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#1 | |
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Join Date: Apr 2005
Posts: 3,255
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Hello Michael,
Quote:
Do you have any pics of Panay/Visayan kris blades with similar base features? TIA! Regards, Kai |
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#2 |
(deceased)
Join Date: Dec 2004
Location: OKLAHOMA, USA
Posts: 3,138
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THERE ARE SEVERAL SIMULARITYS AMONG THESE KRIS. TWO APPEAR TO HAVE HANDLES CARVED FROM WATERBUFFALOW HORN AND HAVE THE SPIRAL CARVED GRIP WHICH IS LIKELY TO HAVE HAD TWISTED SILVER WIRE AND PERHAPS SILVER BANDS AS IN MY KRIS. I CAN'T TELL IF THE EXAMPLE IN THE SPANISH MUSEUM IS HORN OR WOOD. THE FILE WORK ON THE ELEPHANT TRUNK/ BIRD BEAK IS SIMULAR AS WELL AND A BIT DIFFERENT FROM MOST MORO FORMS.
MORO KRIS SELDOM HAVE HORN HANDLES ALTHOUGH SOME DO EXHIST. SILVER IS OFTEN USED BUT THE HANDLE GRIP ITS-SELF IS NOT CARVED IN A SPIRAL TO HOLD THE SILVER. BEWARE CONJECTURE ![]() ![]() ![]() |
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#3 |
Member
Join Date: Dec 2004
Location: Sweden
Posts: 1,637
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Hello Kai,
Great input of all and I enjoy learning more about odd Filipino blades. However, I disagree that Carlos' kris so obviously has the same blade features as the one in the museum and Barry's. The last two have (1) separate ganya, (2) a more "kris-like" elephant trunk and greneng as well as (3) overall a higher resemblance to Moro kris blades. It would be great to read for instance Jon's opinion of this blade, too? The reason I thought it resembled Panay kris was feature 2) and 3). But this in not my field and I look forward to be corrected on this... I don't have a lot of reference pictures but here are some (non exactly resembling Carlos'). Maybe some other forumite have a more resembling kris? 1) From eBay 5 years ago 2) Panay 1 3) Panay 2 (check the trunk) Michael |
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#4 | |
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Join Date: Jun 2009
Posts: 1,273
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![]() Quote:
For description of them I will use the Javanese terminology, becouse it is the most complete and most familiar one. I have chosen the picture of Barry's kris, becouse it is the single one most correct picture to analyse the features. The way Kembang (Sekar) Kacang/Tikel Alis/Blumbangan/Gandhik/Jalen Area is arranged on all three krisses is almost identical and absolutely sufficient to understand them as the same variety (arrow 1): Tikel Alis falls extremely deep into the Blumbangan (you will never see something similar on other krisses or kerisses), actually it falls deeper then the point where Jalen starts; the outer ridge of Tikel Alis continues the Tampingan; Gandhik is an extremely falling/sloping one; the way Kembang Kacang is cut is very similar if not identical, despite Carlos' kris not having a Jenggot. A very interesting point is the indentation on Gonjo (arrow 2). It seems not to reserved for a clamp (like on Moro krisses), becouse it continues the (falling)Tampingan perfectly. A purely esthetical pupose? The Kepet Urang (Buntut Mimi) of Gonjo (arrow 3) is bent up (or perhaps carved this way on museum's kris), something that does not appear often on Moro kris. I must say, Carlos' kris is perhaps the crudest one of these three: there is a material left for Greneng and Jenggot, yet these these aren't cut out; no separate Gonjo. All three krisses are narrow, the waved ones (Carlos' and museum's) do have the same kind of waves with long tip. I also don't understand, why do you say Barry's kris has overall a higher resemblance to Moro kris blades. Actually, becouse of Wangun (widening of the blade towards the tip), its overall shape doesn't resemble a straight Moro kris at all. To your examples: I don't see much similarities with the three former krisses, actually almost none. The Ebay example is superficially similar, becouse of more elaborate features, yet that's all. The Kembang Kacang/Tikel Alis/Blumbangan/Gandhik/Jalen Area is completely different worked, these is also a huge Bawang Sebungkul-like feature missing in all three former examples. The overall shape of the kris is a completely other one. For the second example, I miss any similarity. The third example has Moro/Javanese inspired Greneng, bent (or worked like it) Kepet Urang (like arrow 3) and the indentation on Gonjo (like arrow 2), yet here I think possibly has been a clamp. Here are some similarities, yet by far not so close as in-between the former three krisses. A diagram for the features of base of blade: http://kerisattosanaji.com/kerisdiagram.html Last edited by Gustav; 18th April 2013 at 10:07 AM. |
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#5 |
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Join Date: Dec 2004
Location: Sweden
Posts: 1,637
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Gustav, thanks for taking your time writing such a good explanation.
I can see that my references were not as clear as I hoped so maybe I should have skipped them altogether (or maybe only included #3). What I wanted to show was that, especially, the elephant trunk area (your arrow 1) on Carlos' kris is quite crudely done, something that is also found on the kris blades from Panay. It seems from your description like you have the same impression of Carlos' kris, but not the other krisses, on this part? The blade did not strike me as Moro, and never having heard about the Bicolano kris production before this, combined with the other features, made me suspect Panay. A proven kris producing area which is quite close to Bicol, too. This is getting more and more interesting and I hope someone soon will be able to find some reference on the existence of local kris production in Bicol. Michael |
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#6 | |
Member
Join Date: Jun 2009
Posts: 1,273
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![]() Quote:
It's a pity we don't have closer pictures of museum's kris, which appears to be better crafted and in good condition. |
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#7 |
EAAF Staff
Join Date: Dec 2004
Location: Louisville, KY
Posts: 7,272
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Ok regarding the Bicol piece not being or being a form of kris, I guess I need to see the whole blade.
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#8 | |
Member
Join Date: Apr 2005
Posts: 3,255
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Hello Michael,
Thanks for posting examples - I need to screen my references and will get back to you on Panay/Visayan pieces. Quote:
Regards, Kai |
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#9 |
Member
Join Date: Jun 2009
Posts: 1,273
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Just for reference: a thread, which handles weapons with similar handles and hand guards:
http://www.vikingsword.com/vb/showth...t=parang+nabur |
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