Shotley Bridge swordmakers

Jim McDougall · 3rd May 2024, 07:11 PM

Well noted Keith, now that I see the shells it does look like a Pappenheimer.
Norman speaks to the often practiced 'overpainting', not to mention later 'restorations'. It really does set the mind to wondering just how much license did come into play.

Peter Hudson · Yesterday, 06:07 PM

The association of this individual with the fortunes and subsequent downfall of Catholics and thus the eventual outcome of The Jacobites are mysterious indeed.

Popular feeling ran very high against the Earl, and the King, though he had assured Strafford that his life should be spared, abandoned him when it came to the point, and on the 10th signed the commission for giving the royal assent to the Bill. The Earl was beheaded on Tower Hill, 12th May 1641, and met his death with dignity and composure. He was 48 years of age. In private life the Earl of Strafford was a devoted husband and father, a true friend and a man of high cultivation and feeling. Many of his faults of temper arose from his shattered health, the result of agonizing accessions of inherited gout. His personal habits were naturally simple, but to sustain the honour of the King "before the eyes of a wild and rude people," he maintained almost regal magnificence, with a retinue of fifty servants and a body-guard of one hundred horse splendidly mounted and accoutred. The ruins of a princely mansion, begun by him, but never completed, may still be seen near Naas. In fact further research reveals 1633-1640
Thomas Wentworth (Black Tom) Earl of Strafford and Lord Deputy of Ireland builds his great house at Jigginstown, it would be an Irish Residence for Charles I, but alas Wentworth is recalled to London and loses his head before the roof goes on his great house. He was long known in the traditions of the Irish peasantry as "Black Tom."
Peter Hudson.

Jim McDougall · Yesterday, 10:34 PM

Interesting stuff on the complexities of Great Britain in this period, and as noted Thomas Wentworth was sent to rule in Ireland in 1633 by Charles I. While he is noted as being of admirable being in this context, his sobriquet "Black Tom" was from the Irish subjects for not only his despotic rule, but his dark demeanor and insistent wearing of somber Puritan clothing.

IMO, the style of the sword in the 'pappenheimer' manner likely comes from the profound Dutch influences brought to England in these times. The German blade makers ostensibly from Solingen were actually recruited in Holland for the Hounslow enterprise. This indirectly of course set the stage for the later Shotley Bridge venture.

Again, interesting connections, the son of 'Black Tom' (2nd Earl of Strafford) had a Shotley sword passed to his nephew Thomas Watson (1693-1750)
which of course has to do with the 'casket' (s) mentioned by Keith earlier.

Every sword has its own legacy, history and dynamics which present most fascinating perspective on historic events and persons. They are literally icons of history and the most exciting way to study it!

Yesterday, 06:07 PM	#2
Peter Hudson Member Join Date: Jul 2020 Posts: 312	The association of this individual with the fortunes and subsequent downfall of Catholics and thus the eventual outcome of The Jacobites are mysterious indeed. Popular feeling ran very high against the Earl, and the King, though he had assured Strafford that his life should be spared, abandoned him when it came to the point, and on the 10th signed the commission for giving the royal assent to the Bill. The Earl was beheaded on Tower Hill, 12th May 1641, and met his death with dignity and composure. He was 48 years of age. In private life the Earl of Strafford was a devoted husband and father, a true friend and a man of high cultivation and feeling. Many of his faults of temper arose from his shattered health, the result of agonizing accessions of inherited gout. His personal habits were naturally simple, but to sustain the honour of the King "before the eyes of a wild and rude people," he maintained almost regal magnificence, with a retinue of fifty servants and a body-guard of one hundred horse splendidly mounted and accoutred. The ruins of a princely mansion, begun by him, but never completed, may still be seen near Naas. In fact further research reveals 1633-1640 Thomas Wentworth (Black Tom) Earl of Strafford and Lord Deputy of Ireland builds his great house at Jigginstown, it would be an Irish Residence for Charles I, but alas Wentworth is recalled to London and loses his head before the roof goes on his great house. He was long known in the traditions of the Irish peasantry as "Black Tom." Peter Hudson. Last edited by Peter Hudson; Yesterday at 06:22 PM.

3rd May 2024, 07:11 PM	#1
Jim McDougall Arms Historian Join Date: Dec 2004 Location: Route 66 Posts: 9,796	Well noted Keith, now that I see the shells it does look like a Pappenheimer. Norman speaks to the often practiced 'overpainting', not to mention later 'restorations'. It really does set the mind to wondering just how much license did come into play.

Yesterday, 10:34 PM	#3
Jim McDougall Arms Historian Join Date: Dec 2004 Location: Route 66 Posts: 9,796	Interesting stuff on the complexities of Great Britain in this period, and as noted Thomas Wentworth was sent to rule in Ireland in 1633 by Charles I. While he is noted as being of admirable being in this context, his sobriquet "Black Tom" was from the Irish subjects for not only his despotic rule, but his dark demeanor and insistent wearing of somber Puritan clothing. IMO, the style of the sword in the 'pappenheimer' manner likely comes from the profound Dutch influences brought to England in these times. The German blade makers ostensibly from Solingen were actually recruited in Holland for the Hounslow enterprise. This indirectly of course set the stage for the later Shotley Bridge venture. Again, interesting connections, the son of 'Black Tom' (2nd Earl of Strafford) had a Shotley sword passed to his nephew Thomas Watson (1693-1750) which of course has to do with the 'casket' (s) mentioned by Keith earlier. Every sword has its own legacy, history and dynamics which present most fascinating perspective on historic events and persons. They are literally icons of history and the most exciting way to study it!