African ethno sabre for coments

Jim McDougall · 23rd August 2008, 09:23 PM

Excellent work Fernando! going right to the sources by contacting the author on Dogon symbology references. It always gets me charged up when research on a weapon reaches these levels, and though all any of us can do is offer plausible ideas, it is interesting to see if those with published knowledge might corroborate any of them.

I must confess my inclinations are still not specifically toward the jackal, but I do find the representation of the jackal and chaos in the Dogon culture most interesting. Given the presence of totemically represented subversive groups and secret societies in West Africa and Sahelian societies, even well into the Congo, that concept seems somewhat feasible. Perhaps certain established hierarchy of such a group within Dogon culture might have worn such weapons as these ceremonially.

Returning to earlier discussion and the radically stylized zoomorphic representations, I think it is important to again recall the temporal imaging of these decorative features. I think yet another example of such an image (besides that of the mysterious flyssa pommel) is that of the aghrab seen on many Arabian scabbards. This stylized feature is supposed to represent a scorpion, and along with other familiar motif, protect against evil eye. No matter how much I look at these 'aghrab' I cannot possibly visualize a scorpion!

I think that our best bet is to review known Dogon material culture and art as well as that of neighboring tribes and regions to see if any items might have corroborating decoation or motif.

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23rd August 2008, 09:23 PM	#33
Jim McDougall Arms Historian Join Date: Dec 2004 Location: Route 66 Posts: 10,219	Excellent work Fernando! going right to the sources by contacting the author on Dogon symbology references. It always gets me charged up when research on a weapon reaches these levels, and though all any of us can do is offer plausible ideas, it is interesting to see if those with published knowledge might corroborate any of them. I must confess my inclinations are still not specifically toward the jackal, but I do find the representation of the jackal and chaos in the Dogon culture most interesting. Given the presence of totemically represented subversive groups and secret societies in West Africa and Sahelian societies, even well into the Congo, that concept seems somewhat feasible. Perhaps certain established hierarchy of such a group within Dogon culture might have worn such weapons as these ceremonially. Returning to earlier discussion and the radically stylized zoomorphic representations, I think it is important to again recall the temporal imaging of these decorative features. I think yet another example of such an image (besides that of the mysterious flyssa pommel) is that of the aghrab seen on many Arabian scabbards. This stylized feature is supposed to represent a scorpion, and along with other familiar motif, protect against evil eye. No matter how much I look at these 'aghrab' I cannot possibly visualize a scorpion! I think that our best bet is to review known Dogon material culture and art as well as that of neighboring tribes and regions to see if any items might have corroborating decoation or motif.