Shotley Bridge swordmakers

[Jim McDougall]

More interesting entries Ibrahiim. The one regarding Gill and the ongoing competition and difficulties between German sword production and the English makers struggling to prove their skills which had been going on for over a century or more and lasted well through the 19th. In the 1780s these tests mentioned led to him and some others to begin using phrases and terms such as warranted, or in his case 'warranted never to fail' on their blades.
This practice continued until around 1810 or slightly later with Gill, Osborne and perhaps one or two others.

I think that the iron deposits known in Shotley areas were mostly 'ironstone' and inadequate for quality needed in blade forging. The steel imported was from Sweden I understand, much as it was to Solingen. As noted, the wood required was abundant.
In most of the entries in references I have seen, it is suggested that primarily Shotley was 'finishing' forged blades from Germany, probably via Holland (the ship Mohll's cargo was on was from Rotterdam). These seem to have been heavier broadsword or backsword blades for military swords and hangers (which appear to have been already mounted from the sound of the single bundle in the shipment).

The running wolf conundrum :
It seems that the Solingen applied running wolf was typically an almost chop mark type image, often barely recognizable as a specific creature. This was in accord with the way these had been applied in Passau in earliest forms.
There was little, if any, uniformity in these images, and in Wagner ("Cut and Thrust Weapons", Prague, 1967) the chart of these 'wolf' marks depicts the variation, but misleadingly adds years, suggesting any such chronology existed. It was entirely a matter of the worker applying the mark in nominal form.
Actually, by the time of Shotley Bridge in the latter 17th century, as far as I have known, the running wolf occurring on Solingen blades would have been an anomaly. In my opinion the blades with Shotley Bridge and running animal (looking more like a dog and actually recognizable) were probably finished there, and likely 'blanks' from Solingen.

The later canine figures used by Harvey (and possibly Dawes) in Birmingham seem to be a running fox (note plumed tail) and with Harvey using his initials enclosed. It would seem these were in earlier blades and alluded to the German quality which had been known from Hounslow times and Shotley. Remember that these blades were highly esteemed and still circulating. In later Harvey blades there were various marking with his name and initials but no fox.
The fox may well have recalled Shakespeare who used the term 'fox' to describe a fine sword blade in some of his works, and for a time became a colloquial term (' thou diest at the point of fox').

It seems like there were some blades with Shotley marks which were more of the rapier form with central fuller known on some of the English cup hilts, but I have never heard of a Shotley colichemarde. But then as previously noted, it is really unclear what they actually produced aside from the examples of military backsword or broadsword blades and some hangers.

Maybe somebody out there has seen Shotley marked blades and might post here in addition to those already shown.

[Ibrahiim al Balooshi]

Thanks Jim, It does seem that the formation of The Hollow Blade Company... and with it The Sword Blade Bank were subsidiary to the Sword Makers of Shotley Bridge but entirely separated by some sort of legal wizardry!... This allowed the Banking arm to operate in very murky waters indeed and with the South Seas Company (later implicated and of the South Seas Bubble fiasco) who were up to their necks in the slavery business. Many would argue that the slave trade financed in part the Industrial Revolution in the UK.. The upshot being that the big names simply used the Swordmakers credentials in pulling in finance and other names for their own grandisement.

See https://books.google.com.om/books?id...20bank&f=false

The thrust of this segment of my input suggests that the naming of the company and its association with the Shotley Bridge sword makers was irrelevant except for the prestigious linkage with certain branches of Royalty and influential business names and of no substance to do with blade production whatsoever. It therefor largely represents a degree of importance in the general smoke screen when unraveling this puzzle along with the blade in the hat story and the mercury in the hollow blade. The biggest flanneling escapade may yet turn out to be the entire story of the Hollow blade as quite unfounded and that no hollow blades of the Colichemarde form ever got made at Shotley Bridge.

[Ibrahiim al Balooshi]

To underline my last words above see https://oldswords.com/articles/Small...ibles-v1i1.pdf

Where at page 35 the author; the reknowned E. Andrew Mowbray in Men at Arms Magazine states~

Quote" There is no evidence that hollow blades were ever produced at Shotley Bridge.'' Unquote.

[Jim McDougall]

Keith, my apologies I entirely missed your post (#36) and the illustration of the hilt with marks. Could I see the entire sword?
These 'regimental' marks on the hilt seem to have been more of a convention of the mid to latter 18th c. in England, though I am not saying such cases did not exist earlier. There was little standardization and such unit stamps were simply applied incidentally it seems.
The '2' with hyper link D and 'B' would certainly be plausible as 2nd battalion.
I am curious at how the Oley attribution to the blade is made.

By the marking crown over 9, this seems indeed an inspection mark, and these are described by Robson in his "The British Military Sword" (1975) but I do not have my copy at hand. It seems these kinds of marks were not used until the second half or latter 18th c. but again could be wrong on that.

If this is as I suspect, a mid 18th century infantry hanger (possibly the heart shape guard known as 1751 due to the Morier paintings) and dating to the Revolutionary War period, then it would be fascinating to see an Oley blade from Shotley confirmed. If Shotley was indeed producing military swords that late, I am curious why it is not included in any of the literature that are compendiums and listings of such makers over the past 60+ years.
It could be of course that old hanger blades from Shotley were remounted just as the case with numbers of blades with both Hounslow and Shotley markings, however evaluation of the sword as a whole is necessary.

Ibrahiim, thank you so much for the link to the wonderful article by Andrew Mowbray, which if not mistaken was in the first volume of "Man at Arms" magazine back in 1979. He was one of the most helpful and knowledgeable men in the arms community, and truly an inspiration to me.

I think he well surmised the Shotley situation, and there was indeed no doubt that blades were being brought in to 'salt' the works, and to appease investors anxious about the production. His description of the colichmarde matter is excellent, and well explains the purpose of the heavier forte section of the blade in dueling, which of course inherently exceeds fencing parameters in use of these unusual maneuvers. I had not thought of grabbing the blade in the manner described in the article. That the feature on a blade suddenly appeared is no more reliable a notion than its alleged limited use and sudden disappearance.
The curious blade profile with dramatic reduction in the blade to narrow foible to point is known in more ancient swords in blades known as 'carps tongue' if I recall correctly (Oakeshott, 1962, "Archaeology of Weapons").

The idea that some rather showy instances of blade production were probably emplaced in degree seems logical, but it would be unlikely to find accurate detail considering the covert and rather unconventional legal matters at hand.

Keith, it has been known that Benjamin Stone was very much the driving force in Hounslow, and though he was not a maker or craftsman, but an enterpreneuer/deal maker, he did have his own stamp or mark....a bunch of grapes. That he was getting blades from these many centers is not surprising as trade in blades was long a key industry, though he likely acquired these in lots through locations such as Holland, which like Liege, were international arms dealers.
Naturally the occurrence of various marks, names and inscriptions would be seen in almost a happenstance manner in these dynamic dealings, so to try to set rigid guidelines, axioms or classifications would be futile.

Keith, it is great to be discussing this intriguing topic with you and Ibrahiim as it seems at last I am learning more on what seemed quite baffling as I tried studying it decades ago. I hope you will keep us posted on progress on your book and looking forward to it!!

[Ibrahiim al Balooshi]

Thanks Jim, In bringing on Benjamin Stone he was indeed a maverick dealer...and outlined at https://books.google.com.om/books?id...0MAKER&f=false is probably the real reason why the Germans were brought in to rejuvenate English sword making ability...

[urbanspaceman]

Hello Folks. As I have mentioned earlier in this thread, I am still 'on probation' so my postings must pass muster with Mr. Moderator, which means I'm appearing out of sequence.
I posted a picture of a running fox inscribed on a blade with a verifiable probity, as the vendor was from SB and knew the history of the sword i.e. an Oley blade. This style of fox is identical to the one on the blade I bought some time ago. Also, the sword that Nicholas Oley is shown holding i.e. the last blade made in SB by his grandfather (which puts it at approaching 1840) looks identical to the one sold by the ex. SB resident and also to my acquisition.
Non-the-less, in the case of my sword, it looks to me like a poor fit in the hilt, but the blade looks like it has been much used, sharpened and polished in its life, so it may indeed have been re-hilted.
I will post pictures of the verifiable sword first, then pictures of mine.
[IMG]

[urbanspaceman]

Ignore that earlier statement, I am now appearing instantly; thank-you Mr. Moderator.
Unfortunately the images I've just posted are out of stated sequence: so my sword is the one with the bone grip and the faded fox.