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#1 |
Vikingsword Staff
Join Date: Nov 2004
Posts: 6,336
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Moderated status Gav.
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#2 |
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Join Date: Jul 2011
Location: Nashville
Posts: 317
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The dealer first presented this to me as a Safavid sword, and when i first saw it i doubt it that, and knew it had a Central Asian origin. The possibilities are high that is is Afghan, but for certain I can say it is not government or military, I have seen those as well and the workmanship is not at the level of this peice. So ethnic Northern Afghanistan or Central Asian / Bukharan seems probable to me.(one thing to remember I am told by dealers here that the ability to make wootz blades in afghanistan were lost around the time of Safavids, that is probably when they see blades with Jowhar they think it is Safavi) This does not have any kind of simi-precious jewels work, but I have a tiny knofe that does, well take pics later
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#3 |
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Join Date: Oct 2007
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Here are a couple of examples from my collections being of the same 'type' seen with a Bukharan sabre and Caucasian sabres to compare with.
Gav |
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#4 | |
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Join Date: Jan 2006
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I think the shashka is more Afghani then Central Asian, or a mix of both. The blade looks much Indian actually!!!! can we see it in full length? |
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#5 |
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Join Date: Jul 2011
Location: Nashville
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Gav, that is a beautiful collection you have, I have seen the one with the blue velvet cover before, probably on this forum.
Alex, the reason the dealers in Afghanistan claim things as Safawi is ofcourse they want to get a higher price, but mainly is because they don't know any better, they ones i have talked to tell me of most items that they just know if it is fake or real. As far as putting an age ro era they are pretty much lost. Most know nothing about antiques they have just fallen into the trade by chance, go figure. |
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#6 |
Arms Historian
Join Date: Dec 2004
Location: Route 66
Posts: 10,192
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Yeowwweee!!! Gav, there they are!!! Absolutely breathtaking panoply of these sabres. Now I need to go lay down a while
![]() I agree with Alex this shashka seems more inclined toward Afghan. The 'Safavid' term for this weapon is of course somewhat misplaced chronologically, and while that dynasty effectively ended in 1736, its impact obviously remains strong in the Iranian character and culture thus the term is meant more figuratively I would imagine. With this being a relatively modern piece perhaps they cannot have meant Safavid literally, the Safavids did not use shashkas, nor were these forms present in those times. The ricasso on the blade is most interesting as noted and not characteristic of these weapons in these regions but more to Northern India, suggesting the blade may be from there, and even more supporting Afghan provenance. |
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#7 |
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Join Date: Nov 2010
Location: Kuwait
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Attractive saber, AJ!
Amazing collection Gav. The Bukharan, as you told me is the top one. Is it identified by the hilt shape? the blades look very similar! I always wondered why these sabers have no guard. They look very attractive though. The two bottom ones have blades almost identical to ones I seen in arab swords. |
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#8 |
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Join Date: Oct 2007
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True Buhkaran sabres are a special breed un to themselves andsomewhat of a mystery.
I know the city night watchmen and day guards within the walls did not wear swords during the later part of the 19th century and it is likey this was the case earlier too so I can only assume at this point in time that the Buhkaran sabres were only in the hands of military forces or men who could afford them and were allowed to wear them. ![]() The below image and the one shown at the top of my grouping above will help seperate the Bukharan sabres from the other larger Afghan or Central Asian cousins such as the one you present AJ. Philip Tom describes the Bukharan form best. From a post I can not pinpoint at present; Quote; "1. The "szabla bukharska" generally has a blade whose width expands just before it meets the handle. (sometimes the effect is subtle because of repeated sharpening, but even in such cases the change in width is apparent when you compare the edge and spine contours) Occasionally, the edge widens out to a short blunted area or "ricasso", a feature seen on many Indian talwars and Afghan puluoar blades. The shashka's curve or contour at the edge tends to maintain a more constant relationship to that of the spine, and a prominent ricasso is generally absent. 2. Bukharska tips are generally more acute than the more deeply radiused edge at the average shashka's point. 3. The hilt of a shaskha is invariably "cleft" with a deep V notch between two "ears" at the pommel. Bukharska hilts are solid and don't expand into these big ears. 4. The mouth of the bukharska scabbard never swallows the hilt of the sword like the majority of shashka scabbards do. The slightly wedge-shaped "nose" of the blade bolster nests in a shallow V shaped cutout in the mouth of the scabbard. If you look at the closest weapon that incorporates all 4 of the above features which are characteristic of these Turkestan sabers, you come up with ..... the Persian pesh kabz. Imagine that you can inject a curved bladed pesh kabz with steroids, and massage it just a little bit, and you can see how these sabers could come about. 5. Another thing comes to mind: Shashkas for the most part seem to be universally long, the blades generally over 31 inches (unless damaged and re tipped). I have noted a large proportion of bukharskas that tend to be on the short side, well under 30 inches. The shashka is of course a horseman's weapon, so length is important. The peoples of Turkestan had cavalry forces too, but in states such as Bukhara, Samarqand, and Khiva, the rulers fielded infantry forces as well. Admittedly, we do not have complete information yet about the use of these sabers; Herr Rohrer states that the exact manner of attaching the scabbard to the wearer's body was not known. So, further research is needed."Unquote. Below is an Image from the Moscow Museum or Oriental art. Descriptions are as follows. ""Bukhara, Uzbekistan. 19th century Steel, silver gilt, turquoise, bone. Length 101 cm. Inv. No. 3404 III Received in 1949 from a private collection. Steel, velvet, turquoise, bone. Length 92 cm. Inv. No. 2280 Received in 1930 from a private collection Steel, turquoise, enamel. Length 90 cm. lnv.No.3705 III Received in 1952 from the Hermitage, Leningrad. First publication. The blades of sabres were made of high-quality steel and often decorated with engraved ornamentation. The scabbards were usually decorated with great lavishness. They were made of precious materials-white or gilded silver adorned with chased or engraved floral patterns. They were also frequently decorated with polychrome enamels and set with precious or semiprecious stones- diamonds, corals and polished turquoise which, according to local beliefs, brought luck. In the 19th century, cold steel practically lost its primary function as a weapon and became merely an attribute of men's costumes on festive and ceremonial occasion. In the khanates of Bukhara, Kokand and Khiva such sabres were granted as rewards to courtiers and presented as gifts to foreign ambassadors and rulers."" This image is not to say all Bukharan sabres are stone encrusted beauties (one of which I hope to obtain one day), mine is testament to plainer dress and so far it is of a unique blade profile. Gav |
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#9 |
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Location: Kuwait
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I can feel my bank account cry as I set the plan to own one of those haha
Thanks for the info Gav, its a treasure to a beginner like me :-) |
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#10 | |
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Join Date: Oct 2005
Location: Paris (FR*) Cairo (EG)
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but, I think that we might said that; - all (or roughly) swords or daggers with turquoise decor on hilt or scabbard come at least from Bukhara ![]() à + Dom |
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#11 | |
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#12 |
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one thing i noticed today, which could be a makers mark or something. I was wondering what was the marking on the blade, and then i saw the same thing on the scabard.
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#13 | |
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I have seen very similar symbols in Seljuq school architecture so I would say it is presented as something in the way of a tribute to the old Turco-Persian rulers of Central Asia. I would suggest starting there to look for the symbol in Seljuq and post Seljuq period art work and architecture . I know I have it in books here but I am just too busy at present to get through my own work to look. Gav |
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#14 |
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Gav,
you have been very helpfull and I am very appreciative of that. I do have to do alot of researching to find out more about this certain peice. I think I might have to cough up the money for this one book Islamic Arm and Armour, from what i read it seems to be the source for all these things. And I should continue researching and expanding my limited knowledge. On that all steal sword, I have to see who has it and if I can have it. But there is a much better one I have inherited and as soon as i recieve it I'll post pictures, this one has better history ![]() As far as the symbol, I see that the seljuq one is a double headed eagle, pretty close but not the same. I'll keep looking. |
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