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#1 |
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Hullo everybody!
![]() Below is a poesaka (=heirloom) to share: . Doehoeng Asgar Name: Kangdjeng Wangsa Dita(=symbolises links to Limbangan and Soemedang) Desc: Doehoeng Sampana 5 Eloek(= symbolises as belonging to the hereditary boepati-class) LIMBANGAN Char: 5 Eloek , Kembang-katjang Blade: LxOALxWxT=34.5x41x7.93x1.06cm. GALOEH PANGAOEBAN (=symbolises link to Galoeh) Handle: Wood, Pralamba Jaksa Tjakra(=devastating energy) Wt: 170g. Sheath: Wood, Widjajan(=symbolises a very old family-tree); white-metal o/sheath w/ frontal pierced designs incl.’1813’ Comments: Taroem(=indigo) is traditionally identified with Soenda, hence the band. 16/02 1813 - British lieutenant-governor Stamford Raffles directed the regent of Limbangan to survey possible sites for a new capital city for Limbangan. Once the site and name for the new city had been determined, the Garoet Construction Committee was named. 15/09 1813 - first foundation-stone laid for construction of city of Garoet, to replace Soetji as capital of Limbangan regency. 07/05 1913 - Dutch Governor-general dissolves Limbangan regency and replaces it with a newly-created Garoet regency, w/ Garoet as its capital. |
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00. TilamOepih Lempeng (SandangWalikat, Tjorok)
Name: Sang Kamandaka Desc: Doehoeng Tilam Oepih Lempeng PASIR LOEHOER Char: Oepih-rai , Elis , Lempeng Blade: LxOALxWxT=46x53.5x9.16x1.47cm.(paksi: 0.98x7.16x0.80cm.) Handle: Wood, Ganaisia(lord of the ganadewatas) w/ white-metal wewer & yellow-metal seloet Wt: 513g. Sheath: Wood, Korakoran Comments: SandangWalikat: worn over shoulder-blade; Tjorok: can act as backup sword . 01. TilamSari Lempeng (SandangWalikat,Tjorok) Name: Sang Sasaka Domas Desc: Doehoeng Tilam Sari Lempeng SOENDA SEMBAWA Char: Oepih , Elis , Lempeng . Blade: LxOALxWxT=43x51x9.42x1.49cm.(paksi: 1.05x7.52x1.14cm.) Handle: Wood, Ganaisia w/ yellow-metal seloet Wt: 443g. Sheath: Wood, Djongan 02. TilamSari Lempeng (Tjorok) Name: Sang Banjaran Sari Desc: Doehoeng TilamSari Lempeng TJAROEBAN Char: Oepih , Elis , Lempeng . Blade: LxOALxWxT=38x46x8.22x1.36cm. (paksi: 0.76x7.49x0.45cm.) Wt: 274g Handle: Wood, Babandolan(=tough, wild pig) w/ white-metal seloet Sheath: Wood Saridjong w/ pressed white-metal o/sheath |
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#3 |
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Hello Amuk,
Thank you very much for showing us these nice and rare pieces, please go on! I notice that you use the letters "oe" instead of "u" and "tj" instead of "c" as per the old tradition, is "tjorok/ corok" referring to a long blade? Best regards ![]() |
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Hello Amuk,
The gambar/ atasan of the pusaka kris looks like a rare model from East Java/ Madura, the one of specimen 00 a model from Tegal, and the one of specimen 02 a model from East Java, are they all originating from Sunda? Regards Last edited by Jean; 23rd July 2019 at 02:56 PM. |
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#5 | |
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I assume, Amuk, that when you write "Doehoeng" you are intenting one of the alternative words for keris better known as "Dhuwung"? An interesting collection of old keris in lesser seen dress forms regardless. Does anyone of a translation of the writing at the top of the pendok on the first (1813) keris? |
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David, I have no knowledge of the Sundanese language, however, I have recently made the acquaintance of a gentleman from Sunda who was a university lecturer, he tells me that "duhung" ie, Amuk's "doehoeng" is in fact not a direct equivalent to the Javanese "duwung" or "dhuwung", but rather can only be used to refer to a keris that is in the possession of an important man, somebody with some sort of government rank, or who is recognised in his community as being of high status.
If that keris were to become the possession of somebody who was not a person of importance, then strictly speaking, it could no longer be referred to as "duhung". Thus, all these keris that Amuk has shown to us must be keris that belong at this present time to a person of some status. |
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#7 |
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It seems to me that Amuk is only referring the first kris (poesaka) as doehoeng but not the others.
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It is in the description of all the others too Jean.
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So in the context of this post and to what Alan's friend from Sunda said, it makes sense that in the Sundanese language that these are referred to as duhung as opposed to just "keris". You would probably not refer to your own keris as a "duhung" though, even if you were of high status. Last edited by jagabuwana; 14th August 2019 at 02:15 AM. |
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#11 |
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Well Jaga, you might refer to your own keris as "duhung" --- I guess it all depends upon one's opinion of oneself.
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Haha, might need more stamps in my passport to get away with that one.
I should add that the reason "duhung" is archaic in everyday Sundanese usage is likely because the keris has little to no significance to Sundanese people nowadays (where it once used to, though of course not anywhere close to its importance in Javanese culture), and therefore very few would really care or pick up on it if you referred to someone else's duhung as a "keris". Interestingly, the only thing referred to as "duhung" at the Prabu Geusan Ulun museum in Sumedang is a badik, and the keris are just called keris. If I recall correctly, I think Eiseman in Sekala and Niskala mentioned that it the keris , at least where he lived in Bali, was almost never referred to as "keris" but as words that were euphemisms for it, out of respect for the power and place of the object in society and culture, and that these euphemisms were "high" Balinese. Last edited by jagabuwana; 14th August 2019 at 06:24 AM. |
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#13 |
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It is a characteristic of Javanese & Balinese language patterns to use euphemisms to refer to anything at all that might be a little, let us say, "touchy". There are euphemisms spread right through keris terminology.
In Javanese there are a number of names for the keris, and they refer to the keris in various situations, probably so in Old Javanese as well, but we cannot be certain of this. Language changes all the time, when we use the concept of "archaic" usage, it can be a matter of something being archaic in common usage, but utterly correct in a specific situation. |
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Hullo everybody!
![]() Further additions for sharing. _000_Setjang Lempeng Desc: Doehoeng Setjang Lempeng. Char: Both edges similar, Lempeng. Blade: LxOALxWxT=30.5x37x7.16x0.88cm. GALOEHPANGAOEBAN. Handle: Wood Pralamba Jaksa Baradjaperdana w/ yellow-metal seloet. Wt: 172g. Sheath: Wood Djoengkoeng w/ pakoe-hadji motif. _001_SampanaHiras 11Eloek Desc: Doehoeng Sampana Hiras 11Eloek SOENDAPAKOEAN. Char: Kembang-katjang , Kotjop , 11 Eloek . Blade: LxOALxWxT=36x42.5x7.06x1.03cm.. Handle: Wood Pralamba Koewera Oepaja. Wt: 202g. Sheath: Wood Widjajan w/ yellow-metal o/sheath. _002_Sampana 9Eloek Desc: Doehoeng Sampana 9Eloek. Char: Kembang-katjang , Kotjop , 9 Eloek . Blade: LxOALxWxT=36x43x9.08x1.21cm. GALOEHPAKOEAN. Handle: Wood Pralamba Jaksa Apoen w/yellow-metal wewer. Wt: 256g. Sheath: Wood Djoengan _003_SampanaLeres 9Eloek Desc: Doehoeng Sampana Leres 9Eloek. Char: Kembang-katjang , Makoeta , Kotjop , 9 Eloek . Blade: LxOALxWxT=36.5x44x7.07x1.05cm. SOENDAPAKOEAN. Handle: Wood Koewera w/ copper seloet. Wt: 176g. Sheath: Wood Djongtjoetjoer. _004_ Sampana 9Eloek Desc: Doehoeng Sampana 9Eloek. Char: Kembang-katjang , Kotjop , 9 Eloek . Blade: LxOALxWxT=34.5x44x8.06x1.03cm. GALOEHPAKOEAN. Handle: Wood PraLamba Jaksa Tjakra w/ seloet studded w/ clear-stones. Wt: 171g. Sheath: Wood Lantjaran. |
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Very nice and rare pieces as usual, thank you! I like the sarong of 000 especially
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Agree with Jean. More nice old and unusual dress examples. Very nice.
Just curious, is there some reason you keep all your hilts facing in the opposite direction from what is generally considered the correct position? ![]() ![]() |
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#17 | |
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I try to avoid mentioning it; but since you asked: The hilt faces the 'rear' as a reminder to djatisoenda to 'watch one's back'. Harks back to 1357 when treachery perpetrated by the 'Mahapatih wong-wetan', resulted in the massacre of the Soenda royal wedding-party. Best, |
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1357 was the year that a princess of Sunda was taken to Majapahit as a bride for the ruler, Rajasanegara (AKA Hayam Wuruk). The Mahapatih Gajah Mada wanted nothing but complete submission from Sunda and would only accept the Princess Pitaloka as a concubine. The Sundanese ruler --- who was with the wedding party --- was not agreeable to this.
The result was the Battle of Bubat, which was not much of a battle, more of a cruel massacre totally without honour for Majapahit and led to Gajah Mada's fall from grace. The Sundanese were a wedding party of at most a few hundred, the permanent soldiers and palace guards in Majapahit would have numbered into the thousands. The Sundanese fought until all were dead, the women in the party, including Princess Pitaloka took their own lives. The Sundanese lost the "battle" but won everlasting honour. Majapahit was disgraced because it acted without honour. After this affair, Gajah Mada was removed from the capital and relieved of his command. mahapatih wong wetan = prime minister of the people of the east, Majapahit is to the east of Sunda. Javanese history is not always history as people from European societies understand history to be, but it sure does make interesting reading, I have often thought that it has a lot in common with the history of the Mafia, especially the Mafia in America. |
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Thank you , Alan.
Best, |
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![]() This isn't something I've observed in Sunda either in public viewings or private collections, pusaka and non-pusaka alike. I think that it might be impossible to determine the chain of transmission but I do wonder where and who this convention (if it even is a convention) came from. |
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#21 |
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Here is some further info on the Battle of Bubat.
Of course, nothing is said here about this practice of reversing keris hilts. It is not something i have ever come across in my readings before. Interesting if true, but like Jagabuwana, i believe i will continue to present my own keris with the hilts in their "correct" position. https://en.wikipedia.org/wiki/Battle_of_Bubat |
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Hullo everybody!
![]() I thought I'd balance post #2 with some "eloek' examples: 03. MahisahKerak 5Eloek (SandangWalikat,Tjorok) Name: Sang Goeroe Hijang Desc: Doehoeng Mahisah Kerak 5Eloek DJERBON Char: Oepih , Oesoek , 5 Eloek . Blade: LxOALxWxT=46x57.5x9.39x1.69cm. (paksi: 0.91x7.49x0.54cm.) Handle: Wood Kitjaka w/ metal seloet and wewer. Wt: 449g. 04. MahisahKerak 5Eloek (SandangWalikat/Tjorok) Name: Sang Geusan Hoeloen Desc: Doehoeng Mahisah Kerak 5Eloek DJERBON Char: Oepih , Oesoek , 5 Eloek . Blade: LxOALxWxT=43.5x50.5x9.78x1.52cm.(paksi: 0.77x6.49x0.57cm.) Handle: Wood Ganaisia w/ white-metal seloet. Wt: 313g. 05. MahisahKerak 5Eloek (SandangWalikat,Tjorok) Name: Sang Koewoe Kandang Sakti Desc: Doehoeng Mahisah Kerak 5Eloek DJERBON Char: Oepih , Oesoek , 5 Eloek . Blade: LxOALxWxT=45x53x9.11x1.99cm.(paksi ; 0.83x8.04x0.51cm.) Handle: Wood Babandolan w/ yellow-metal seloet Wt: 451g. 06. SampanaToempeng 13Eloek (Tjorok) Name: Sang Poetjoek Oemoen Desc: Sampana Toempeng 13Eloek GALOEH Char: KembangKatjang , Pentil , Oepih , Djanoer , 13 Eloek . Blade: LxOALxWxT=41.5x49x8.59x1.38cm.(paksi: 0.72x7.25x0.43cm.) Handle: Wood Kitjaka w/ metal seloet. Wt: 318g. Enjoy! ![]() Last edited by Amuk Murugul; 20th November 2019 at 03:23 AM. Reason: correction |
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Hello Amuk,
Very interesting pieces again, thank you! Could you please explain or translate the following terms into English for our better understanding: . Mahisah kerak . Tjorok (corok, a long and strong blade?) . Djerbon (Cirebon?) . Galoeh (Galuh/ Segaluh Kingdom?) . Oepih . Oesuk (usuk or ada-ada?) . Kotjop . Kitjaka (equivalent to Dursasana/ Rajamala?) Thank you and regards Last edited by Jean; 19th November 2019 at 04:55 PM. |
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#24 |
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Jean, maybe English might not be possible --- it is sometimes not really possible with some Javanese words & ideas --- but if a translation into Bahasa Indonesia were to be possible, this would assist.
Even post 1972 spelling might help. I've just a few minutes ago run this text past an educated 22 year old from Bandung who is here on holidays, and he cannot make head nor tail of it, even after I did the standard change from Dutch style spellings to English style spellings. Amuk, what language are we looking at here? I had assumed Sundanese, but perhaps it is a dialectical variation? |
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Jean,
Mahisah Kerak is a style/dapoer Tjorok, mentioned in post #2, tang>0.7cm Djerbon= trust/faith in ‘mother'; from ‘ djedjer’(=one who can be trusted/depended upon) and ‘ bon’(=mother);river/sea waters were considered ‘mother’, mountains ‘father’. It was the original name for what is now known as “Cirebon”. Galoeh/Galuh was a kingdom whose size varied from time to time, at times covering the whole of western Java (including some of Central Java). Segaloeh is a Javanese construct; I don’t know what is meant by it except as in Javanese keris protocol. Oepih is a palm-leaf sheath Oesoek is a roof-batten(=ada-ada in Javanese protocol) Kotjop is wrong, it should be Pentil(=young fruit ‘bud’) Kitjaka was the commander-in-chief of king Wirata in Mahabarata; while Doersasana is also a character from the same epic, Radjamala is a Javanese construct who did not appear in the original Alan, Being born, bred and living in Bandoeng does not necessarily make one ‘Soenda’. Then, of course, there is Soenda and Soenda (just as there is Koori and Koori) ![]() Your assumption is indeed correct; I use Basa Soenda. Best, Last edited by Amuk Murugul; 20th November 2019 at 03:24 AM. Reason: correction |
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Yes, of course you're right Amuk, but I rather think the young gentleman to whom I referred your text might be considered to be attuned to his native culture. I will not go into the reasons for why I think this to be so, but if he is indeed not genuinely committed to the history and values of his native culture, then I guess the Indonesian government has misplaced their trust.
Still, I think we can put the question of qualifications to one side. Fact is I rather enjoy reading your posts, they are certainly unique. |
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I felt obliged to respond. Forgive me if I sound a bit cynical, but experiences have left me rather disappointed (especially by those in position to make significant change). However, I am still hopeful. Especially now that there appears to be a new crop with vision and ideals as well as the courage of their convictions. Perhaps, the time may come when:” Bila melihat dolar, mata menghijau” may be laid to rest. BTW ..... if your friend is 'into' Soenda culture, he may have heard of a couple of my 'brothers-in-arms': Ekadjati (Bdg), Djatisunda (Skb) I am pleased that my posts can be a source of enjoyment/mirth. Best, Last edited by Amuk Murugul; 20th November 2019 at 06:05 AM. |
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#28 |
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Not mirth Amuk, never mirth.
I enjoy language. The fact that you use a spelling that was officially discontinued in 1972 as well the assumption that you are using one of the Sundanese dialects --- I've been told there is:- "a different dialect for every point of the compass, and a few in between" --- makes the job of trying to understand what you are actually saying pretty interesting. I do have a few reference books on S.E, Asian language, and I have a couple of connections in the community of linguists who study Malayo-Polynesian languages, so I'm not totally bereft of resources, but still, I can normally only latch on to maybe 25% of the words you use. So your posts do entertain me, but not in any mirthful fashion. I enjoy the puzzle of what you put before us. As for cynicism, well, you're talking to the bloke who wrote the book. I was paid good money for many years to be a professional cynic. You remember Mel Gibson in "Taxi Driver" ? I've been told that whoever wrote that part for dear old Mel must have spent a lot of time with me. The young gentleman to whom I referred your text is not a friend, only a relative of a friend who is visiting Oz, he and his aunt just happened to be at my house when I read your text. Apparently he has some sort of Govt scholarship that is primarily focused on the history and culture of Sunda. Since you have been so kind as to expand your comments Amuk, could I ask just one tiny further indulgence:- what dialect do you use in your posts? |
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#29 | |
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Regards ![]() PS: I know sandang walikat as a style of scabbard but what does it mean in your examples? |
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#30 |
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Hullo Jean,
As explained in post #2, sandang walikat= gird over the shoulder. Alan, I don't see it as a dialect. It was designed to facilitate communication between confederate officials from the capital and regional officials from any part of the kingdom. If you insist on a name for it, then it is: Basa (Soenda) Jero. Probably a bit like Kromo Inggil&Madya. Best, |
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