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#1 |
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Keris forum moderator
Join Date: Aug 2006
Location: Nova Scotia
Posts: 7,250
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hmmm....now i am even more intrigued...
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#2 | |
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Member
Join Date: Aug 2007
Location: Germany, Dortmund
Posts: 9,422
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Quote:
here the picture from the complete keris, the sarung from Roland's keris is very similar and it looks like they coming from the same workshop. Both examples have a scabbard complete covered with silver sheet, with very good embossing and engraving work, outstanding work indeed. It's not exactly dated but guessed by the work done on this piece to end of the 19th to early 20th century. I would concur with this dating. Here a picture from this keris, sadly it will be difficult to see the fine work. Regards, Detlef |
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#3 |
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Keris forum moderator
Join Date: Aug 2006
Location: Nova Scotia
Posts: 7,250
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Thanks Detlef.
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#4 |
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Member
Join Date: May 2006
Posts: 7,085
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Roland, I have never known a Balinese silver worker to cast this type of silver work, these hilts, and the thousands upon thousands of other silver objects that the craftsmen around Celuk make are 99.9% fabricated. Same goes for the workers in Kota Gede in Central Jawa.
There are production reasons and cost reasons for this. Casting is only economical when the quantity of silver used is not a consideration, or when the labour involved in casting will be offset by mass production. These hilts are not mass produced, they are one off productions. |
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#5 | |
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Member
Join Date: Jun 2009
Posts: 1,740
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Quote:
Regards |
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#6 |
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Member
Join Date: May 2006
Posts: 7,085
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Yes Jean, absolutely.
Ornamentation is not Balinese style, the "dragon"(?) is not Balinese style. I cannot see much of Bali anywhere, however, to the best of my knowledge China has not yet started to dabble in the keris market, the way it has in other collectables markets, so I'm prepared to accept this as Balinese for the time being. |
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