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#34 | |
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Join Date: Mar 2016
Posts: 138
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The earliest depiction of a finger-ring that I know of is in an Italian altarpiece from the 1340s, now in the Met... Oakeshott mentions it somewhere. I have found a few other examples from nearer the end of the century: the Grant Cronica de Espanya, an altar by Lippo di Dalmasio, one shown in the famous Trčs Belles Heures from France. More complex hilt forms seem to consistently appear first in Spanish art, and then later in Italian. The first double-ring I have found was painted by Lluis Borrassa (d. 1425). Double-rings continue to appear frequently into the 16th century, with both straight cross-guards and the distinctive Spanish/Portuguese style of curved hilts as shown in the St. Vincent panels. The "Spanish" hilt crosses over into Italian art late in the 15th century, see examples by Ghirlandaio (1483) and Raphael (1504). The other development that seems to first appear in Spain/Portugal is the "counter-guard" ring joining the prongs of the pas d'ane. This is shown clearly in the Pastrana tapestries from the 1470s. Another is shown in an engraving of St. James Matamoros by Martin Schongauer, who may have visited Spain during his Wanderjahre - his travels as a journeyman artist. So far, the earliest counter-guards I have found in Italian art are by Raphael and Luca Signorelli, both circa 1500. |
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