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#1 | |||||||||||
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![]() The issue here is not such passionate angle of political influences, even if ancestral ones but, instead, questioning the plausibility of authors (and collectors and others) statements on determined swords provenances and their influence in shape throughout ages and peoples. Quote:
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I just wonder how the author of such statement isn't also aware of that. But if he was, we wouldn't be here analizing such implausibilty ... although not one of the more screaming. Quote:
By the away, you are surely aware that the name Falcata was ony attributed in the XIX century. What it is not known, according to experts, is how Lusitanians called this sword... but this doesn't mean that they didn't used it. On the contrary, if Celtiberians made them (or copied them), we may realize that they passed on to their following breeds. It is not because early examples were recently found that original models didn't have their inheritance and evolution throughout time. Quote:
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... And i happen to have been offered a catalogue of a collection auctioned in 2003 with an outstanding set of these swords in exceptional conditions. Quote:
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Nevertheless this Gentleman holds in fact one of the largest collections of early weapons and tons of documentation mainly directed to the Indian route and discoveries period. Quote:
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If you browse the search button of the forum under AS ARMAS E OS BARÕES it could be that you find a few pictures i posted of Eduardo Nobre's collection with contextual detail references. ... Plus the details i have already passed you on my half dozen examples. Did i also pass you their pictures ? . Last edited by fernando; 31st July 2017 at 05:24 PM. |
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#2 | ||||||||||
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Location: Nothern Mexico
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That is correct. It is what I have been saying about this evolution. Quote:
Agree. M. Fulgosio invented the name in 1872. Of course, also Lusitanians used the falcata. Though I am more adept to the explanation about their origin given by Fernando Quesada Sanz in his book on the subject. I personally don't believe in the Greek origin. Quote:
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I only have the book from Quesada and some articles. You should share!! ![]() ![]() Quote:
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Thank you for the references. I have Hombres, Espadas y Tomates (only text, no images), but not the other book. As you know, I was absent from the forum and many interesting threads are unknown to me. I will search inmediately. But of what pictures are you talking about? Do you mean the photos from the book above and from Antonio's Page? Un abrazo Last edited by Gonzalo G; 1st August 2017 at 11:08 AM. |
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#3 |
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Details from photos of paintings of Nuno Gonçalves (court Portuguese painter, 15th Century). The swords seem more akin to the Spanish ones. I wonder if the black sword, more differentiated, was exclusive of the colonial enterprise. Or if the differences were because one was a dressing sword and the other a fighting sword, or just because one evolved in time into the other. The details come from the portrait of Saint Paul and the Saint Vincent Panels:
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#4 |
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Another detail:
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#5 |
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But now, this more military-style men carry the more classic black swords (same panel):
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#6 | |
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#7 | |
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Now, since I wouldn't like to make frivolous divagations (too busy with my readings), I will not insist on this subject and just ask you to compare the swords by Nuno Gonçalves from those represented in the "Santo Domingo de Silos" by Bartolomé Bermejo, 15th Century. Left panel, upper image. It is in the opposite side of the Iberic Peninsula, the Kingdom of Aragón: Santo Domingo de Silos Regards Last edited by Gonzalo G; 2nd August 2017 at 02:25 AM. |
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#8 | |
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![]() What is there to compare ... what is obvious ? Portuguese, Spanish, Iberian, even Venetian. On the other hand, it is amazing how the artist could envisage Saint Paul with a navigator sword ![]() I remember having been here: http://www.vikingsword.com/vb/showth...ghlight=panels BTW ... perhaps is time to pack bags and leave this thread follow its original path ![]() . Last edited by fernando; 2nd August 2017 at 02:52 PM. |
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#9 | |
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In these Iberian ...and in fact Mediterranean forms there is clear and undisputed free association of design although it is difficult to nail down a specific date where one form flows into the next. I wondered if the Jewish expulsion question from Spain can be viewed in explaining the redistribution of sword makers around the region may be part of the equation. In 1492 when the great expulsion took place see http://www.sephardicstudies.org/1492account.html where it states that most were artisans and for example the King of Turkey welcomed those that made it...as he was aware of their expertise... at making arms. Thus it was that these peoples were spread around and must have gone where their specialty was best received ... It is suggested that weapon spread of design and style must have featured highly in their technique thus diffusion of design probably took place widely. To me two countries (but not only two) in particular are responsible for the world wide spread of sword variants... Spain and Portugal ... The Papal act Treaty_of_Tordesillas 1494 and closely related treaties to 1530 and onwards which split the Atlantic between the two must be instrumental in farming out the potential for spreading form from each source. (But not only that factor) In fact this didn't altogether prevent each country from doing a little trespassing... and ships going the long way round and via Acapulco soon found the short way home via the Indian Ocean. In effect hardly any country took a blind bit of notice of this treaty and it could be argued that it simply heated up the race for territorial expansion all around. In itself this comes as another factor in sword design copy and transfer..Interesting. The thread is a good one although I repeat that insofar-as the header...Jineta/nimcha/kattara is concerned Jinetta and Nimcha are related and relatable but the third is not; Kattara has nothing to do with either. The Papal act dividing up the world can be seen at https://en.wikipedia.org/wiki/Treaty_of_Tordesillas and below an idea of the sea chart supporting it. Last edited by Ibrahiim al Balooshi; 3rd August 2017 at 02:01 PM. |
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#10 | |
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I will start by uploading pictures of the falcatas from that catalogue i have previously mentioned (and as already requested by Gonzalo) and later will add to this post some considerations introduced in such catalogue, about the Weapons of the Iberian Iron Age, written by authors other than those quoted by Gonzalo, but which approach, even admitedly outdated, seems to be worth to consider. In a next post, i will upload further pictures of the same catalogue, in order to help me raise some empirical crazy questions about the turned quillon saga. . Last edited by fernando; 3rd August 2017 at 07:25 PM. |
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#11 | ||||||||
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http://www.vikingsword.com/vb/showth...=eduardo+nobre. Quote:
.HEREHERE HEREHERE Last edited by fernando; 1st August 2017 at 01:55 PM. |
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#12 | |||||
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En Torno al Orígen y Procedencia de la Falcata Ibérica Máchaira, Kopis, Falcata Quote:
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Discoveries Swords And thank you very much for your link. A succulent text. Regards Last edited by Gonzalo G; 2nd August 2017 at 03:49 AM. |
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#13 | |||
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I confess that, reading this document i posted and the fraction i uploaded with a ceramic work in which Greeks are rehearsing an atack with swords visibly the type of the Kopides, my non scholar interest was satisfied. Needless to say that the Helenic origin theory is also embraced by other sources; i don't know if inspired by Quesada Sanz. In any case and quoting again the work i linked, we may read that Sanz mentions also as origin Souhern Albania and the Etruscan lands, here spotted a century later. Whether this type of weapon originated in Northern Greece and travelled to those other places, after all no so distant from eachother, is a riddle i will leave for academics endeavour. Quote:
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I was referring to another link where he shows a row of Portuguese weapons. Also in his web page he has/had an article on his visit to Rainer Dahehnartd's house (much before i did), where he photographed one or two other swords; a different context. |
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