Kaskara in Silver Dress: an essay for comment and discussion by Ed Hunley

Ian · 19th July 2018, 07:49 PM

3. Silver Filigree

This type of grip treatment consists of filigreed silver tape wrapped around the wooden grip base, plus a wrap of reptile skin. Both materials have symbolic meaning. The process is of course less expensive to execute than the high-end diamond and stars examples. However, this treatment addresses the protective qualities of silver and cultural signatures of lizard skin and the traditional Beja tassel.

Examples

Fig. 12. I collected these two Hadendowa swords in Kassaka in 1984 (see attached). The one on the left was said to have been made c. 1915. Due to the similarity of its grip cover, I would date the other to the same time. This style may be a Kassala signature style. Similarly dressed Beja swords are shown on other web sites sites, and two more examples can be found here:

Fig. 13. An example in Lee Jones kaskara paper on this web site is a cut well above. View online at: http://www.vikingsword.com/ethsword/kaskara/index.html

Fig. 14. Another example is on the Oriental Arms site. View online at: http://www.oriental-arms.com/photos.php?id=1343

4. Other/Unique covers

Other embossing styles and designs will be encountered; some may be unique, one-off products of local silversmiths. If we come across other examples that can be typed as stylistically similar, we will have another type to study. Here are a couple of examples:

Fig. 15. Kind of a diamond design, but not really (see attached picture), with good views of the pommel and chape. Somewhat resembles the pommel and top caps in Fig. 12. View online at: http://www.oriental-arms.com/photos.php?id=1430

Fig. 16. A unique design on a Beja sword hilt (Fig. 16a). Also, provides a good view of the pommeland chape (Fig. 16b). View online at: http://www.swordsantiqueweapons.com/s587_full.html

B. POMMELS

Examples of different pommels have been shown along with the pictures of silver grips. A couple are rather spectacular, but these seem one-offs. (Figs. 7, Reed's Plates L1 & L2, show nice sketches of designs.) The pommels in Fig. 12, especially the top caps, are virtually identical and likely made by the same silversmith. Additionally, you will notice other similarities of type. However, I'll leave their description and analysis to others.

C. SCABBARD CHAPES AND TOP BANDS

Chapes are the triangular metal pieces at the bottom of scabbards. They prevent the point of the sword blade from penetrating the leather and causing injury. Bands at the throat of the scabbard are designed to prevent the blade from cutting the scabbard when being withdrawn or replaced. For the most part, these are made of thin light metal, usually aluminum these days, and they generally exhibit a decorative design. On higher end swords these items will be made of silver and many have elaborate designs.

Example

Fig. 17. Shows the scabbard chapes from my two Kassala swords above (Fig. 12). The left chape (of better quality) belongs to the left (better quality) sword in Fig. 12. The corresponding bands are also shown in Fig. 12.

There it is, my first cut at silver dressed kaskaras. I was surprised that my mainly online research revealed so few design motifs. Hopefully, other examples in museums and forum members’ collections will come to light. Comments, discussions and light criticism welcome.

Ed Hunley

July 2018

----------- Attachments: Figures 12, 14, 15, 16a,b, 17 ---------

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19th July 2018, 07:49 PM	#3
Ian Vikingsword Staff Join Date: Dec 2004 Location: The Aussie Bush Posts: 4,197	Kaskara in Silver Dress: an essay for comment and discussion by Ed Hunley--Part 3 3. Silver Filigree This type of grip treatment consists of filigreed silver tape wrapped around the wooden grip base, plus a wrap of reptile skin. Both materials have symbolic meaning. The process is of course less expensive to execute than the high-end diamond and stars examples. However, this treatment addresses the protective qualities of silver and cultural signatures of lizard skin and the traditional Beja tassel. Examples Fig. 12. I collected these two Hadendowa swords in Kassaka in 1984 (see attached). The one on the left was said to have been made c. 1915. Due to the similarity of its grip cover, I would date the other to the same time. This style may be a Kassala signature style. Similarly dressed Beja swords are shown on other web sites sites, and two more examples can be found here: Fig. 13. An example in Lee Jones kaskara paper on this web site is a cut well above. View online at: http://www.vikingsword.com/ethsword/kaskara/index.html Fig. 14. Another example is on the Oriental Arms site. View online at: http://www.oriental-arms.com/photos.php?id=1343 4. Other/Unique covers Other embossing styles and designs will be encountered; some may be unique, one-off products of local silversmiths. If we come across other examples that can be typed as stylistically similar, we will have another type to study. Here are a couple of examples: Fig. 15. Kind of a diamond design, but not really (see attached picture), with good views of the pommel and chape. Somewhat resembles the pommel and top caps in Fig. 12. View online at: http://www.oriental-arms.com/photos.php?id=1430 Fig. 16. A unique design on a Beja sword hilt (Fig. 16a). Also, provides a good view of the pommeland chape (Fig. 16b). View online at: http://www.swordsantiqueweapons.com/s587_full.html B. POMMELS Examples of different pommels have been shown along with the pictures of silver grips. A couple are rather spectacular, but these seem one-offs. (Figs. 7, Reed's Plates L1 & L2, show nice sketches of designs.) The pommels in Fig. 12, especially the top caps, are virtually identical and likely made by the same silversmith. Additionally, you will notice other similarities of type. However, I'll leave their description and analysis to others. C. SCABBARD CHAPES AND TOP BANDS Chapes are the triangular metal pieces at the bottom of scabbards. They prevent the point of the sword blade from penetrating the leather and causing injury. Bands at the throat of the scabbard are designed to prevent the blade from cutting the scabbard when being withdrawn or replaced. For the most part, these are made of thin light metal, usually aluminum these days, and they generally exhibit a decorative design. On higher end swords these items will be made of silver and many have elaborate designs. Example Fig. 17. Shows the scabbard chapes from my two Kassala swords above (Fig. 12). The left chape (of better quality) belongs to the left (better quality) sword in Fig. 12. The corresponding bands are also shown in Fig. 12. There it is, my first cut at silver dressed kaskaras. I was surprised that my mainly online research revealed so few design motifs. Hopefully, other examples in museums and forum members’ collections will come to light. Comments, discussions and light criticism welcome. Ed Hunley July 2018 ----------- Attachments: Figures 12, 14, 15, 16a,b, 17 --------- . Attached Images Last edited by Ian; 20th July 2018 at 04:20 AM.