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#1 |
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Erroneously I mentioned khanda. Sorry.
I meant # 4-21. |
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#2 |
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Tegha number 4-21, a little closer to the subject under discussion.
But: 1) and it is much more elegant, than the subject discussion. 2) I would love to see photos of the Hindu with such Tegha in the Durbar. And in Book can write anything you like ![]() Last edited by mahratt; 17th April 2016 at 08:03 PM. |
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#3 |
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I wish there were more "coffee table albums" like that...
I tend to respect Oliver Pinchot's opinions. Obviously you do not. To each his own. Pity you cannot comprehend his wise and nuanced insights: you might have changed your mind. |
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#4 |
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Again, I see only the words ... No photo Hindu on Durbar with the same sword..... But I'm not surprised)))
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#5 | |
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#6 | |
Arms Historian
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Very well said Ariel!!! and I am with you 150% re: Oliver !!! |
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#7 | |
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#8 |
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Just to make sure, my weapon is likely a 19th Century Indian kora/tulwar hybrid crafted for royals? Sounds awesome! I figured that this weapon was ceremonial based on the design and flange size, but I wasn't sure where it was from or who could've actually used it. Also, I forgot to mention that this item still has an edge along the inner curve.
Also, I think I've seen that kind of tegha before. A month or so before, a similar specimen had been circulating around some auction sites and eBay. Though when it was listed, I wasn't sure it was the real deal. Maybe I should take it seriously the next time it ever shows up. Anyway, about cleaning it. Is there a specific way of doing it for this sword other than the usual mineral oil/paper towel method? Also, are the colored portions of this sword brass or gold? |
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#9 | |
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![]() And the question to all participants. Guys, anyone of you has a picture Durbar Square, where there are people with sword-Kora? ![]() I will be happy to see such a photo. Last edited by mahratt; 18th April 2016 at 06:56 AM. |
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#10 | |
Keris forum moderator
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I must say that i have been following this thread with some amusement, but also a little bit of concern. It seems to me that the need to be contrary has trumped the obligations we may have to present the OP with some clear and understandable opinions. I can only image what must be going through our novice collector Panzerraptor's mind at this point. He came to us very excited about what he had hoped was a great buy on an authentic weapons lot. After some uncomfortable discourse between certain members here was his initial take from the debate.
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That said, i am really enjoying the historic photographs of these events. Jim, for your sake, and speaking from the perspective of a professional photographer and photography instructor who teaches a bit of photo history, i would say that it would be more correct to say that most of these images are "posed" not "staged". Staged would imply they were set up specifically for the photograph while posed means they were simply told to hold it for the long exposures of the time while going about their ordinary business at hand. There were one or two group shots that might come under the heading of staged, but the overall scenes of the proceedings themselves went on regardless of whether a photographer was trying to capture them or not. ![]() |
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#11 | |
Arms Historian
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I don't trust everyone........but I will tell you that if Oliver says it, you better believe it! He says more in just a few well chosen words than a lot of arms scholars can put together in many (including me ![]() So that was a serious question (or statement?) on photos being required as proof of the weapons appearing in these Durbars, as well noted by Ariel ? That particular prerequisite seems rather humorous in this context, as I would imagine many archaeological and anthropological papers and texts must be rendered inconsequential as many assertions concerning artifacts do not have photographic proof. There weren't many cameras around before the 1850s (at least as far as I know). In any case, Oliver perfectly responded to this (I believe tongue in cheek question?) insistence on photographic proof of weaponry at durbars. This was in my opinion well placed as it illustrated the sort of weaponry, and clearly somewhat theatrical or exaggerated types of costume etc. were extant in these events. The British Raj and many colonial circumstances in various countries and regions lent well to the cottage industry of supplying souveniers to both occupying forces and whatever tourism might have developed by visitors. These items were inherently of traditional forms, and meant to be impressive. They were not of the quality of diplomatic gifts or presentation items, but as Ariel has noted, have gained their own historic value as pertains to the events in which they might have been emplaced. To speak of these kinds of items dismissively seems unwarranted when being shown in good faith for discussion. I would share this little note here for consideration: " ...I was once told that it was said of Laking that he would always find something kind to say about a fellow collectors object". re: Sir Guy Francis Laking (1875-1919) arms collector and historian -"Arms & Armour Study in Edwardian Britain" Sid Blair and Michael Lacy (1999) I guess sort of the mark of a gentleman. I know I choose to try to follow that lead......but not all collectors do. |
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#12 | ||||
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![]() Is telling the truth - this is not the act of a gentleman? ![]() Dear Oliver, you write about an similar item in his book: "Many were produced for the Dehli Durbars". Tell me, please, in which a book on Delhi Durban you get this information?Or is it your personal opinion? |
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#13 |
Keris forum moderator
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BTW, i did find a few other similar koras when searching the net. Their engravings are of somewhat varying qualities as i believe Oliver stated was common for these blades found in the market places. None of these made any claims to be connected to any Durbars, some where labelled as Nepali, some Indian.
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#14 | |
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#15 | |
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