Moro Silver Kris Restoration

[Battara]

After that I then cut and hammer bent the other silver bands into shape.

[Battara]

I then soldered the silver bands, placed them on the hilt, and wrapped the spaces in hemp (lacquering the hemp).

[Battara]

Here are the final results:

[A.alnakkas]

Wow! nice work Jose :-) Do you also work on items from other cultures?

Lotfy

[Battara]

Thank you.

Yes I have worked on pieces from, other cultures. I have worked on a Scottish sgian dubh, US Civil War foot officer's sword, some Indonesian pieces, some dha in the past, a little work on a Kurdish jambiya, and did some work on a Chinese scabbard.

Fun stuff.

[A.alnakkas]

Originally Posted by Battara

Thank you.

Yes I have worked on pieces from, other cultures. I have worked on a Scottish sgian dubh, US Civil War foot officer's sword, some Indonesian pieces, some dha in the past, a little work on a Kurdish jambiya, and did some work on a Chinese scabbard.

Fun stuff.

Awesome! I remember the Kurdish khanjar! it was a topic I brought up from the dead awhile ago.

Do you base patterns and decoration of missing silver on other items from the same culture or its all based on taste?

[Atlantia]

looks great Jose
What guage of silver sheet are you using?

[Battara]

Originally Posted by A.alnakkas

Awesome! I remember the Kurdish khanjar! it was a topic I brought up from the dead awhile ago.

Do you base patterns and decoration of missing silver on other items from the same culture or its all based on taste?

Yes that Kurdish khanjar was something I thought I could attempt if the price was right.

Another good question: I do as much research as possible to base my work. For example, on Moro pieces I try to do the work based on the work and motifs of the particular tribe a kris comes from. On the Scottish sgian dubh I carved (wood and silver work) the knotwork based on Celtic knotwork one on others like it (see below).

Again thank you folks very much!