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#1 |
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Thank you thinreadline for this thread and thanks to the participants for sharing their knowledge which has made it so interesting. It never ceases to amaze me the wealth of knowledge available and freely given on this forum.
I was given, many years ago, a couple of knives similar to the ones in your thread and have long considered them to be for the tourist trade (mine I mean) due to the shortness of the hilts in comparison to yours and any others I have seen when trying to find a match with mine. The shortness and angularity of my hilts uncomfortable in the hand and I cannot see that any self respecting Tuareg would give them tent room. Having said that I would like to know if my consideration is correct or not. Regards Miguel |
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#2 | |
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Location: Wirral
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#3 |
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Well thank you all for your input on this topic , I have found it most enlightening and indeed thought provoking . I take your point to heart Iain re the virtual futility of attempting to pigeonhole every weapon ... I suppose my long career as a botanist with a strong interest in taxonomy has spilled over into my hobby , driving me to wish to classify everything I see !
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#4 |
Arms Historian
Join Date: Dec 2004
Location: Route 66
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Well Redline, I just realized that the 'read' was the wordplay (bonk!) and very clever in dealing in military books.....well done! Being astute is not one of my best traits
![]() So you're a botanist, now there is a fascinating field!! and your inclination toward classification now well understood. We've had some most interesting discussion on botanical motif in decorating weapons, and in styling. I had not thought of childrens weapons regarding Miguels examples, and that is indeed a distinct possibility. Whatever the case, these carry the distinctive symbols and motif that is so inherently important in the traditions and conventions of these tribes in the Sahara. That four petal device well aligns with the crosses we have been discussing, and occurs often on takouba mounts in these regions. Even in the case of 'souveniers' these items reflect the powerful and often mysterious history and traditions of these people, and Tuareg material culture is highly regarded artistically in ethnographica. "..the sober truth about the Sahara...is more mysterious than anything that has ever been written about it, even by the most irresponsible spinner of fairy tales, for the very fact is that very little is yet known about the peoples who live there". -Lloyd Cabot Briggs "Tribes of the Sahara" (1960) However......clearly.......we are learning!!! |
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#5 | |
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Location: Wirral
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#6 | |
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Join Date: Jun 2015
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Miguel |
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#7 |
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Regarding the example posted by Miguel I think this is a more recent work, I would guess from modern day Nigeria. It could well be simply a show piece to be worn at events like a durbar and thus not requiring any particular practicality in terms of handle size, but more of a fashionable accoutrement as part of tradition costume. Or it could be as suggest for a child, or simply an example of local brass work intended as a souvenir.
Thank you Iain for your above comments, they make perfect sense, much obliged. Miguel |
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#8 |
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Join Date: Dec 2004
Location: What is still UK
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Some more information but all in French; Armes traditionnelles d'Afrique (agues, poignards, glaives, epees, tranches et couplets) Approche regionale et classification technique, morphologique et esthétique. Tristan Arbousse Bastide BAR International Series 1098. 2003
only trouble is I have the first page last. |
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#9 |
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Join Date: Jun 2015
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Thank you Tim for this information, my hilts are very much like GL 01 10 now just have to translate the text
![]() Miguel |
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#10 |
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Join Date: Jan 2011
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I recently acquired one of these myself, nice to see so much information on them here.
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