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#1 |
Member
Join Date: Nov 2008
Location: Russia, Leningrad
Posts: 355
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Anybody know anything about this arquebuse? Is it fake or real?
http://peashooter85.tumblr.com/post/...middle-ages-or "A matchlock musket from the Late Middle Ages or early Renaissance, 15th century." |
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#2 |
Lead Moderator European Armoury
Join Date: Dec 2004
Location: Portugal
Posts: 9,694
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Good question, Alexander.
Who is around to give an opinion ? |
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#3 |
Member
Join Date: Jun 2013
Location: Netherlands
Posts: 525
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Difficult to say, i wish there where more pictures. What we can see however is that the piece has been cleaned, probably with acid. Stripped from all its original patina.
The barrel is in the style of the 1470-80s with the octagonal barrel with the flats turned halfway down. Also the swamped muzzle, beeing a predecessor of the maximilian barrelcrown. The barrel hook is far on its way towards the muzzle which is also a later charasteristic. As to the stock, hard to say.. can't remember any manuscripts with such a stock, seems a bit hard to handle as well. The tinder holder looks more like those from Indian and middle eastern type matchlock guns, by that time they would surely have made something different. ![]() All in all i would not touch it, especially not before having better pictures. |
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#4 |
Member
Join Date: Dec 2004
Location: California
Posts: 1,036
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Would it be expected to find a barrel hook on a gun that looks so small? I thought that these hooks were needed on much larger pieces, to brace the barrel and forestock against a parapet so that heavy recoil wouldn't bother the shooter. If I am mistaken, please advise.
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#5 |
Lead Moderator European Armoury
Join Date: Dec 2004
Location: Portugal
Posts: 9,694
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But of course, Philip.
Thanks for openig our eyes ![]() |
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#6 |
Member
Join Date: Jun 2013
Location: Netherlands
Posts: 525
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Hi Philip
it is true that hooked barrels where mostly those of heavier/larger pieces like the haquebuts. There are though also quit a few examples of smaller hooked guns, some of them recieved a hook at a later point in their lifes. One piece in particular is worth noting, this matchlock arquebuse in the Musée de l'Armée in Paris (museum of arms). They have put a date of 1470-1500s on it but i think that the whole contraption is from at least after the 1500s and the lock has been replaced or at least the serpentine has been along with the original square screws/nails. This as well could be a total historismus piece with just an original but heavy cleaned barrel (the barrel has been cleaned, but heavy pitting is left, while on the lock and trigger there is far less corrosive damage). Good pictures is very important and also a good background wich we can find in this ever progressing forum ![]() |
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#7 |
Member
Join Date: Jan 2016
Posts: 60
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gentlemen, it would be interesting to see the touchhole of this barrel.the way of ignition looks suspicios to me ,i find nothing in the collection of Mr. Michael Trömner, which is very well documented in this forum and till now has been a great help for me,looking that way.the barrel itself and the hook (Haken) ,as seen from the ship, look gothic. i wish a good evening! iskender
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#8 |
Member
Join Date: Dec 2004
Location: California
Posts: 1,036
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Hi, Marcus
Thanks for informing me about the appearance of barrel hooks, and for posting the images of the small gun with sear-matchlock in the Musee de l'Armee. I agree with you that a dating of 1470-1500 seems a bit early for something like that. If it had the more primitive serpentine lock, maybe so. Also possible that the barrel may be that early, but the present lock gives it the impression of further on in the 16th cent., as you suggest. The less corroded appearance of the lock (compared with the barrel) also supports the idea that it might well be later. It can be difficult to assess pieces which have been re-stocked; in the case of early firearms like this, I'm sure you've encountered all too many in museums and collections. You can see a somewhat larger gun with a tiller-stock and a matchlock quite similar to the example you posted in the Historisches Museum, Bern (inv. no. 2206), but that example has a reconstructed stock as well. Of course, wood decays and over the years, owners and curators have had restorers replace the irreparable or totally missing stock with what is thought to be the proper style. It was no doubt done with good intentions, for who wants to look at something incomplete or almost falling apart? But unless the work was carefully documented, we today can have doubts as to whether the component parts were really together since their working life, or may have been associated centuries after-the-fact from disparate pieces in a depot. If the replacement stock is really based on a badly-deteriorated original, do we know if the restorer had enough original left to properly model all the details of his copy? |
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