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#31 | |
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![]() you're right, I just brought my little knowledge about the talismanic symbols of Islamic origin, to show what they were ![]() à + Dom |
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#32 |
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sorry ... doubloon
à + Dom |
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#33 |
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Hi all, interesting thread..
Here's a book which might be useful, "Ukkil: Visual Arts of the Sulu Archipelago", by Ligaya Fernando-Amilbangsa. Chapters of interest.. Chapter I - Decorative Motifs and Symbols; Chapter VII - Blacksmithing and Casting; Chapter VIII - Goldsmithing and Silversmithing. For more details, see here: ![]() http://alamshah67.multiply.com/reviews/item/113 |
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#34 | |
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Do you have this book and can you find symbols in it which you find back on the images posted? I've just had a quick look at ebay, and I found only one example for EUR 392,75 ![]() |
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#35 | |
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I have mostly read about them when I studied Islamic Magic at the University but never seen as many as you have at once. Do you collect talismanic shirts, mirrors, locks and containers too? If so I would appreciate if you could mail me some pictures as references. The reason why I wrote, "what Cato (p. 102) refers to as the Ring of Solomon (The square with looped corners)" is that I don't know where Cato got that name. I have not seen it in use outside his book. The symbol, and its meaning as I described it above, is however well documented. My favorite reference for Islamic talismanic symbols is the classic Pagan Survivals in Mohammedan Civilisation (1933) by Edward Westermarck. Which one/s do you recommend? Michael |
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#36 | |
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![]() http://www.kabayancentral.com/book/a...mb5504809.html |
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#37 | |
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which book/s could I recommend to you ... ![]() I'm a self made man, and my training, it's the one of the street ![]() anyway, thanks for the reference that you gave me, I found this book in sale, and I will get it ![]() PM in your in box, otherwise we will be too much "out of subject", comparatively to "Ethnographic Weapons " ![]() à + Dom Last edited by Dom; 22nd July 2011 at 10:31 PM. |
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#38 |
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Thanks Dom for your very interesting mail!
Another good reference book for those interested is the anthology Magic and Divination in Early Islam (2004), Emilie Savage-Smith (ed.). The pentagram on Ron's kris is described as one of the seven magic signs in this book. It is also representing Solomon in Islamic symbolism, like on the Moroccan flag, but is much more rare for talismans than The Seal of Solomon that Dom referred to above. Michael |
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#39 |
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i believe this 'guy' has been in this forum before. was there a translation made earlier? if not, perhaps we can kindly request dom to do it for us?
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#40 |
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the one above is now in 'antropologia' museum in madrid. this barung on the other hand is in museo naval, in madrid also ...
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#41 |
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Through these markigns, it is most interesting to note the importance placed on the Kris within the culture.
Personally I'd prefer a long and hefty Barong over a Kris in a fight but seeing how many Kris carry important cultural markings vs how many Barong, Kampilan and spears carry the same markings, it shows the importance of this weapon in it's cultural context. Thanks to all who have shared their collections. Gav |
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#42 | |
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it's a pleasure ... but here, it's not the case ![]() à + Dom ps/ I do not forget those who are on stand-by need few time again ... ![]() |
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#43 |
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Dom, maraming salamat! [many thanks!]
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#44 |
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Inlaid blade on a junggayang kris.
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#45 |
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Maurice, can you provide some photos of the scabbard? i notice the mark "XIIX". are there any more marks???
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#46 |
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No, that is the only mark. ;-)
Michael |
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#47 |
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some more talismanic inlaid krises. enjoy!
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#48 |
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the robotic kris, and another one:
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#49 |
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i swear the kamagong ball pommel reminds me of an opium poppy. also, i might as well add the Sultan kris since i believe the mark on the blade could be considered as talismanic. and finally, a group picture...
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#50 |
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Great examples Ron! You have been a busy boy!
![]() I like that centipede type animal on one of those blades. Would you post a picture of the whole sultan's piece please? |
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#51 |
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QUITE A NICE SELECTION.
![]() I WONDER IF THE DESIGN I THINK OF AS A CENTEPEDE SUCH AS THE ONE ON YOUR BLADE IS THE SAME DESIGN AS THE ONE ON WHAT YOU REFER TO AS THE ROBOTIC KRIS. THE INLAYED STAR SHAPES REPRESENTING THE LEGS AND THE DESIGN AT THE END REPRESENTING THE HEAD AS IT IS SIMULAR TO THE CENTEPEDE HEAD ON THE OTHER DESIGN. HERE ARE 3 EXAMPLES THAT MAY REPRESENT THE SAME CREATURE BUT IN 3 DIFFERENT WAYS ONLY ONE CLEARLY REPRESENTED AS A CREATURE WITH MANY LEGS AND A HEAD AND MOUTH. THE OTHER TWO PERHAPS IN THE ABSTRACT AS IS MORE COMMON TO ISLAM. WHAT DO YOU THINK.? |
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#52 | |||
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Quote:
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#53 |
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two more talismanic blades
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#54 |
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Beautiful Ron...nice showing...
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#55 |
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Nice ones, Ron!!!
I am rereading Emelie Savage-Smith's great anthology Magic and Divination in Early Islam (2004) at the moment and found this statement in her introduction (page xix). I know some of the forumites hold the opinion that the Moros were isolated from Arabic culture. However, for those of us who don't think so this quote might be interesting to explain the scorpions and, especially, the dogs found on some Moro blades: "Many of the pre-Islamic beliefs and practices were assimilated into the emerging Islamic culture. Pre- Islamic magical imagery featuring lions, serpents, and scorpions can be seen on several types of magical artefacts, such as amulets and magic-medicinal bowls. There was concern for sudden death (associated with the evil eye) - explaining a nexus of symbols (scorpion/serpent/mad dog) that occur on the earliest amulets, all of which could be interpreted as omens of sudden death." Michael |
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#56 | |
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yes, indeed. this is somewhat in line with lorenz's thread, A sword design theory (Phil., Indonesia, & Malaysia). mixing the old beliefs with the newer ones. |
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#57 |
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Ron and Michael, many thanks!
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#58 |
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Hi I like to share my old moro keris which have Talismanic symbols....and i like also to consult this sword about its age, whether it is 19th or 20th century..... by the way about the cloth cover of the sword i think it was put later on, but the wooden scabbard is quit look old already and its handle..
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#59 | |
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#60 |
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David,
It was Aleister Crowley who defined (stipulated) the difference between the two kinds of magic (magic vs magick) you describe. I assumed in my comment that you were aware of this fact based on your interest in "magick". Obviously I was wrong on this. My comment that the term "magick" is semi religious of course presupposed that you were familiar with its background. Michael |
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