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#1 |
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Join Date: Sep 2012
Posts: 462
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Couldn't agree more, Rick.
I would add only that, like most of this type, it is assembled in three pieces. Somewhere along the line, the head was inverted. |
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#2 |
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Join Date: Feb 2014
Location: Central Valley, California
Posts: 46
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I've seen these with the "tail" of solid metal, of hollow box construction like this, and also as simply a flat piece of metal of a vaguely similar shape. Do those represent further abstractions of each other, and are they from specific time periods?
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#3 |
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Join Date: Jun 2013
Posts: 2,145
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Thank you very much both!!
My question is related to some extensions between the pole and the blade. In most of the Persian axes that I have seen there is no such little intermediary pieces (in red). I'm right or wrong?? |
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#4 |
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Join Date: Sep 2012
Posts: 462
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Cthulhu's observation is a good one. By the latter Qajar Dynasty, more complex construction, and by extension, imagery, usually preceded simpler work. This was driven largely by expense: if a dragon's head which was cut out of sheet looked indistinguishable from one more carefully wrought when viewed in profile, a shift in production could take place quickly. Kubur's question as to the construction of the head and the appearance of the blocks indicate workmanship of a higher grade; this is supported by the complex construction of the pean as well.
Nasr alDin Shah Qajar singlehandedly revived the arms-making industry in Iran during the second half of the 19th century. The products wrought by smiths in this period are often of excellent quality. They represented a brilliant if brief rebirth of the armorer's craft before its ultimate demise. |
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#5 |
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Join Date: Dec 2004
Location: Ann Arbor, MI
Posts: 5,503
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Currently it cannot be called a fake, because after 100 years anything becomes antique:-)
But it is certainly not a fighting example and never was. Any fighting axe has a wedge-like profile. This one is flat. Decorative would be a better word. |
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#6 |
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Join Date: Dec 2004
Location: Greenville, NC
Posts: 1,854
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I thought you might enjoy this period pic of a Persian "Fakir" with a very similar Qajar era axe of ceremonial type. In the pic it's a little hard to tell, but I believe the axe is looped over his shoulder in some manner and that he is holding a cane just below it. It almost seems as if the axe has been mounted on a wooden haft...but I can't see any point in that, so it may take a more careful look at the pic, thus my inclination towards his holding a cane.
He also seems to have a medallion of some sort looped around the axe. |
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#7 |
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Join Date: Jun 2013
Posts: 2,145
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Thanks all
Your photo is very interesting. My question is: We always say ceremonial, but these axes were used by Fakir and sufi in India and Persia, then it was the same with the dervishes in Sudan. All these people are connected by faith and by their axes... I enclose one double headed axe that I guess is from the 19th. and connected to what I said. Any ideas, comments or more photos?? |
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#8 |
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Join Date: Oct 2010
Posts: 93
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Not much to add but a lovely picture of two Jewish dervishes supposedly from Iran and taken in the nineteen twenties.
Last edited by machinist; 8th June 2014 at 03:00 AM. |
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