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#1 | |
EAAF Staff
Join Date: Feb 2005
Location: Centerville, Kansas
Posts: 2,196
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Best, Robert |
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#2 | |
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Join Date: Dec 2016
Posts: 184
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That is very sound advice Robert. I inquired about the legality of the use of turtle shells from the shop owner and was told that the ones on sale were made in the 1940s-1950s, when it was still legal in the Philippines. Today, it is illegal to use them but the antiques can still be sold. Now, in light of your comment, I just realized that it may be impossible to distinguish old from new (at least based on pictures). It would thus be most prudent to avoid them to discourage the sale of products made of turtle parts, as well as to avoid the risk of violating the law. I'm relieved that the inlaid crosspiece on the scabbard that I purchased turned out to be made of horn. Thanks again for your advice. I am taking it very seriously. F. de Luzon Last edited by F. de Luzon; 7th January 2017 at 01:21 PM. |
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#3 | |
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Join Date: Aug 2007
Location: Germany, Dortmund
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#4 |
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Join Date: Dec 2004
Location: Witness Protection Program
Posts: 1,730
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welcome, F.!
you have a beautiful collection! i can't add anything else as to what everyone said. all i can say is, happy hunting! my very first piece came from Davao. i acquired it when i was there. i did stop at some of the antique stores in MM. favorite was Mang Ven's in Ermita. did find some at one of the bigger malls (can't remember the name). it's all nice to see a new collector! |
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#5 | |
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Join Date: Dec 2016
Posts: 184
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![]() F. de Luzon |
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#6 |
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Join Date: Dec 2016
Posts: 184
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I etched #4 and had a new scabbard made. The wood is Kamagong (also called Mabolo), a variety of ebony endemic to the Philippines. It is a highly esteemed wood but I have never seen it on an antique Moro scabbard before. Probably, the reason is because it is dense and heavy. While based on traditional Moro design, the scabbard is in the style of the makers (well known blacksmiths from the Province of Pangasinan) and thus modern.
Here are some pictures showing the condition of the kris at the time of purchase, after initial restoration and finally, after etching. I think it turned out nicely. Last edited by F. de Luzon; 18th January 2017 at 12:02 AM. |
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#7 | |
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Join Date: Dec 2004
Location: Louisville, KY
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#8 | |
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Join Date: Oct 2008
Posts: 160
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#9 | |
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Join Date: Dec 2016
Posts: 184
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Last edited by F. de Luzon; 18th January 2017 at 04:23 PM. |
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#10 | ||
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Join Date: Apr 2005
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IMVHO it may pay to "educate" them on traditional designs for such custom projects. Even if one prefers to keep the additional carving on the crosspiece, it would look much nicer if the base of the crosspiece was flush with the stem (at least in my book - sorry, I'm a stiffler for tradition, I guess ![]() Quote:
Could you add some close-ups of the blade for getting a better glimpse on the laminations, please? Regards, Kai |
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#11 | |
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Join Date: Aug 2007
Location: Germany, Dortmund
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second all comments from Kai. The wood is nice for sure, the carving well done but it would look much nicer to my eyes when it would have been done in traditional manner. Best regards, Detlef |
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#12 |
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Join Date: Dec 2016
Posts: 184
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Hello Kai and Detlef. I completely understand your preference for traditional design. I had this made in the style of the makers because the material used was non-traditional. I just wanted a scabbard made of kamagong (I really like this wood
![]() ![]() Kai, attached is the photo you requested. Thank you both for your comments! Regards, F. de Luzon |
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