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#1 |
Member
Join Date: Oct 2007
Posts: 1,632
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Hi Jim,
First of all let me wish you a Happy and Prosperous New Year and I hope that a few drams of your favourite whisky, Drambuie if my memory serves, eased the transition from 2013 to 2014. ![]() ![]() ![]() ![]() ![]() My Regards, Norman. |
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#2 | |
(deceased)
Join Date: Dec 2004
Location: Portugal
Posts: 9,694
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#3 | |
Member
Join Date: Oct 2007
Posts: 1,632
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#4 | |
Arms Historian
Join Date: Dec 2004
Location: Route 66
Posts: 10,454
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Thank you so much for that correction on that term which I was using in analogous context, and had recalled incorrectly. I am always grateful for these kinds of details, and even better from a true kinsman. I agree, this is truly a beautiful example of these magnificent swords, and it is always wonderful to see these great threads come back. All the best, Jim |
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#5 |
Member
Join Date: Dec 2004
Location: NC, U.S.A.
Posts: 2,184
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Wow! I had forgotten about this beautiful ribbon-hilt! Now that would be the jewel in anyone's collection! I just got done reading Peterson's old tome on weapons in Pre-Colonial America, so it is certainly possible that it could have been crafted here, or at least come over the pond to here! Due to its early dating and style, I would assume it came from the homeland until proven otherwise, though.
A belated Happy New Year to you gents, especially you, Jim! Indeed, William Thack aka Blackbeard should have never sassed a Highlander!! ![]() |
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#6 |
Member
Join Date: Oct 2015
Posts: 2
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I have just joined this forum because I saw Templarnight's ribbon hilt last weekend. I have its twin brother or at least a kissin' cousin.
The only significant difference I can see, aside from the decorative piercing is that while his blade has the name Peter Knaupf, mine has the unbiquitous Andria Ferara, along with armourer's marks of an arc with three stars at each end on both sides of the blade. The dimensions are nearly identical. It suggests that these swords, at the least, came out of the same shop. I believe they are late in the ribbon hilt series based on the ring that joins the arms of the guards under the pommel. I have an earlier ribbon hilt in which the joining piece is simply a thin piece of iron. The welding of the plates inside is very well done and all but invisible on the outside. Most of my swords are on a thread on SFI started by Cathey Brimage, who also launched one here. Cathey, Eljay Erickson and I have been posting swords there are the last few months. I saw some beautiful pieces on the thread on this forum, which Cathey was also involved in. Hope we can all share the goodies. |
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#7 |
Member
Join Date: Oct 2015
Posts: 2
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Sorry not to have posted this warning sooner.
After studying my sword closely and comparing it with known authentic ribbon hilts I concluded that it was a beautifully made reproduction. I returned it to the dealer who did not dispute my conclusions. I learned very recently that it was sold on to another collector to whom I have explained my reasoning. First, it is simply more than coincidental to find two swords, purportedly made in the 17th Century, with the names of different makers -- one of whom is unknown -- that are identical in every respect. Second, it is also more than coincidental that neither sword shows any marks of use, no dings or dents, which a real ribbon hilt has in abundance. Handling the one sword in comparison with other, authentic, swords offers the "feeling" that it just isn't right. I learned later that my sword came through an English dealer who has a reputation for distributing iffy pieces. In my case at least its purchase was a matter of enthusiasm overcoming good sense because my firm belief now is that both swords were not made in the 1600s but in the late 1900s or early 2000s. |
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#8 | |
Member
Join Date: Jan 2008
Posts: 1,429
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#9 | |
Member
Join Date: Aug 2014
Location: Germany
Posts: 525
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Yes, the absence of any marks of fighting on a battlefield-sword, which is no parade-sword or so, is always a warning sign. These blades were made for combat, not as a wallhanger and no one in the past would have bought such a blade for collecting, this is like buying a Ford Escort as a collectors piece nowadays. All of my authentic swords have more or less prominent traces of combat. But I also have to say, the the artificial aging job on the two blades is awesome. The only thing that is strange is the total absence of black pitting. Roland |
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#10 | |
EAAF Staff
Join Date: Nov 2004
Location: Upstate New York, USA
Posts: 940
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Scottish swords are an even more treacherous minefield than medieval swords. It takes courage to admit that one's self has been fooled, even if transiently, and I commend you. |
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#11 |
Member
Join Date: Jun 2005
Posts: 264
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Not just Scottish swords, also schiavonas, katzbalgers, dusaks, ritterschwerts from 1600 and walloon swords. This workshop touched everything. There was a post about them in swordforum. In 2009 maybe. I have tried with the search engine to no avail.
Very nice replicas, that handled also beautifully. Taken one by one they did not raise suspicions, but as a group they did. A similar level of damage. Similar thread at the grips and turknots, very clear marks, sometimes repeated, same file marks. I got a Ritterschwert in 2005 that was sold to me as a Victorian replica. But I think the workshop was still working in the 2000s, maybe in East Europe. There were many connections to a Birmingham dealer, at a time he was selling a couple of these swords a month. And the level of damage was being increased. I was collecting the pictures and there was something sniffy there. If they are still active and have corrected their mistakes, you need short of metallographic techniques to find out. |
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