still very smooth.
Best regards

[Jean]

Hello friends,
I also commissioned a new scabbard iras made from cendana (non-aromatic sandalwood), the shape and sunggingan are not perfect but the best I could get.
Regards

[Sajen]

Well done Jean! I really don't see any reason why the blade shouldn't get etched, maybe a somewhat milder etch would let look the blade old like it is.
And better this scabbard as no scabbard! I am green with envy, this keris is also with it's small faults a real beauty!

Regards,
Detlef

[kai]

Dear Jean,

Thanks a lot!

I have to admit that the gonjo wulung came as a surprise! It does look well made - there seems to be some variation with the ron dha that can't fully be explained by different thickness though. Any hints that it may be not original from personal examination? I don't have clear hints to doubt that it is genuine/original - just asking for info not available from pics...

The hilt looks way nicer with the new mendak and also the scabbard echoes older styles.

Regards,
Kai

[Gustav]

Hello Kai,

Gonjo Wulung on these Keris are quite usual. This one has been slightly bent upwards, that's why Greneng looks a bit curious. Luckily it didn't break, these Gonjo Wulung can be very brittle.

[kai]

Thanks, Gustav!

Gonjo Wulung on these Keris are quite usual.

Yes - it is just way more difficult to establish whether any gonjo wulung has been added/changed later or really is original though. It may not be a major issue for a given keris; however, when looking closely at the greneng, I try to establish them being really comparable to the rest of the blade first.

This one has been slightly bent upwards, that's why Greneng looks a bit curious.

Yes, this makes things tougher. However, there seem to be also differences between the ron dha nunut and the neighbouring ron dha (as well as with the jenggot) that can't be explained by distortion from bending.

Luckily it didn't break, these Gonjo Wulung can be very brittle.

I assume there may be some incentive to cut short the "washing" of the iron prior to crafting these...

Regards,
Kai

[Jean]

Hello Kai and Gustav,
I was also a bit surprised to discover the ganja wulung, but as far as I can see it looks original and the craftsmanship is similar to the blade itself.
It seems to have been hammered indeed and it is slightly misaligned with the blade and the blade is not perfectly sitting on the gonjo on the back side. I assume that the ganja was loose and re-glued, and not properly positioned after gluing.
I am very surprised to see the sharp details of the greneng, especially the ripandan.
Regards

[Jean]

Considering the excellent condition & thickness of the blade and the quality of the metal, has anyone an opinion why this blade was shortened? (purposely broken?). Unfortunately I have no clue about the history of this blade.
Regards

[Bejo]

Hello Jean,

The result even exceed my prediction

I don't know why this keris has top part like that.
But, when I examine the pamor from the top part. I have just realized that the pamor is not exceeding the edge of the wilah. Thats quite strange to me. From my opinion, it looks like the creator of top part has calculated so the pamor won't exceed it's edge.

Also, the two side also have different shape of top edge. Does the top part (pucuk wilah)of this keris slightly tilted? Could you provide the picture of the top part rotated 90 degree? (From it's thin side)

Thank you


Best regards,

Joe

[kulbuntet]

Originally Posted by kai

Musea are really obsessed with preservation. You'll have a really tough time to even have them considering any treatments that bear the slightest risk of corrosion/etc. much less experimental treatments! I also believe there is no certified museum conservator competent in doing warangan either.

BTW, I don't think the warangan treatment (if competently done by the paste method rather than soaking) will reduce the value of this blade. I would not dare to ship such a piece to Indonesia though...

Hi Kai, hru long time ago!
I am convinced that musea have the knowledge to do this, and if not could get this is a short time. I think the main reason they do not practice this like you already said, preservation this combined with value. The thought like "if it not broke, dont try to fix it" (IT rule 1) applies IMO. Most museum have conservators/curators and a well trained and experienced restoration department, at least the ones i know here in Amsterdam. I am not sure how the musea in Indonesia think about this, maybe one of the Indonesian forum members could provide information about this, would be nice to know.

If the waragnan treatment influences the value of a blade? Might depend of the criteria the interested buyer/owner have. So this could be seen as a personal thing, rather then a hard fact. Some people rather have a for example sikim with patina, so they see that it is old , others rather see it cleaned. What the best is to do, not sure. Maybe the best to do is follow your instinct and feeling, in the end you must be senang with the result and overall looks!

Kind regards Michel

[A. G. Maisey]

Museum Radya Pustaka in Solo, Jawa Tengah, used to periodically clean and stain tosan aji that was on display, I do not know if they still do. The administrative arrangements for this museum changed not so long ago, so anything is possible.

In Australia there was at least one museum conservator who was trained in traditional Javanese cleaning and staining methods, and one museum curator who had a good understanding of the processes involved. They both received their training and instruction more than 25 years ago, so I do not know the current situation.