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#1 |
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I recently won this small Sumatran knife on eBay. At first I thought it may have been a Lopah Petawaran but it lacks the parallel back and edge which seem typical of these.
The blade form seems very similar to the Lulu Celiko in Van Zonneveld (p. 84), although the handle curves in the opposite direction to the one illustrated. I have not been able to find any other images of this type of knife, which Van Zonneveld suggests were part of wedding ceremonies. The scabbard seems VERY similar to that of a Rencong (perhaps it is not original to the knife). The seller suggests that the handle is copper. I do not have the knife in hand so I am uncertain. If I am VERY lucky it may be Suassa. There is a faint inscription on the scabbard (ZY50 1911) which may be a museum number and collection date. I would greatly appreciate any thoughts on the identification of this knife, it would also be great to see other examples. Russel |
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#2 |
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Hello Russel,
would agree, it seems to be a luju celiko. Why the handle curves to the wrong side I don't know, it's the normal curve a lopah petawaran show and it seems that this both types of knife are related. Wish you good luck that the handle is from suassa. Great and nice catch! Regards, Detlef |
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#3 |
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I thought it was a Rencong, because of the direction and 90 degree curve of the handle. But I could find no pictures of Rencong with that type of handle. Looking forward to finding out more. I put in a very small bid, as I wasn't sure what it was. Glad another forum member won it!
Steve |
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#4 |
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Here the picture shown in in Van Zonneveld (p. 84), it's an old drawing, maybe the artist has done a mistake by the direction the handle show!? I assume Albert has taken this picture from a second source. Would be more as interesting to see other examples.
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#5 |
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Congrats, Russel, nice scoop!
IMHO, it is a luju celiko, indeed. I have one with a hilt in the same direction (pic to follow); AFAIK, Albert's account is based on a single source (Kreemer). I'm ready to bet your's also suassa... Regards, Kai |
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#6 |
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I took a look at the pictures off eBay and, though hard to tell from the bad pictures, it does look like suassa to me. However, it would be best to get it tested by a jeweler to make sure.
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#7 |
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Here is my example; the scabbard is probably a later replacement. I haven't seen any rencong-style scabbard before - your's looks quite convincing though.
As with Lopah Petawaran, these seem to be ceremonial blades only. Both types are probably based in (Karo?) Batak and possibly old Gayo cultures; probably the concept dispersed northwards upon increased contacts between Gayo and Alas with Aceh: the rencong is related, of course. BTW, the drawing is from Volz (usually reliable despite the sketches being a bit coarse): this example has 2 "crowns" (probably an integral bolster and another similar ring) at the base of the hilt as also found on some Lopah Petawaran and clearly a saruek ulat as found on some Gayo and a few Aceh status pieces; the scabbard might be Karo. Regards, Kai |
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#8 | |
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neat! ![]() ![]() ![]() ![]() When I look again to the shown picture I am as well nearly sure that Russel will find that the handle is from suassa. Regards, Detlef |
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#9 |
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Thanks everyone for the comments, I am very happy that my identification is confirmed.
After searching the forum, and Google, I have found no other examples than the two posted here. Can I conclude from this that these are rather scarce? Mention has been made that these were ceremonial/ritual knives, does anyone have details of how they were used? Van Zonneveld writes only that they were worn by the groom at weddings. Russel |
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#10 | |
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yes, to my knowledge they are very rare. Like said, great catch, don't forget to post better pictures when you have received it. And I don't know not more about them as you but have seen maybe a few more as you. Best regards, Detlef |
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#11 |
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Hello all,
Robert has kindly provided some clearer images, and has also confirmed that the handle material is indeed Suassa (14k). I am still trying to learn more about these knives, and would greatly appreciate any information forum members may have. Russel Last edited by russel; 4th November 2016 at 12:24 AM. |
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#12 |
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#13 |
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14k - That's high for suassa!
![]() Good for you! A real beauty! ![]() |
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#14 |
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A lovely piece.
Do you have a picture of the fitting of the blade in the scabbard ? Indeed unusueal to see this blade type with a rencong scabbard. But the combi looks quite genuine. 14 Kt gold suassa ? did you have this tested ? Normally Suasa is 25% gold = less than 8 Kt Nice find regardless of the Kt :-) Best regards, Willem |
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#15 |
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Thanks Willem,
Robert tested the handle three times, the result was 14k each time. Convincing enough for me! 😆 The knife is currently in Robert's hands, hopefully he can post additional images. Cheers, Russel |
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#16 |
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In the US we would call this rose gold due to the higher gold content.
You are right Asomotif in that the usual suassa is around 8k - 9k gold. That does make this truly unique and of higher quality. |
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#17 |
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Hello,
Here is a sketch of a Hulu Dandan style hilt found on rencong in Sumatra. It is fairly rare. I think it may be a good match for your item. The Hulu Dandan was a high prestige hilt and this corresponds well with the triple crowns on your example. This sketch is one I found on an Indonesian website years ago. That link no longer seems to be working. Best, Dave A. |
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#18 |
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Hello,
Not that I am a specialist in gold alloys but 14k is already gold, as gold is the base metal (14k I think means 14 parts pure gold in 24 parts total alloy). I didn't think it can have such a copperish colour. ![]() Very beautiful knife! ![]() Last edited by mariusgmioc; 24th November 2016 at 01:51 PM. |
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#19 | |
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have look here, written from Russel: "Robert tested the handle three times, the result was 14k each time." Maybe the pictures feint a little bit. ![]() Regards, Detlef |
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#20 | |
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I just never seen such reddish gold (not that it means anything). ![]() PS: I like this colour much more that that of pure gold. |
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#21 | |
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Regards, Detlef |
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#22 | |
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Hello Dave,
Quote:
The typical hilt for a luju celiko is the hulu paroh blesekan and these are considerably smaller (as are the ceremonial blades). There is not much published evidence and I'd really like to see more examples - hopefully the forumites can contribute a few more! Russel's example has a somewhat smoother flow of lines while mine shows more clearly different parts of the hilt which seems to relate to the hulu dandan configuration. One could argue that hulu dandan, hulu paroh blesekan, and hulu jongo form a kind of continuum but I believe we should stick to the traditional definitions unless we have really good evidence to the contrary... ![]() Regards, Kai |
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#23 |
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I've got several keris with pendoks made from suasa, they're all what a jeweller here (in Australia) would call rose gold, I don't know what the purity of the gold in these pendoks is, I've never had it tested, but what I do know is that the colour of gold depends upon the way it has been alloyed, gold + silver = yellow, gold + copper = red, ie, rose gold.
About 20 years ago in Solo I saw a man who was widely regarded as the best craftsman in metal for keris related objects, making a pendok out of suasa, he didn't call it suasa, he called it " emas merah" = red gold. I have a Balinese keris that is 100% old and 100% Bali, the hilt is yellow gold, the pendok is rose gold. The place where gold is fabricated doesn't dictate the colour, it is the way in which it has been alloyed, and that can change depending on many factors. In fact, although the usual metals that are alloyed with gold are silver and copper, it is my understanding that upon analysis we can find other metals as well, such as tin, or nickel or even zinc --- maybe other metals too. As to whether or not suasa is indeed gold, that is perhaps a matter of perception. My understanding is that there is an old law that dates back to pocket watch days in the USA, that gold of less than 14kt. could not be called "gold". So, legally, in the USA you probably cannot have 9kt. gold, but here in Australia jewellers do a pretty good trade in 9kt. gold. Yes, 1karat = 1/24 of the whole. In Central Jawa metal that only contains a little bit of gold, say 5kt. or 6kt is referred to as "emas muda" = "young gold". Then of course we have pinchbeck --- but that's another story. Edit Just a further short note on gold artifacts in general, that have come out of Indonesia. Archaic gold artifacts are very valuable items, there have been a couple of finds of hordes of buried gold artifacts in Jawa, notably the Wonoboyo hoard that was found in 1990. From time to time farmers and builders find odd small and large pieces of gold. Almost invariably these small private finds are offered to dealers in markets such as Pasar Triwindu, in Solo. Over the years I have often been offered such gold artifacts, a few have even been genuine, but the vast bulk of archaic gold artifacts, including death masks and royal paraphernalia, that is offered for sale in Jawa are very skillful forgeries. This raises the question of how one is able to detect such a forgery. Well, it helps if happen to know the dealer and/or the forger very well. Last edited by A. G. Maisey; 25th November 2016 at 12:47 AM. Reason: additional information |
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#24 |
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With 14k rose gold there is more copper and less silver. Regular 14k yellow gold has more silver and less copper. Even 18k gold has to have some copper in it to give strength to the gold.
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#25 | |
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#26 |
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Yep --- gold ain't gold
do an analysis and there's no telling what you'll find. |
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