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#1 |
Arms Historian
Join Date: Dec 2004
Location: Route 66
Posts: 10,459
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Ian, ABSOLUTELY BRILLIANT!!!!
This is the finest investigative dissertation I have seen on the study of a specific sword depicted in a work of art! The late AVB (Nick) Norman would be proud, as this was the focus of his venerable work "The Rapier and Smallsword", the study of sword hilts in art. Thank you for this great work, With highest respect, Jim |
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#2 |
Member
Join Date: Dec 2013
Posts: 80
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I too would certainly second the previous remark and I would say this is one of the finest examples of why this is the best place to truly delve into some of the more interesting problems that arise when trying to identify arms of interesting and indeterminate origin.
Great stuff! Best LL |
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#3 |
Vikingsword Staff
Join Date: Dec 2004
Location: The Aussie Bush
Posts: 4,453
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Thanks to Jim and LL for the kind words. I'm sorry my research took a few days longer than I originally intended. Cross-checking sources takes some time. Ian
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#4 | |
Arms Historian
Join Date: Dec 2004
Location: Route 66
Posts: 10,459
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#5 |
Member
Join Date: Aug 2007
Location: Germany, Dortmund
Posts: 9,272
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Very well done Ian!
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#6 |
Member
Join Date: Oct 2007
Posts: 2,818
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Ian,
That is a fine and well supported assessment of influence for the sword within the painting, a painting created with much artistic licence I feel...the suspension and suspension points being one such artistic aspect. Gavin Last edited by Gavin Nugent; 17th February 2017 at 01:30 AM. |
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#7 |
Member
Join Date: Oct 2007
Posts: 2,818
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I forgot to add, this Thai sword from the Ayuddhaya period is more akin to the type you are searching for, right down to the motifs on the silver work, 3 segment scabbard covering, small disc guard and the short hilt.
Gavin |
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