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Old 5th March 2014, 02:20 AM   #1
DaveS
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Sham wootz was always considered lowest on the list of desirable wootz patterns according to what I've read. It's easy to identify because the pattern basically runs parallel the length of the blade like ripples on the water. It also has almost none of swirls that are seen on the more common patterns like Kara-Khorrasan. Visually, I like it the best of all the wootz patterns. B.T.W., you are right, it is koftgari rather than inlay on the cross-guard. Should have noticed that!!!!!..........Dave.
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Old 5th March 2014, 02:51 AM   #2
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isnt this one of the Persian wootz types??

Decent blade, but the koftgari on the blade and quillons are Syrian and recent.
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Old 5th March 2014, 05:08 AM   #3
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Originally Posted by A.alnakkas
isnt this one of the Persian wootz types??

Decent blade, but the koftgari on the blade and quillons are Syrian and recent.
I wish I could remember which publication had pictures of most of the wootz patterns. Sham definitely runs the length of the blade mostly as undulating ripple lines. Kara-Khorrasan which is the most common Persian wootz has swirls of crystals, which makes it easy tell the two types apart. How are you able to tell that the koftgari on the blade and quillons is recent?..........Dave.
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Old 5th March 2014, 05:27 AM   #4
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Mainly from experience, Dave. I see such koftgari on blades with quillons and scabbard mounts that also have the same silver koftgari. These scabbards and inscriptions are almost uniform and is probably done in the same workshop... The spine inscription is probably even the same poetry.
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Old 5th March 2014, 01:34 PM   #5
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Dave, you are right about sham - it generally "runs the length of the blade". But it is also characterized by low contrast and low activity! The pattern on your blade is quite bold and active, and certainly of quite good quality. I'd not call it anywhere close to the "lowest on the list of desirable wootz patterns"
It's a nice blade! I also agree with A.alnakkas that the cross and coftgari inscription are recent (meaning post 19th Century ) and likely of Syrian origin, as could be the blade itself. I agree the blade is at least 19th Century.
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Old 5th March 2014, 02:20 PM   #6
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Quote:
Originally Posted by ALEX
Dave, you are right about sham - it generally "runs the length of the blade". But it is also characterized by low contrast and low activity! The pattern on your blade is quite bold and active, and certainly of quite good quality. I'd not call it anywhere close to the "lowest on the list of desirable wootz patterns"
It's a nice blade! I also agree with A.alnakkas that the cross and coftgari inscription are recent (meaning post 19th Century ) and likely of Syrian origin, as could be the blade itself. I agree the blade is at least 19th Century.
I wouldnt argue with you, Alex, as you are far more experienced than me when it comes to wootz patterns. But isnt the pattern too bold to count as sham?
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Old 5th March 2014, 04:43 PM   #7
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Quote:
Originally Posted by A.alnakkas
... But isnt the pattern too bold to count as sham?
Yes, I agree. In some areas it looks like so-called "wavy damask", i.e. non-sham wootz.
One of sham patterns is shown HERE , second from the top. There are many other sham patterns that can be quite bold and active. I'll show one of them soon.
These patterns are relatively easy to call sham, but the pattern on Dave's sword is quite complex in my opinion to be called sham with certainty. Would be interesting what others think.
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Old 5th March 2014, 04:48 PM   #8
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Quote:
Originally Posted by ALEX
Yes, I agree. In some areas it looks like so-called "wavy damask", i.e. non-sham wootz.
One of sham patterns is shown HERE , second from the top. There are many other sham patterns that can be quite bold and active. I'll show one of them soon.
These patterns are relatively easy to call sham, but the pattern on Dave's sword is quite complex in my opinion to be called sham with certainty. Would be interesting what others think.
Yes! I am interested as well as I have two blades with such pattern and never saw them as sham.

Interesting thing about those Syrian made mounts is often the quillons are old ones with added silver koftgari. Some are supposedly wootz too. Though I think the quillons on Dave's sword is Syrian made and recent while the rhino hilt is probably older with an obvious but skilfully made repair.
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Old 5th March 2014, 06:47 PM   #9
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Quote:
Originally Posted by ALEX
Yes, I agree. In some areas it looks like so-called "wavy damask", i.e. non-sham wootz.
One of sham patterns is shown HERE , second from the top. There are many other sham patterns that can be quite bold and active. I'll show one of them soon.
These patterns are relatively easy to call sham, but the pattern on Dave's sword is quite complex in my opinion to be called sham with certainty. Would be interesting what others think.
In your opinion then which of the wootz types would this be called? I realize that there could be possibly many variations, as there are many types and variations of Indonesian pamor, so much so that even they can't always agree on just what this one or that one is...........Dave.
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Old 5th March 2014, 07:10 PM   #10
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Quote:
Originally Posted by DaveS
In your opinion then which of the wootz types would this be called? I realize that there could be possibly many variations, as there are many types and variations of Indonesian pamor, so much so that even they can't always agree on just what this one or that one is...........Dave.
Dave, you're right. There are many variations of wootz. I like Anossov's classification (in Manfred Sachse "Damascus Steel" book p.72). He set 5 categories:
1. Stripy/Simple damask (sham) - predominantly straight lines
2. Water damask - shorter straight lines mixed with curved lines
3. Wavy damask - more complex curved lines mixed with dots
4. Checkered mottle (network) damask - shorter lines with random web-like bands
5. Ladder damask (aka Kirk-Narduban).

I think yours falls under #2 - Water damask.

Attached are some pictures for comparison (not related to above system).
# 3 is sham on Persian shamshir, and #4 - sham on Ottoman kilij blade. Your pattern is more complex (in some/most sections of the blade!). it resembles #1, with lines going in random directions with some dots.
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