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Old 14th February 2017, 08:26 AM   #1
cornelistromp
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thanks for the compliments but I must disappoint you, I am for the time being still a student in arms.

The hilt is a combination of norman type 74 and 77.
The globular pommel characterizes Dutch rapiers.
The grid pattern was found on several arms and armour around 1570-1580, see for example the pommels and round finals of different dussages.



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jasper
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Last edited by cornelistromp; 14th February 2017 at 10:32 AM.
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Old 14th February 2017, 11:24 AM   #2
fernando
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Quote:
Originally Posted by cornelistromp
thanks for the compliments but I must disappoint you, I am for the time being still a student in arms...
Experts are like physicians; always studying new discoveries .
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Old 14th February 2017, 04:14 PM   #3
Jim McDougall
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Quote:
Originally Posted by fernando
Experts are like physicians; always studying new discoveries .

Very well put Fernando!
Jasper, my opinion stands, and thank you for the insight into this pattern.
Grid is exactly the term I was looking for and I see what you mean on its occurrence on dusagges and now recall seeing that.
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Old 15th February 2017, 06:55 AM   #4
Philip
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Default Spherical pommels / grid filework

Globular or spherical pommels per se weren't restricted to the Netherlands. Note a north Italian example, inv. no. 1776, Museo Poldi Pezzoli (Milano), publ. Boccia/Coelho 1975, #485. The swept hilt is cataloged as 1580-90, from Belluno; earlier riding-swords and backswords from this area which are practically identical to Styrian counterparts also share this feature (Coll. Luigi Marzoli, Brescia, inv. no. G 21 and G 23). A faceted version of the sphere can be seen on a somewhat simpler swept hilt on a rapier identified by Capwell as possibly Italian, 1570-80, Wallace Collection inv. no. A576, publ. Norman 1986, p 134.

Grid filework is also seen on a few Italian rapier hilts, q.v. inv. no. 2575, Museo Poldi Pezzoli, with an example depicted in art, "Portrait of a Gentleman" by Bartolomeo Passarotti 1571, Museo Bardini (Firenze), both publ Boccia/Coelho 1975, # 465, 466-67. It must be said, however, that these Italian examples are a bit more elegantly proportioned than the hilt on the sword discussed here.
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Old 15th February 2017, 10:56 PM   #5
Jim McDougall
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Anybody out there have any thoughts or ideas on the rather crudely incised lettering and unusual spelling in the FRAN'Z'ISCO RUIZ ??? the curious 'crescent' (?) at the forte? The absence of the Ruiz punzone?
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Old 16th February 2017, 02:30 PM   #6
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There is no punzon, as there is no FranZisco Ruiz. How many spurious spellings of great Masters like Ayala, for one, do you know, Jim ?
You are left to crack the riddle of the crescent presence .


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Last edited by fernando; 16th February 2017 at 07:47 PM. Reason: spell
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Old 16th February 2017, 05:59 PM   #7
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OK Fernando, that was the point, it is a spurious use of the name, so obviously the punzone (or is it punSone? ) is absent.
With the erratic letters in the inscription which are almost crudely executed I fear this is even beyond the usual Solingen placement, and with the number of rapier examples that have been in circulation using the Francisco Ruiz name (a number are less than authentic) I wonder on this.
Could it be a Solingen blade with poorly applied letters but of the period by a maker without the usual rack system?

The apparent crescent is a conundrum in itself, is this an equally inept attempt at the 'espadero del rey' mark?

I do not like negatively questioning a weapon, which is otherwise a most attractive and interesting piece, but these factors must be considered.
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