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Old 17th May 2017, 08:32 PM   #1
Jim McDougall
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Beautifully formatted, illustrated and linked entry Ibrahim! and presents a fascinating array of considerations as we look more into these curious anomalies.

Before continuing I would like to address the intriguing but unfortunate title on this thread, which refers to the sword of the original post, and as I believe has been mentioned, has nothing to do with the 'shashka' type sabre. The term 'psuedo' as has been discussed is even more misplaced and seems has been tempting us 'down the garden path'.

The examples you have posted with the guardless character and similar features, most expressly the 'tunkou', offer keen insight into others which seem to fall into this spectrum, and appear to have southern India provenance.

I would suggest that this feature on the blade of the weapon of the OP, is not actually a tunkou at all, but more aligned with the decorative lobed palmette cuffs seen on many Deccani daggers, which extend in the manner of a langet over the blade root under the guard or base of hilt.

The shape of this hilt, seems primarily to align with the Mughal daggers, often of kard form, of the northern areas, and typically have the faceted bolster at the base of the grip and are guardless. These have the same lobed or flueret style cuff extending over the back of the blade across and in the same asymmetrical diagonal configuration basically as the 'tunkou' of earlier swords and many Chinese dao.

What is interesting in Tatyana's example posted, is that this feature exists below the faceted bolster, essentially an incongruent blend of 'north and south'! The faceted bolster of Persian and Central Asian Mughal north, and the palmette type cuff of Deccani south, hybridized with a rapier blade.

It is important here to note that the 'tunkou' or for that matter, even the palmette type cuff or langet Mughal items, much in the manner of the tunkou on yataghans or Ottoman weapons, seems to have had stylistic importance beyond any pragmatic purpose.

In many weapons, koftgari applications are added to blades in exactly the same shapes, decoration and location at the blade root or ricasso to vestigially represent this key feature. I recall a M1788 British cavalry sabre blade mounted on a Deccani tulwar (shamshir type hilt) which had this vestigial tunkou koftgari applied in exactly this manner.

The idea of rapier blades is not new to the southern regions in India, in fact such type blades are seen on early iconography. However, the use and popularizing of the European rapier blades seems to have become most notable during the British presence in the 18th c.
It is tempting to consider this may be an atavistic piece which follows the accord with the daggers of the north and in degree the south, using a blade repurposed to the rapier form in traditional interpretation.

With the other examples of these types, as Ibrahiim has well posted, there are great opportunities to examine the climate of their development. While the scrolled knuckleguard is well present in many hilts to the north, in some reading it does seem that Welch does consider this style to have moved to the north from southern origins (noted in 'Arms of the Muslim Knight' p.201).
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Old 18th May 2017, 08:51 AM   #2
Tatyana Dianova
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Interesting insightes Jim - as usual from your side!
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Old 18th May 2017, 04:37 PM   #3
Ibrahiim al Balooshi
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By Jim McDougall It is important here to note that the 'tunkou' or for that matter, even the palmette type cuff or langet Mughal items, much in the manner of the tunkou on yataghans or Ottoman weapons, seems to have had stylistic importance beyond any pragmatic purpose.

Salaams Jim, It could be that regarding Tunkou we are looking at a Red Herring. My take on the wrap is that it adds more weight to the power end of the blade and that it secures the weapon in the scabbard far better preventing it from rattling around or falling out.
Thanks for your informative reply..

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Old 19th May 2017, 06:26 AM   #4
Gonzalo G
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Interesting thread!

In my humble opinion, the "tunkou" also helps much in reducing the nasty vibrations of the blade when you hit in the wrong manner. This protects the hand and the blade. But I can be wrong. If you donīt want to risk an old sword to test it, try it with a long machete.
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Old 20th May 2017, 06:27 PM   #5
Ibrahiim al Balooshi
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Salaams, I refer to #17 and its main reference when equating Indian swords to Chinese. I would temper that with what Jim has said about Tunkou.
My main reference is http://thomaschen.freewebspace.com/custom3.html

The article notes a fashion in Chinese swords and close ties with sword influence going both ways. Swords made in Beijing were exported to India after 1761 . Further ..a common description amongst Chinese sword design was the pistol grip which is essentially the same as the bird head or parrot head hilt. Note also the practice of cutting grooves in the blade and inserting pearls which roll up and down the grooves; This is a direct copy from Indian blades of that form; Tears of the wounded (afflicted)

Shown in addition is the trend in Indian blades; both sword and dagger, of decorating the throat with a cartouche done in Koftgari form but that in the project sword this is of Tunkou style essentially a reinforcement plate giving support to the hilt and enabling a tighter fit for the blade into the scabbard....something koftgari design does not do...nor was it designed to.

I accept as Gonzalo points out that the wrap would also have reduced heavy vibration through to the sword hand and as I point out the practical idea that the blade would fit better and more snugly into the scabbard...also noted in #17.

Given that in the late 1700s Chinese swords were exported to India it stands to reason that the Tunkou was in fact part of this design imported on these weapons but turned the other way...perhaps to satisfy Indian taste from purely an aesthetic viewpoint as it looked better? Whilst it seems logical it is understood that nothing is certain in this regard and that it may be down to simple design drift and this is simply parallel development or pure chance...and may be how some swords in the South were designed...Kastane often have a similar wrap.

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Old 20th May 2017, 10:55 PM   #6
Jens Nordlunde
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Hello Ibrahiim,
Could you please give us a few references to the Chinese export of blades/weapons to India?
Jens
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Old 21st May 2017, 08:14 PM   #7
Ibrahiim al Balooshi
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Quote:
Originally Posted by Jens Nordlunde
Hello Ibrahiim,
Could you please give us a few references to the Chinese export of blades/weapons to India?
Jens
Whilst I search for that please see https://books.google.com.om/books?id...XPORTS&f=false which outlines the goods including sword blades that were exported to China from India in 1793.


* Ho & Bronson 2004 p111
"... the [Qianlong] emperor appears to have been quite fond of non-traditional curved sabers of the Indian and Middle Eastern type, often furnished with jade hilts carved in the Indian Mughal style. Some were imitations made in the imperial armory in Beijing."

* Ho & Bronson 2004 p114 f127
"Qianlong ordered a total of sixty ceremonial curved swords on five occasions, in 1748, 1757, 1779, 1793, and 1795. Each sword was named and numbered, and all were identical in length, weight, and basic design. The scabbards were made either of red or green stingray skin and or patterned bark. The swords differed in terms of their inlaid details and the style of the hilts. Hilts made after completion of the 1757 batch were mostly in Mughal style, often with gold and inlaid gems."Unquote.
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