19th September 2024, 04:46 PM | #11 |
Arms Historian
Join Date: Dec 2004
Location: Route 66
Posts: 9,948
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You guys are much better at all the classic iconography and mythology than I am (by far!) but it seems the neoclassic theme in the hilt artistry is pretty universal throughout Europe in this period. The style of the hilt, as transcendent as small sword hilts are, at best guess in end of first quarter 18th c.+.
For me what is most notable is the blade and grip style. The fluted (reeded) ivory is as previously noted something seen on 17th c. Iberian rapiers, mostly Spanish it seems. It was by no means prevalent, but something that was indeed seen on occasion, and by that token, likely prestigious. With the potential for the ivory to be perhaps mammoth from Siberian regions, and the diplomatic relations between the Russian and Bourbon courts, this seems a likely possibility. With the blade, this seems again, a Spanish preference (dos mesas, as I think Fernando told me once was the term). These hexagonal sections prevailed on heavier dragoon blades about mid 18th c.+ in Spain (I think of the noted 'Spanish motto' blades). The motto tends to the following of St. Augustine and while Christian, does not denote Catholic, Orthodox or Protestant in particular as far as I can see. In the Spanish Netherlands, which may be the origin of this sword, such a motto would not define any specific Faith IMO, thus would not be defined despite the well noted strife between Catholic and Protestant there. I searched through Bashford Dean (1929) and did not find any comparable themes nor any example with reeded ivory grip. As this comprehensive source covers examples from all European countries including Russia, it can be seen this sword is a unique anomaly, and certainly privately commissioned for a person of high status. |
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