The Omani Khanjar

[Ibrahiim al Balooshi]

Originally Posted by kahnjar1

I guess if you want to go back far enough in history, you will find maps which show something entirely different from the modern day. I am talking about Al Ahsa as it is known today and has nothing to do with Bahrain however you wish to spell it. This link should help http://en.wikipedia.org/wiki/Al-Ahsa_Governorate

But you do realise/guess that when the map was made ...the one above...that was the period in which these weapons were infused across boundaries and influence was developed...not today! but kindly observe that then Al Ahsa was firmly planted in the region known as Bahrayn.. Thus you must look at the history. It is not exactly pointless to view only the modern day scenario, however, whilst that is accepted on one level, it is hugely important to see it as it was ethnographically.

Nothing to do with the way I want to spell it... Bahrayn was spelled like that by everyone including the great map masters..It represents the spelling in English of the arabic word for sea (Bahr)...two seas(Bahrayn) (The Duality) The accepted modern version being Bahrain.

Perhaps when you are considering the Al Ahsa weapons situation you might include the historical idea? Again without wanting to cloud the outcome it does seem possible that some trade influence both overland and by sea was prevalent in that region from Oman and that Muscat would have had a sizeable hand in the shipping trade link whilst Buraimi would have been the Camel train jump off point..

Ibrahiim al Balooshi.

[A.alnakkas]

I agree with Ibrahim. Bahrain and al Ahsa are historically connected and often ruled by the same dynasties. Also, the khanjars used in the bahrain island and alAhsa (including Qatar) are identical but the Bahraini's developed their own styles which includes stones on the scabbard etc and the uncommon use of ivory. Please google pictures of the Bahraini royal family and you will see many examples.

Although the Bahraini royal family uses Saidi and Omani styles too.. but historically, they had their own style.

[kahnjar1]

Originally Posted by A.alnakkas

I agree with Ibrahim. Bahrain and al Ahsa are historically connected and often ruled by the same dynasties. Also, the khanjars used in the bahrain island and alAhsa (including Qatar) are identical but the Bahraini's developed their own styles which includes stones on the scabbard etc and the uncommon use of ivory. Please google pictures of the Bahraini royal family and you will see many examples.

Although the Bahraini royal family uses Saidi and Omani styles too.. but historically, they had their own style.

Hi Lofty,
I am not disagreeing in respect of HISTORICAL connection between Al Ahsa and Bahrain. The subject here is about the Al Ahsa Khanjar and the modern location of that area. I have no doubt that in the past there were cross connections and different boundries between factions/tribes etc., so the ORIGINAL khanjar could have originated anywhere.
As stated before, this style is illustrated in the book (not just a pamphlet as suggested by Ibrahiim) publication by the King Faisal Center, as coming from Al Ahsa.
I would respectfully suggest that if it is felt that the information is incorrect, then the person suggesting this should contact the Center to clarify. Their postal address is: P.O.Box 51049, Riyadh 11543, KSA
I look forward with interest to the conclusion.
Stu

[Ibrahiim al Balooshi]

Originally Posted by kahnjar1

Hi Lofty,
I am not disagreeing in respect of HISTORICAL connection between Al Ahsa and Bahrain. The subject here is about the Al Ahsa Khanjar and the modern location of that area. I have no doubt that in the past there were cross connections and different boundries between factions/tribes etc., so the ORIGINAL khanjar could have originated anywhere.
As stated before, this style is illustrated in the book (not just a pamphlet as suggested by Ibrahiim) publication by the King Faisal Center, as coming from Al Ahsa.
I would respectfully suggest that if it is felt that the information is incorrect, then the person suggesting this should contact the Center to clarify. Their postal address is: P.O.Box 51049, Riyadh 11543, KSA
I look forward with interest to the conclusion.
Stu

In picking my way through your confused first paragraph where you distort Al Ahsa in relation to where it was and where it is today, though, to be honest to a newcomer to the dynamics of the region it must indeed be quite puzzling at times; I offer the following advice ~

May I first just qualify "the pamphlet" written in the early days by Ruth Hawley;

Although it appears as a relatively small pamphlet it contains a packed arsenal of fine historical detail probably not yet bettered til today...and highly respected by anyone studying Omani artefacts. It has been refered to by many other books and publications including the "Richardson and Dorr" and the book on Omani Silver by the prestigious Museum in Quwait; The Tareq Rajeb Museum, on the same subject. Though limited in scope it is a bastion of knowledge and the mainstay of many articles and books on Omani Artefacts. Her work is in fact a benchmark on Omani ethnographics, artefacts and antiques. You should therefor, perhaps, observe this '' pamphlet " which may help you to hoist in at least some of its content so as to deepen your understanding of Oman.

Furthermore, I have shown the direct link in style between the Omani Muscat Khanjar and the item from the Asir. Should you wish to identify another contender to be compared in the same or similar way then please do so...and since you appear to have to hand the documentary evidence then why don't you show it? I have no reason at this time to divert my attention from the key area already discussed ...The Asir and Muscat... linked by seatrade Muscat, Asir, Zanzibar.

In fact, you may well find that the area known as Bahrayn which included Al AHSA does have a dagger similar to the Omani style and that may well be down to trade as well... It will give you the opportunity to do some research and we all look forward to your in depth efforts on behalf of Forum in this regard.

To conclude; of course if anything turns up at this end I will post it straightaway, meanwhile, good luck on your research and note that you are starting with a reference in which you place high esteem. ( Occasionally, however, it has been noted that publications with apparently high qualifications sometimes fall short in fine detail through no fault of their own...perhaps you could illustrate the fine words describing the khanjar just to view as an example the historical depth of your reference?)

Regards,
Ibrahiim al Balooshi.

[Ibrahiim al Balooshi]

Sa'idiyyah Khanjar

Salaams all ~ I would like to make a point of rule/fine tuning governing the Royal Omani Khanjar form; The Sa'idiyyah Khanjar.

It need not be fitted to a 7 ringer scabbard though actually these are far more common than the few extant 4 ringer examples with the Royal Hilt.

It should be remembered that Sheherazad invented the Royal Khanjar Hilt only (though she also invented the Turban and Camerbund style at the same time in about 1840/1850). Technically, therefor, it is the Hilt which denotes Sa'idiyyah Khanjar, thus, the scabbard can take other Omani forms from the original 7 ring Muscat Khanjar ( See # 132 for both 7 and 4 ringer scabbards with the Royal Hilt..) to other styles of 4 ringer scabbard seen with the Royal Hilts throughout this thread...such as on #63 pictures 1,2,3 and 4.

Note also that Omani Khanjar designs above incorporate the small diamond shaped lozenge rectangles perhaps infused from the Nizwa Hirz (lucky charm) hollow silver box necklace.

A reminder to members is also made of the other weapon hilt fashioned in almost identical design to the Sa'idiyyah Khanjar hilt... that of the old battle sword or Sayf Yamaani seen in that garb at .. The Omani Battle Sword.


(Cautionary note; In researching the design features of the Habaabi Khanjar and the Muscat Khanjar something odd is discovered; The large silver buttons and split palmette flower shapes don't appear on Muscat hilts... but are apparent on many Royal Khanjar Hilts. This is recorded here and on a new thread The Habaabi Khanjar/Jambia. The significance is important since it could after all mean that Habaabi design features were copied from the Royal Khanjar after all !)

Please see #2 of http://www.vikingsword.com/vb/showth...899#post170899 for a startling new revelation.

Ibrahiim al Balooshi...

[Ibrahiim al Balooshi]

So what does this mean?...(Cautionary note; In researching the design features of the Habaabi Khanjar and the Muscat Khanjar something odd is discovered; The large silver buttons and split palmette flower shapes don't appear on Muscat hilts... but are apparent on many Royal Khanjar Hilts. This is recorded here and on a new thread The Habaabi Khanjar/Jambia. The significance is important since it could after all mean that Habaabi design features were copied from the Royal Khanjar after all !)

Please see #2 of http://www.vikingsword.com/vb/showt...0899#post170899 for a startling new revelation.

What it means is that if true and assuming the design features were copied all at about the same time ...that the Habaabi cannot have existed before the appearance of The Royal Omani Khanjar (see #1)

This means the Habaabi ..from the Asir is a distant cousin created / copied not before about 1840/1850 at the height of trade to and from Zanzibar between Muscat Jazan and Zanzibar(and that regional coastal area known as Zanguebar or Zingabar)...maps below... Small one shows Omani possessions...

All this expansion took place under the watchful eye of Sa'id bin Sultan (Ruler of Muscat 1804 to 1856 ) and it was on his watch that one of his wives...Sheherazad ..designed the hilt for the Royal Khanjar in about 1840.

Note that the scabbard of the Royal Khanjar was taken lock stock 'n barrel off The Muscat Khanjar but the Hilt was a total redesign..and appeared to include some Indian decorative silver style.

Ibrahiim al Balooshi.

[Ibrahiim al Balooshi]

The Royal or Sa'idiyyah Khanjar of Oman # 1 and variously throughout this thread..also refers etc. Below is a Museum item from "The Bayt Al Zubair collection". This style mirrors the 7 ringer Scabbard style of The Muscat Khanjar with the hilt specially designed by Sheherazad in about 1840.

Technically it is the Hilt which specifies the Royal Khanjar as such.