Ethnographic Arms & Armour
 

Go Back   Ethnographic Arms & Armour > Discussion Forums > European Armoury

Reply
 
Thread Tools Search this Thread Display Modes
Old 21st August 2020, 09:29 PM   #1
shayde78
Member
 
shayde78's Avatar
 
Join Date: Mar 2017
Posts: 445
Default Cardsharps; 1594

Cardsharps; c.1594

I always was fascinated by the hilt at the waist of the young man in the foreground. I'd be grateful if anyone could find an actual dagger with a similar hilt. It would be easy to dismiss this as an artists simply being careless, but as you see subsequent works, I think you'll agree Caravaggio's attention to detail is hard to question.
Attached Images
 
shayde78 is offline   Reply With Quote
Old 21st August 2020, 09:35 PM   #2
shayde78
Member
 
shayde78's Avatar
 
Join Date: Mar 2017
Posts: 445
Default The Martyrdom of St. Mathew; c. 1599/1600

Martyrdom of St. Mathew; c. 1599/1600

This was the painting that made Caravaggio the 'most famous painter in Rome' because it departed so drastically form the poised, kind of artificial, posing of true Renaissance works and introduced a dramatic and dynamic style of composition that would inspire the Baroque generation.

The swords depicted are typical 1500s despite the time period and location being represented (1st Century CE, Ethiopia).
Attached Images
 
shayde78 is offline   Reply With Quote
Old 21st August 2020, 09:44 PM   #3
shayde78
Member
 
shayde78's Avatar
 
Join Date: Mar 2017
Posts: 445
Default The Conversion of St. Paul; c. 1600/1601

The Conversion of St. Paul; c. 1600/01

This, and the next image, show a common subject for painters of Christian-era Europe. One can see some examples of armor components in this first painting.
Attached Images
 
shayde78 is offline   Reply With Quote
Old 21st August 2020, 09:46 PM   #4
shayde78
Member
 
shayde78's Avatar
 
Join Date: Mar 2017
Posts: 445
Default The Conversion of St. Paul; c. 1602

The Conversion of St. Paul; 1602

One can see a clearly represented hilt here with a simple, albeit large, side ring.
Attached Images
 
shayde78 is offline   Reply With Quote
Old 21st August 2020, 09:51 PM   #5
shayde78
Member
 
shayde78's Avatar
 
Join Date: Mar 2017
Posts: 445
Default The Taking of Christ; 1602

The Taking of Christ; 1602

Here we can really start to see some of the detail portrayed in the representation of armor. I particularly like that the leather straps are clearly shown. The curl at the end is simply something that struck me as an extra touch of realism.
Attached Images
 
shayde78 is offline   Reply With Quote
Old 21st August 2020, 09:56 PM   #6
shayde78
Member
 
shayde78's Avatar
 
Join Date: Mar 2017
Posts: 445
Default The Sacrifice of Isaac; c. 1602/1603

The Sacrifice of Isaac; 1602/1603

I debated including this one as the knife shown is entirely simple. However, as the surviving examples we have from any historical period are those that skew toward the exceptional (and thus worth preserving through the ages), I felt it important to allow this humble tool be shown here. This may be considered a typical simple Italian shepherd's knife from the early 17th Century.
Attached Images
 
shayde78 is offline   Reply With Quote
Old 21st August 2020, 09:58 PM   #7
shayde78
Member
 
shayde78's Avatar
 
Join Date: Mar 2017
Posts: 445
Default The Crowning with Thorns; c. 1602/1603

The Crowning with Thorns; c. 1602/1603

Again, here is another good showing of armor. Additionally, I like that we see how one might wear their shirt with a cuirass.
Attached Images
 
shayde78 is offline   Reply With Quote
Reply

Thread Tools Search this Thread
Search this Thread:

Advanced Search
Display Modes

Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts

BB code is On
Smilies are On
[IMG] code is On
HTML code is Off

Forum Jump


All times are GMT +1. The time now is 08:00 AM.


Powered by vBulletin® Version 3.8.11
Copyright ©2000 - 2024, vBulletin Solutions Inc.
Posts are regarded as being copyrighted by their authors and the act of posting material is deemed to be a granting of an irrevocable nonexclusive license for display here.