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#1 |
Member
Join Date: Jul 2014
Posts: 412
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As Cerjack has pointed out with the shape and design its obvious that the pommel and the guard do belong together + the same workmanship and patina, there is no reason to doubt that.
It seems that the composition here is a working life combo, that does not mean it could been assembled like this initially either. I don't know if there are books that illustrate these type of pommels but I have seen them before and here is a similar one , they are definitely used as sword or rapier pommels. A nice detail is the guard of this one has upward pointing quillions to. Kind Ulberth |
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#2 |
Member
Join Date: Nov 2008
Posts: 334
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Cerjak, it seems we both agree the good blade was re-fitted. After a second look I also agree the pommel matches the guard (I'm aware of that type, just cannot put my finger on period and place). Could be a colonial rapier.
However, I still think the cross bars were bent backwards against its original design. |
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#3 | |
(deceased)
Join Date: Dec 2004
Location: Portugal
Posts: 9,694
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![]() Quote:
On the other hand, when it comes to fencing school rapiers, (quoting Jasper) the shape of quillons is a matter of personal taste and of course of the type of the fighting school and personal fighting skills. We can see here how the same type of fencing rapiers may have different quillon approaches: http://www.vikingsword.com/vb/showth...ghlight=school |
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#4 |
Arms Historian
Join Date: Dec 2004
Location: Route 66
Posts: 10,192
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Ulfberth, that is an absolutely perfect catch!!! Excellent example, and I agree this assembly may well have had working life originality. The pommel in Jean Lucs example is cruder and the sides are curved in from the top, and these quillons are crudely worked....however the sword itself has a certain mystique.
I am thinking that broadaxe is onto something with the colonial suggestion. With the example Ulfberth shows, the swept upward quillons, the type of pommel and essentially the gestalt of the hilt suggest compelling likeness. The example he shows, has an arming type blade with SAHAGUM, the name commonly use in Solingen for blades for the Low Countries. The quillon terminals remind me of Spanish rapier types, and clearly this example of Jean Luc is a rapier blade, Its condition renders the markings pretty much indiscernible. I agree with Philip's idea of the blade point being reground possibly from damage. It would seem to me that this may have been a sword following a type of hilt known and in some favor in Low Countries, probably Holland. Perhaps this was in a colonial setting where such fabrication might have been performed by a blacksmith using an older rapier blade, and following this apparently somewhat distinct hilt form. The Spanish influences, and possibly blades together with Dutch forms might offer plausible solution. |
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#5 |
Member
Join Date: Oct 2012
Posts: 69
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I too feel this is not a practice weapon, but a real one, with the crude hilt added later. The bars were originally straight, I am certain. The colonial origin does make a lot of sense, I would definitely put my dollar on it.
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