How does one hold a tulwar?

[Jens Nordlunde]

When it comes to how to hold a tulwar hilt, I would politely ask all of you to study the miniatures published in several books, and I would be very interested to know, if any of you have found one single picture where the man is curling his index finger around the quillon.
These miniatures are the 'photos' of the time, so to say, so if none of them show a curled index finger around the quillon, it is likely to say that they did not do so.
I dont find any modern videos shown on the net to be proff of anything.
Jens

[Ibrahiim al Balooshi]

Originally Posted by Jens Nordlunde

When it comes to how to hold a tulwar hilt, I would politely ask all of you to study the miniatures published in several books, and I would be very interested to know, if any of you have found one single picture where the man is curling his index finger around the quillon.
These miniatures are the 'photos' of the time, so to say, so if none of them show a curled index finger around the quillon, it is likely to say that they did not do so.
I dont find any modern videos shown on the net to be proff of anything.
Jens

Salaams Jens Nordlunde, I think some of what you say is probably right...and very much respected...however, curling the index finger around the quillon is not at all uncomfortable, moreover, it allows much greater force to be applied in the downward thrust.

Using the fist in unarmed combat as the example in what is described as the hammerfist ...(best described as when using a fist to crash down on a table)...instead of keeping all the fingers tight in a 4 finger and thumb clenched fist the advanced strike is with a relaxed top or index finger...thus using a three finger and thumb clenched fist...The power ratio is greatly enhanced as I believe it is when the finger is curled around the quillon.

The problem appears to be that there is no photo "except at this thread" to suggest that this was a preferred grip.

I also suggest that the draw would be more positive with the finger looped around the quillon.

Regards,
Ibrahiim al Balooshi.

[Jens Nordlunde]

Thank you for your answer Ibrahiim al Balooshi.
You always answer in a nice language - and I like that.

I do not think that you are right, can you show me a single battle scene, where the fighters have the indexfinger curled around the quillon?

To me this will be the last post on this thread - and I wish all others to have a good discussion.

Jens

[fearn]

Off-topic, but as I found with my reproduction bronze-age sword with the mushroom hilt, the disk forcing you to hold your wrist straight is an ancient design. Those old leaf-bladed bronze swords were probably used for draw-cuts too. Being bronze, they were softer, so having two edges got you through the fight, where you'd only need one edge with steel.

F

[Ibrahiim al Balooshi]

Originally Posted by Jens Nordlunde

Thank you for your answer Ibrahiim al Balooshi.
You always answer in a nice language - and I like that.

I do not think that you are right, can you show me a single battle scene, where the fighters have the indexfinger curled around the quillon?

To me this will be the last post on this thread - and I wish all others to have a good discussion.

Jens

Salaams Jens Nordlunde, Thank you for your post; I went through an entire gallery of Indian fight scene paintings last night and I have to report no sightings whatsoever. I think, however, that I am looking in the wrong place as the paintings Moghul etc tend to be two dimensional at best...although beautifully done ....they do not show this phenomena. I think I need to be looking in a Fecht Bok equivalent in Indian arms (swordsmanship) if such an item exists...

Actually Im not fully in agreement about the master in the video since he looked like he knew his stuff...and a lot of these martial systems were passed down master to student and so on... I think the moves are genuine....

The practical fight technique of looped finger over guard seems to me to be a logical progression and whilst not in artworks of the period does turn up in photos as shown at thread...at least. I keep an open mind on this.

Regards,
Ibrahiim al Balooshi.

[sirupate]

Salaams Ibrahiim,

So you think that what Nidar Singh Nihang is genuine?

Many thanks Simon

[Ibrahiim al Balooshi]

Originally Posted by sirupate

Salaams Ibrahiim,

So you think that what Nidar Singh Nihang is genuine?

Many thanks Simon

Yes I do. In particular I looked at his shield and dagger secondary weapon technique which I thought was devastating ..and the punches with the shield to the throat... as well as the reinforced grip with the shield and dagger...Yes I thought he looked every bit a master in those weapons. His slashes and cuts demonstrated with the main weapon were clearly well worked out and his use of the sword strikes to the vital points was typical of any master I have seen... with or without a sword. Apologies for taking this to the martial art theatre as it is not Ethnographics per se but perhaps it can be imagined how these troopers performed a long time ago in action.

Regards,
Ibrahiim al Balooshi.

[blue lander]

From what I read that man claims to have received direct training from one of the last remaining masters of that martial arts form, which is usually a sign of something fishy. Many in the Sikh community seem to not believe his story and consider his style to not be historical.

[Edster]

While its not a tulwar, this Sudanese chap in a crouch fighting stance has his forefinger over the cross-guard of his kaskara. For what ever its worth.

Photo coming soon. Needs to be reduced.

[Edster]

Promised photo: