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#1 |
Member
Join Date: Oct 2007
Posts: 2,818
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Beautiful piece. I can't help but think I have seen it within these pages before though....love the twist core and the hilt, well that's just stunning...if only there was preservation of the sheath.
Gav |
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#2 | |
Member
Join Date: Jan 2007
Location: The Netherlands
Posts: 1,453
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Kind Regards, Maurice |
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#3 |
Member
Join Date: Jun 2009
Posts: 1,273
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There are some interesting features on it. To describe them I am forced to use Javanese terms for Ricikan (features on keris blade), for reference please look at http://www.kerisattosanaji.com/kerisdiagram.html
A very interesting detail is Lambe Gajah, which starts at the upper end of Tampingan and falls in nice curvature: such Lambe Gajah is found on kerisses in early european collections before 1700, later mainly on Balinese keris. I have the impression, on later Javanese keris it often don't start directly at Tampingan or do start lover then upper end of it. A feature common to most Kris blades are the notches at the front side of Gonjo (under Gandhik) - also found on Javanese blades mainly before 1700 and on Balinese also after. Why this all? Most probably I am constructing bicycle for the second time ![]() Regarding the hilt: has anybody seen something similar, some thoughts on ornamentation? Intriguing is, there is clearly a division in Mendak and Selut, and Selut is resembling Balinese Selut a lot. |
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#4 |
Member
Join Date: Jun 2009
Posts: 1,273
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Okay, here it is: http://www.vikingsword.com/vb/showth...ighlight=brett
It seems, here are more pictures of it now. Would be very interesting to hear more thoughts and arguments on it. |
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#5 |
Member
Join Date: Aug 2009
Posts: 338
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Gorgeous piece! Transitional/early Kris are my absolute favourite, especially the half-waved twistcores, and this is a piece definitely worth envy!
(Now I want one of my own even more ![]() Does anyone know the regional origin of this piece? I've heard it being discussed as a Sulu piece on this forum, but I'm wondering what indicators are there that clue into it being from Sulu? (I'm wondering... is it the elephant mouth/trunk shape, and the thin/shallow fullers separating the twisted core from the outer edge steel?) Conversely I could be completely wrong in my recollections and if so, where do pieces like this magnificent example hail from? |
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#6 |
EAAF Staff
Join Date: Dec 2004
Location: Louisville, KY
Posts: 7,272
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The Sulu attribution comes from the "elephant" on the ganga and the angle of the mouth opening.
And on the hilt form - it is old and rare but present on some Moro pieces. I have seen only 2 of these on Moro kris and both were made of silver. |
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#7 |
Member
Join Date: Aug 2009
Posts: 338
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ah, Thanks for the clarification, Jose!
I thought it had something to do with the angle of the "elephant" opening as well. A follow up question, then: Around the time that this piece was made, were Kris introduced/being made in Mindanao? If so, what did those pieces look like? |
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#8 |
Member
Join Date: Dec 2004
Location: Witness Protection Program
Posts: 1,730
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amazing! i can imagine a point in time when this type of kris was en vogue... now, would that be considered as a jawa demam?
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#9 | |
EAAF Staff
Join Date: Dec 2004
Location: Louisville, KY
Posts: 7,272
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![]() Quote:
You ask a good question. Unfortunately I don't have a good answer. ![]() |
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