9th January 2007, 03:40 PM | #31 | |
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Thanks for the photos of these beautifully crafted daggers. I do question the assumption (not just on your part) that any dagger depicting the devil is necessarily a satanic ritual tool used in some dark rite. Sometimes art is just art. I think dealers are quick to put such a tag on these items because the concept of "evil" fascinates many and they think (correctly) that the items will command higher prices. Blades like the last one, IMO, have no distinct satanic symbolism. Skulls and snakes do not necessarily point to satanism. Skulls and skeletal forms have been used in art by many cultures over the centuries and are not necessarially negative images. Snakes aren't either for that matter and in many cases signify life and regeneration. The skull is a very common Mason symbol for one. The inverted liberty torch is very interesting in your first example, but i wonder if it doesn't have more of a political reference than a spiritual one. It's placement between a winged caduseus legged demon and an owl, a symbol of wisdom is very intriguing. It would be nice to see some closer images of this. Doesn't look like it's seen much use though. |
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9th January 2007, 04:17 PM | #32 | ||
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The first mention was a factual correction for you, I didnt imagine that would make you laugh, the second was meant to be the humour. Sorry that it fell flat for you. Written humour can be hard to interprit sometimes. Religion & politics are very closely aligned i think, they are both often used by some to control others. I was under the impresion that what helped found many aristocratic satanist groups as a way of retaining the power they had lost to Politicians & clergy. I would percieve the torches upside down as turning liberty on its head. An owl is also a common satanic symbol , often refered to as moloch to whom human sacrifices are made. I have further pictures of these daggers & others but without gaining the permision of the currant owners I am not prepared to post them. i agree dealers like to make money, but both those mentioned are well known for thier expertise & in BRLs case especialy with American & European knives. I am visiting a curator who specialises in theology,old occult,pagan, satanist etc. artifacts,books & symbolism next week for his veiw. Since posting this here & elswere I have had a couple of offers from people who collect such items {or who have a "friend" who does in one case, whom seem in no doubt about what it is.} I think the nature of the beast sends up a lot of denial from people. Ive been researching this for 6 weeks & hoped someone here might actualy be able to add to the facts that i have been accumilating about these re. date & origin. Or be able to illustrate thier points against with other examples of such pieces & thier "christian group or fantasy piece" evidence. Although numerous comments generaly from people totaly outside thier fields of expieriance or expertise are intresting I have yet to see anything of factual substance or even an awarness that such things exist! Seems rather like wishfull thinking to me. Perhaps an ethnographic arms forum wasnt the right place to post this. Spiral |
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9th January 2007, 04:27 PM | #33 |
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Hi Spiral,
On the last dagger you posted, does the helm visor actually swivel open and shut over the skeleton or is it just my impression? Very fine craftsmanship on these items. Here's a thought about the "gipsy woman" dagger: if holding the dagger so the figure is seen upright, the church is upside down. In this case, she could be seen as dancing over the reversed church and mocking the Church. Gipsies are an image of chaos and anarchy I think, so perhaps the dagger represents the overturning of the Church by chaotic liberalism. It would fit the troubled times of the early 19th century, and could arguably be disguised as an artistic object reflecting literary sources - Hugo maybe. Emanuel |
9th January 2007, 05:32 PM | #34 |
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Well actually Spiral, i laughed the first time and sorta said "duh!" to myself, so the second time around it was getting old. No offense really.
I think you may have misunderstood my position. I am not denying that satanic groups have and do exist. I do, however, think some of these blades may have been misinterpreted. I actually think people are more likely to jump to the conclusion that things are satanic, often when they are not. The early church, and to some extent the present one, would consider anything non-Christian to have a satanic root. The owl can be seen as a representative of Moloch, but for me it is a stretch to connect old pre-Christian gods with satanism even if they were rumored to perform human sacrifices. I think it is very important to realize the source of the stories of satanic cults before we buy any of the infomation they present without a large grain of salt. No, this doesn't mean that i am in denial that such cults have and do exist, but i do seriously downplay the conspiratorial hype surrounding these stories. Groups were often labelled satanic by the church simply because they had gained too much power for the comfort level of the church and local governments. See the story of the knights Templars for instance. It was also said of them that initiates had to spit on and trample the cross and that they prayed to a head in a box called Baphomet. What the church and the government really wanted were all their fertile lands in the south of France. They also started the European banking system and many powerful people owed them money. I guess they must be satanists, eh? I have studied the occult and it's histories now for nearly 30 years, so perhaps i have a different perspective on it than most. I do know that things are not always what they seem nor what they would have us believe. |
9th January 2007, 06:36 PM | #35 |
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I cannot see anything scary or "satanic" in these knives. The images are just allegorical and mimic the late renaissance art styles and taste. They are just the Franklin Mint fantasy daggers of their day all be of very good quality. Similar quality of work can be found on late 19th century meat carving sets with rather more domestic imagery. IMHO.
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9th January 2007, 07:55 PM | #36 |
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Here are two late 16th century bronze pieces that show this late renaissance style. This style is in many ways a classical revival with some added vigor.
And finally a "satanic" candle stick made by Minton & Co 1859. A fine example of the 19th century renaissance revival. Put a black candle in it and we can all scream satanic abuse. |
9th January 2007, 08:04 PM | #37 | |
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Yes indeed it does Emanuel if you look at the photos again you will see some with visor open, some closed. Spiral |
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9th January 2007, 08:08 PM | #38 | |
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I was reading Colin Wilsons stuff 30 years ago muyself, & much sinse but I have only been researching this for 6 weeks. Its intresting some satanists & collectors of these see the owl as Moloch & you saw it as the owl of wisdom. Indeed so much is open to interpritation. Spiral |
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9th January 2007, 08:10 PM | #39 | |
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i would be very concerned if you thought it looked like anything i thought it was. Spiral |
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9th January 2007, 08:13 PM | #40 | |
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Show me some figural knives from this period, with satanic, christian or any other symbolism on them so we can have a serious discusian. Spiral |
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9th January 2007, 08:34 PM | #41 |
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This is a 16th century knife which shows the origination of this style. I can illustrate the 19th century version with many other artifacts but you want knives so it may take a little longer. I do not intend to antagonise it is just that I make this sort of thing for a living. I have to know about art and art history. I would be happy to show examples.
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9th January 2007, 08:52 PM | #42 |
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Actually i am not much of a fan on Colin Wilson's take on occult history (although i find some of his science fiction entertaining).
I am curious how you imagine these "satanic" daggers were used. Were they merely for ceremonial dress or do you think they were actually used for blood sacrifice? Some of them, like the one with the owl motif, look pristine, as if they were hardly ever handled. Do you know whether this blade is edge sharp? What about yours? The example with the helmuted skeleton appears to use an old bayonet blade which doesn't seem edge sharp. Neither does the one from Liongate. It seems logical to me that for a blade to be a useful sacrifical tool it would need a very sharp edge. |
9th January 2007, 08:52 PM | #43 |
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This German glass chalice "for sacrificial blood" Bavaria 1855 has many of the elements seen in the knife that started the thread. It could be seen as a touch subversive which indeed may well have been the intentional edge to the piece, if one is to bring to mind the rather stifling muscular church influence on life.
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9th January 2007, 09:13 PM | #44 | |
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Thankyou Tim that is nearer the mark. More detail would be nice. Can you tell me whether there was any differance in the style of the 19th century casters from Germany & France? or would thier work be identical? Spiral |
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9th January 2007, 09:33 PM | #45 |
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I do not think I can post a better picture. What can be seen is the astrological figure aquarius. This is at the time people were burnt as witches or heretics or for just being bloody awkward. So this serving/table knife was in its day a bit racy. Perhaps that is why it survives.
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9th January 2007, 10:06 PM | #46 | |
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Me niether I just recall it as the first book of that ilk I read. I am under the impresion that they were altar pieces also used in sacrifices & intiation cerimonys. I thnk the BRL example is sharp, apparently many of these knives have the same blades as the daggers used by Napoleans mamelukes of the Imperial Guard. cross section x Bayonets are only good for stabbing of course. I presume the people who paid to have them made used them for any purpoise they wished? Thats how humans usualy behave. IMHO Spiral |
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9th January 2007, 10:08 PM | #47 | |
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Thankyou Tim, Some says it was the Medical proffesion that helped perpetrate the last round of European witchburnigs to get rid of the herbal health/ complimentry medicene practioners as competition. I have no idea whether that is plausible though? Spiral |
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9th January 2007, 10:12 PM | #48 |
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Gentlemen......I think that to determine the daggers use ...we should investigate further, the possible associations with Hugo's 'Hunchback of Notre Dame', there are so many links to the story and possible symbolism with the 'true' context of the Authors work that this dagger pocesses.
The hilt form already has already been discussed to a degree. The knife in 'Esmorelda's' waistband is paramount to the story......she is (falsely) accused of atempted murder, by stabbing....later excecuted because of this. In the story she is shown as opening carrying one.... "Mademoiselle Esmeralda," said the poet, "let us come to terms. I am not a clerk of the court, and I shall not go to law with you for thus carrying a dagger in Paris, in the teeth of the ordinances and prohibitions of M. the Provost. Nevertheless, you are not ignorant of the fact that Noel Lescrivain was condemned, a week ago, to pay ten Parisian sous, for having carried a cutlass." The scabbard with all its archetectual design.....shows clearly 3 arched doorways........ this is a quote from a synopsis of Chapter 3... As the narrator remarks: "Time is blind, man stupid." Nevertheless, he emphasizes the beautiful specimens of architecture that remain, especially the three porches with their pointed arches, leading up to a "vast symphony of stone." The goat on the hilt was originally interpreted as 'satanic'...however.. "...., the symbol of the satanic goat, usually portrayed as a half human, half goat figure, or a goat head. It is often misinterpreted as a symbol of witch-craft in general. It is used by Satanists, but is not used by neo-pagan witches who do not worship the devil. The origin of the Baphomet is unclear. It may be a corruption of Muhomet (Mohammed). The english witchcraft historian Montague Summers suggested that it was a combination of two greek words, baphe and metis, meaning "absorption of knowledge." Baphomet has also been called the Goat of Mendes, The Black Goat and the Judas Goat. One more 'snippet'.............the dagger is 'crucifix hilted' , why would a satanist use a 'symbol of Christ'.......Surely a true satanist dagger would not have....or even need a crossguard |
9th January 2007, 10:37 PM | #49 | |
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Excelent points to ponder & illustration of possibilites Katana , thankyou. Good research! I would say if you google the various towns & city of europe for churches & cathedrals you will finf many such doorways though. Linking a dagger to the story is excelent! I have seen lovely French figurine knives of the 1850 to 1870 period in my research, so they do exist. I was hoping some would post more pictures of them but they seeem rather rare. But so do & are Satanist daggers, interpritation is the key. Any input on the bishops or Jews with boils & faces of misery in the book? But re you last point, I would say that if ever you are unfortuanate & unlucky enough to to stab someone or something & hit a bone you will see why most daggers have a crossgaurd. Heres another intresting point of construction. The blade is drilled lengthwise & threaded into a steel bolt in the hilt. Has anyone found a dagger of such construction before? Spiral |
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9th January 2007, 10:38 PM | #50 |
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Double post
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9th January 2007, 10:39 PM | #51 | ||
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So again to get to the point I was speaking of before rambling. All symbolism, including or perhaps particularly that on weapons can and will be interpreted differently by different groups based on their context. We may not be able to establish the context or the symbolism until we know why and when the knife was made and we may not be able to tell where and why it was made until we understand the symbolism. Indeed a problem Quote:
BTW to everyone here on all sides of this discussion ( Satanic, Pagan and Hunchback of Notre Dame) I must say a great job of debating the case is being done on all sides. Spiral IMHO the way the blade is attached would again point towards this being a ritual or decorative item and never really designed for much use. Last edited by RhysMichael; 9th January 2007 at 11:00 PM. |
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9th January 2007, 10:53 PM | #52 |
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Wouldn't that strange construction exclude use as a weapon - sacrificial or otherwise? The short fillet wouldn't hold the blade too well in a stab would it? In my mind this adds to the possibility of the dagger being an artistic/decorative object...or if intended for some cult ceremony then certainly only for show, not use? Do you know hoe the other daggers you posted were constructed?
I wonder why use such construction? The original blade would have had a tang no? I would surmise the creator of this piece took a broken blade he had at hand and gave it a new life as a romantic -or be it ceremonial/cult- object to be sold at greater value. |
9th January 2007, 11:10 PM | #53 |
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Well most satanic knives are made of recycled or older blades. perhaps they already carried the symbolism as a used weapon?
The threading into the blade is incredibly tight & would certanly not be weakend by a couple of ribs. it is a short tang but locks up incredibly solid. sure it wouldnt last years of wood chopping but a direct stab, {as all daggers & bayonets are designed for} wouldnt be a problem. its steel threaded into steel on a 6mm diameter bar. 8mm deep I think an engineer could point out that that is a fairly strong fixing for a dagger. i am intrigued that considering satanists or whatever they may be called have been around by definition as long as christiantity that there is so much apparent rejection of there bieng types of knife used by them. even boy scouts used to have thier own blades! Spiral |
9th January 2007, 11:19 PM | #54 | |
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I said above I believe there is historical evidence of satanic cults. I agree with David that the accounts were probably exaggerated and the accusations were abused. Those actually involved may have been the ones seeming most pious to their neighbors. Think about when a criminal is caught today and the neighbors talk about how they were always quiet and never caused issues or problems. I am however open to debate on what the true meaning of the symbols on this dagger are Last edited by RhysMichael; 9th January 2007 at 11:30 PM. |
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9th January 2007, 11:27 PM | #55 |
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Agreed!
So am I, but lets face it with 20 odd naysyers it wouldnt be much of a discusian if i didnt at least play devils advocate. Evidence is usefull , conjecture when informed is as well. Opinions, based on upbringing whether mine or yours, are quite worthless as thats all they are. Especialy if faith becomes involved. Spiral |
9th January 2007, 11:29 PM | #56 | |
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I would guess its original blade as a sword was nearer 18 inches? I think that would be right for a 16th century swiss Baselard? Spiral |
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10th January 2007, 12:35 AM | #57 | |
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I certainly believe many of these daggers have an occult origin and significance. My argument is that they should not be called "satanic". I suggest "occult dagger" instead. That being said, i would still vote for the "Hunchback" story in regards to your dagger Spiral. |
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10th January 2007, 01:17 AM | #58 |
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I agree with David, perhaps the term 'occult' would be a much better 'working description' for studying these daggers employed ceremonially by certain groups, referring to the athame of course.
In the case of Spiral's dagger, I am inclined to agree that it is most likely a 19th century theme dagger that reflects the same literary inspiration seen in the early Swiss daggers referenced in my earlier post. The Victorian period is well known for heightened romanticism of this nature and the popularization of 'Gothic literature' . On that note, I very much like the literary detection done by Katana! I am quite convinced that Yannis' observation of the depiction of Esmeralda on this dagger is correct and extremely astute! I also think that this thread has become extremely interesting, especially since much of the ritual and ceremonial use of the 'athame' corresponds with the metaphysical aspects of certain weapons of this type in numerous cultures, with the Tibetan 'phurbu' as an example. In this sense I think these daggers, despite somewhat sinister associations as interpreted may well be considered worthy of discussion in ethnographic perspective. I also think that the impressive posts that everyone has placed on this thread reveals the comprehensive knowledge of the membership here on even the most esoteric topics and begs to differ with the question of whether this dagger should have been posted on an ethnographic forum....and I am very glad that Spiral did post it here! Excellent thread guys!! All best regards, Jim |
10th January 2007, 10:30 AM | #59 |
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Since I wrote the “Huchback” opinion, there are 3 more evidences to agree with it.
1. The knife in the belt, as Katana wrote 2. The item she holds is a tambourine. Please notice the circles. 3. I asked about the dress code of this woman and they told me that only the lower part of society (like a gipsy) would dress like this on the streets of central Europe in early 19th century. Even Disney studios knows that. Also, the half man half goat figure is Pan, the ancient Greek god of shepherds and their flocks. He became “satanic” symbol when Christians took the political power. His sins were he enjoyed music, dance and making love in the woods. 2000 years later these are still crimes for some minds. BTW the word “panic” comes from his name because he could inspire fear if he wished so. So he was a great ally for warriors. Athenians believed that with his help won the Marathon battle when Persians lost their guts. |
10th January 2007, 01:22 PM | #60 |
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My wife Anne just woke up and we read this post together. Having just seen the "Da Vinci Code" on DVD she decided that the woman is Sophia (Goddess of Wisdom and therefore Owls) about to sacrifice the male goat (Pan) to continue her bloodline.
I suggested that the Pan she (Anne) should be studying is the one to fry / sacrifice the Aeytheric Egg, or universal Ovum over easy for breakfast! It is early in the morning here. "Io Pan, Io Pan, Io Pan. Pan! Pan! Pan!" (Say it slowly, keep it Holy) -- A.Crowley |
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