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#1 |
Keris forum moderator
Join Date: Aug 2006
Location: Nova Scotia
Posts: 7,211
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Two beautiful barungs no doubt, but yes, most definitely the ivory pommeled one for sure.
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#2 |
EAAF Staff
Join Date: Dec 2004
Location: Louisville, KY
Posts: 7,272
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A good question David.
According to Cato, junggayans where allowed to be worn by datus. In fact, they had several. This one might be considered a datu "working" barong. Obviously the ceremonial or "parade" pieces had the "bling" we all love so much. |
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#3 |
Member
Join Date: Dec 2004
Location: Witness Protection Program
Posts: 1,730
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Yowza!!! excellent pieces, bro! pretty neat that the upper bands on the the ivory pommeled junggayan are made out of gold as well. the scabbard on the same barung looks to be newer though; notice the median ridge sticking out and the toe similar to those on the WW2 types. hey, as long as the blade fits, right?
they're definitely both Sulu, no doubt, but as far as tribal affiliation ![]() congrats!!! |
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#4 | |
Member
Join Date: Dec 2004
Location: Greenville, NC
Posts: 1,854
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Spunjer, I agree at first glance the scabbard appears like the WW2 era ones, and it may be. There is no doubt this scabbard was made for this blade. The quality of this scabbard is not typical of WW2 era pieces which we tend to find broken and cracked quite often as they were made from a softer more easy to carve wood. The front panel of this scabbard is made from a hardwood with clearly flashing grains, really something I would more expect to see on an Indonesian keris. I am not so confident about putting a date on it, but clearly it was attempt to create and upgraded, even exotic, look....especially compared to what we see in typical Moro barong scabbards and the wood that is used for some of them, most especially the later ones. Last edited by CharlesS; 2nd October 2013 at 02:13 PM. |
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#5 |
Member
Join Date: Dec 2004
Posts: 1,018
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Really nice!
I like the way they used a black horn spacer with the ivory. The accoutrements adds flair to the scabbard. It amazes me how delicate looking the carvings are on both pieces and how they stayed intact thru time. |
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#6 | |
EAAF Staff
Join Date: Dec 2004
Location: Louisville, KY
Posts: 7,272
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#7 |
Member
Join Date: Dec 2004
Location: Greenville, NC
Posts: 1,854
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To be fair, as mentioned in the opener, there was some restoration to the wood on the first one, and some of that involved the carved top(right top edge).
The second one is untouched and I especially love the carving on that one, though both are intricate. |
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#8 | |
Member
Join Date: Dec 2004
Location: Greenville, NC
Posts: 1,854
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David, I think Battara's term "datu working" barong may be just perfect for the first one. Spunjer and I have discussed this type of thing many times...essentially who got what in terms of quality and 'bling'. He has several old period pics and postcards of weapons sellers' stalls(maybe he can find them and post them here)...blades just hanging all over the place that are for sale to the locals(....if only we could go back in time...and assume a return with our heads and limbs attached!!). These pics indicate a variety of size, quality, and types of blades, from the most mundane to the blingiest ivory, etc. We have both sort of concluded it was just a matter of what you could afford, and that said, it's logical the datus could afford the higher quality pieces. As Battara mentioned, I am sure there were some social rules involved as well. I don't think it was too terribly different than modern society....status and wealth reflected in what was bought and worn. We most also factor in such things as gifts and representation pieces from datu to datu that would have been meant to impress. |
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