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#4 | |
Member
Join Date: Jan 2016
Location: Chino, CA.
Posts: 219
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Something to note is that the maker went with a smooth/non-keeled species of snake. This has some significance toward aesthetics, as keeled scales (where each scale has a central ridge) are naturally matte in their finish; Whereas smooth scales are naturally shiny and often somewhat iridescent. This piece at one point obviously had a lot of fire (gold gilding). Also that's a beautiful wood choice. So it makes sense that the maker didn't want to pair that with a dull skin even though it would have been an option. If you're going for shiny it's hard to beat a smooth scale snakeskin. Also snakeskin doesn't really have a corium layer (that fuzzy suede like side that many leathers have). The backside is very paper like, which takes well to being glued. Overall a cured snakeskin is rather thin, flexible and not very elastic. It's an ideal material for this sort of application. Because it can be thinly applied with selective cuts to trace a shape without adding much in the way of bulk or weight. |
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