Planning to make a wrongko

[Johan van Zyl]

I have indicated how reluctant I am to post pre-completion pics of the wrongko project, but David felt that it would be good, so I respect that.

This pic shows how far I have come. The blade goes in deep enough, the fit is satisfactory. The wood is a bit difficult to work with; I have used various tools to reach this stage. From here on it will be carving knives and files, then sandpaper. (The angle grinder's work is done!)

[A. G. Maisey]

Johan, you might find that scrapers will be useful in shaping the contours.

The typical cabinet scraper is a piece of rectangular steel about 6'X3", but for concave and convex surfaces you can make your own scrapers from pieces of heavy tin can, just cut the needed shape with tin snips.

I use old pocket knives a lot as both carving knives and as scrapers, the castrating blade on 3 blade stock knife makes a very good detail scraper.

Pieces of glass are also useful as scrapers.

[Gustav]

Johan, just one remark regarding the line you have drawn on Gambar/Sampir with pen - if that's the line you later intend to carve - it shouldn't be parallel to the central axis of the whole sheath (the sheath will then look stiff), it should fall a little bit inwards. At which angle - you should esthetically decide it, considering all other angles of outlines of your Sampir, and also hilt of your Keris when sheathed. They all as ensemble should be in a state of a floating harmony.

[A. G. Maisey]

Second attempt.

For comparison.

[Gustav]

Yes, three sheaths in Sulawesi style.

[A. G. Maisey]

Yes Gustav, they might well be Sulawesi, frankly, I cannot with any certainty distinguish between any of the Bugis scabbard styles. If I look at the Ahmad Ubbe book I see a great variety of styles that have all been identified as "South Sulawesi", or "South Sulawesi + (some other location)" and all given the name of "jonga-jonga". This great variety of styles includes scabbards that I cannot distinguish from the one that you have shown us.

The overall style of all the scabbards that Ahmad Ubbe shows is very similar, but whereas the indented line that on your scabbard tilts in, and on my scabbards is more or less parallel with the rear edge of the gambar, on Ahmad Ubbe's examples is subject to variation in both angle and style.

I would be the first to admit that I have never done any in depth study of Bugis-style keris. I have never visited the Bugis cultural areas, I have never done field research on any keris except Javanese, Madurese and Balinese, so I do not hold any firm opinions on anything to do with Bugis-style keris. I do know as personal friends, several Bugis people, and they have family keris (which again show a range of stylistic variation) but regrettably they know nothing at all about keris.

Because of my lack of knowledge in this regard, I find it somewhere between extremely difficult and impossible to give a precise geographic point of origin for any Bugis style keris.

If I look at the keris shown in Ahmad Ubbe's book, what I see are keris that have been identified by acknowledged authorities in the field of Bugis keris study, as "South Sulawesi", yet those keris vary across the entire span of Bugis-style keris. I am only talking about the keris here, that is, the blade alone, not the dress.

I really do envy those people who can give a precise geographic point of origin for a Bugis-style keris and its dress.

[Johan van Zyl]

More progress has been made (see two pics). The project still looks ugly in its lack of completion, but I hope to remedy that as well as possible with painstaking work. I know that I am not able to live up to the high standards you all have brought forward in your advice and pictures for my benefit, but I think you will come to realise that it was not possible for the likes of me (not an experienced carver, not having a real scabbard to copy) to deliver a product even remotely equal to a true Bugis keris wrongko. For starters, the wood does not even come close to timoho or kemuning. But I know that I am doing what I can and learning all the way. Please note that the the gambar I am wresting from the unyielding wood has got a mind of its own, and although I frequently compare my work to your pics, it is turning out somewhat different! Please forgive me.

[David]

Originally Posted by Johan van Zyl

I have indicated how reluctant I am to post pre-completion pics of the wrongko project, but David felt that it would be good, so I respect that.

Well, perhaps you see now how that suggestion was meant that for your own good, not simply our curiosity. It allows our members to help you adjust and "correct" before your sheath takes its final form.

[Johan van Zyl]

David, my scabbard is taking form on its own, disregarding my strict and demanding supervision! It has a mind of its own. When I lay down my tools upon completion, we will all be able to see what the result was. You might exclaim: "But why does it look like THAT?" Then I'll have to answer: "Beats me!"

Kai, you ask what the crosspiece is made of. My "supplier" (bless his motley woodpile) self-assuredly proclaims it to be "saligna". To my knowledge that's wood from the Australian bluegum tree. It's the very devil to carve. I'm now trying to make a scraper a la Alan.

[A. G. Maisey]

Not a good timber for carving Johan.

The up side is that when you complete your wrongko out of that stuff you will be able to carve anything.

One of my floors is made from blue gum parquetry. Its a real good flooring timber.

[Johan van Zyl]

Sigh - yes, the house I grew up in at Simonstown also had such a floor. In Afrikaans we called it a "blokkiesvloer" (block-floor). My mom polished it regularly with an electric Columbus two-brush wax polisher. I'm sure any self-respecting mranggi would have stoked his hearth fire with it.

The wood is quite unyielding, and to get it as far as is shown in the two newest pics, took some doing. The pics also show the wide end of the gandar with four bambu pins inserted and epoxied in place. There's going to come a time after the gandar is affixed to the gambar, when the final finishing of both together must take place, but then I'll not be able to use much force, for fear of straining or even breaking the joint. (The wrongko's joint, not my own....!!!)

[kai]

Hello Johan,

Congrats for progressing with your feat!

There should be no distinct upper rim: a gentle widening would be perfect, especially towards the ends; the curve of the side surfaces should blend into the upper surface though...

Regards,
Kai

[Jean]

Hello Johan,
This is how the integral tenons/ tongues should look like on the gandar side. Sorry, the piece is not in pristine condition (very old balinese scabbard). This joint was nailed but it should normally be glued only.
Regards