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#26 | |
Keris forum moderator
Join Date: Aug 2006
Location: Nova Scotia
Posts: 7,218
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![]() Quote:
Willem, you are, of course, welcome to choose whatever you like to put on you wall, but i am interested in hearing more about what you mean by "Sumbawa" keris and why you feel this way. Are you referring only to the ones with the toli-toli? You say that 10 years ago you never saw any keris attributed to Sumbawa. Is this because keris weren't made in Sumbawa or because no one ever thought it was a good idea to say so before? As for these nice silver stone-studded examples like Mick's, i am not so quick to dismiss them. If i am not mistaken, unlike most other old weapons that are collected around the world, it is very common and in fact part of the tradition to re-dress an old keris when the old dress wears thin. If the keris is important to you it might be considered disrespectful to leave it in an old, beat-up sheath. I find Mick's dress to be very appealing. The nice gonjo iras blade as well. My questions would be (1) is it an acceptable style within the culture or merely something that is designed to attract the eye of foreign collectors and (2) is the quality of the sheath appropriate to the quality of the keris blade itself. With Mick's it seems so. So often we see old junky blades redressed in fancy attire and sold as "important" keris strictly to attract buyers in the collectors market. But if a nice old keris is nicely re-dressed in well-crafted and stylistically correct clothing that is appealing to my eye i don't think i have a problem with that. ![]() ![]() |
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