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Old 7th June 2014, 10:55 AM   #1
M ELEY
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Excellent followup questions and answers. Just wanted to add the grip materials and shape can also be defining factors of the colonial types (I.e. Carribean or New World). In particular, horn grips with crisscross patterning is often seen, as are 'bulging' grips as seen on colonial espada and cuphilts.

Does anyone want to argue the 'mushroom-shaped' pommel styles as being colonial? Peterson used this one as a tip of the hat towards Spanish Main and I tend to believe him-
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Old 7th June 2014, 03:02 PM   #2
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This is the only Spanish Colonial Cup Hilt I own that has a horn grip. As you can see the line patterns on this one run in parallel. I guess this grip could also be described at "bulging".

I'll add a "mushroom-shaped" pommel style example when I have a chance to photograph one.

The photos that I have posted here are copyright (c) 2014 by Dana K. Williams. All Rights Are Reserved.
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Old 7th June 2014, 04:33 PM   #3
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Quote:
Originally Posted by dana_w
...This is the only Spanish Colonial Cup Hilt I own that has a horn grip...
Why not Portuguese ?
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Old 7th June 2014, 06:37 PM   #4
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That is a good question Fernando. Maybe you could help me with a list that would exclude the possibility of a possible Colonial Cup Hilt being Portuguese.

I noticed that the cup on your has rivets, but not mounting hardware attached.
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Old 8th June 2014, 12:27 PM   #5
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Quote:
Originally Posted by dana_w
That is a good question Fernando. Maybe you could help me with a list that would exclude the possibility of a possible Colonial Cup Hilt being Portuguese.

I noticed that the cup on your has rivets, but not mounting hardware attached.
I don't have the luggage to list details to differentiate cuphilts from being Spanish, Portuguese or Colonial, Dana. I play a bit by ear. One thing i learned is that Portuguese and Spanish are often so alike that the name convenientely given by connoisseurs is Penisular ... which is not surprising, due to, during a large period in which these swords were in fashion, Portugal was under Spanish control; also neighbourhood cultural convergence and all that.
The only solid difference that i have learned is, when present, the weklding of the quillons to the bowl instead of the internal securing arms, normaly fixed by screws. Another alternative,also when present, is the mark of the smith or the language in which the eventual inscriptions in the blade are printed ... but even this is passive of failure, as swords could be made in one country (Spain) with inscriptions in the others language, either by clients demand or just for fashion.
Concerning Colonial variants, i guess they are often more 'folkloric', made and decorated in a non sophisticated or rustic manner. But as i say, i am playing by ear and basicaly depend on the seller's assumptions ... when they appear to make sense to me.
The silver rivets in mine are not for fixing the bowl but only for show off, like the trimmings in the grip.
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Old 9th June 2014, 04:01 PM   #6
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I am waiting on “Spanish Military Weapons in Colonial America 1700-1821” before venturing to deeply into this topic, but here is what we have so far?

(A) More roughly made & less decorative
(B) More rugged arming swords rather than slender rapiers
(C) More likely to have natural grips made of horn or wood (crisscross patterning?, bulging?)
(D) More likely to have a "mushroom-shaped" pommel
(E) Typically the cup is welded to the quillons rather than mounted with internal securing arms, that are normally fixed by screws (This is also typical of Portuguese Cup Hilts)
(F) Typically missing the guardopolvo (dust guard?) where the blade penetrate through the cup

Attached are photos of a "Spanish Colonial" Cup Hilt with a "mushroom-shaped" pommel. Note that the cup is welded to the quillons via arms on the lip of the cup.

These photos are copyright (c) 2014 by Dana K. Williams. All Rights Are Reserved.
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Old 11th June 2014, 04:30 AM   #7
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Default My Caribbean cuphilt

www.vikingsword.com/vb/showthread.php?t=17232

Just wanted to post this to show the mushroom-style pommel, welded bars of the guard and horn checkered grips. Examples of the 4-sided checkering of grip material can be seen in Peterson's book as well as in Brinkerhoff's.
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