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#1 |
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Join Date: Jul 2009
Posts: 27
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It is not an overkill to say that it is a dying art. A friend quoted me a Chinese guy who passed away couple years ago. He was a Chinese warangan expert in Surabaya who was a stickler to tradition. He said according to the traditional method, you would have to watch for the climate and observe the clouds, among many other factors, to ensure your warangan job would do well. A guy once didn't observe this requirement, and his keris didn't get the optimum color, it was "not properly dried because the weather was more humid than it was supposed to be".
Heck, I'm not sure if I'm quoting stuffs right, anyone who knows better please correct me ... |
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#2 |
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Join Date: Jul 2009
Posts: 27
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#3 |
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Join Date: May 2006
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When you do a stain job, the first thing you must do if you want an acceptable job is to get the entire blade back to a bright, clean white. In other words you strip the entire blade of whatever is on it, whether that is rust, or whether it is part of an old , worn previous stain.
With cold blue you can spot little bits of a worn stain job, and if you're careful, you can blend the touched up spots carefully so you can't really see where the spotting has been done. On the art of staining, a normal commercial job is done by soaking. In my opinion this usually results in a pretty lousy job. The only way to get a good job is to do each blade individually, and whether you do it with the brush on method, or the massage method you do need to have a fine understanding of climatic conditions to get a good job, and also be prepared to go back to a white blade again and again until you get it right. Experience does help, but no matter how experienced somebody is, not every blade comes out perfect every time, and with a good blade, perfection is the only acceptable result. You can get some sort of a result under almost any conditions, even inside in the middle of winter, but for a truly good result you need a clear sky with no clouds --- clouds cause a less than brilliant, sparkling finish --- middle range humidity so that the drying time between applications is neither too long nor too short, and a temperature that is neither too hot nor too cool. In Jawa, probably early morning in the dry season is about the best time to do a stain job. Whenever you do the job, wherever you do it, the weather is vital for perfection. Yeah, that link looks like the stuff I'm talking about. My bottle looks a bit different because I bought it a long time ago, but its probably the same stuff. |
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#4 |
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Join Date: Jul 2009
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Ah yess!!! I recall him also saying something about clouds ...
Anyway, thanks for the answer, I will get that solution and try my luck. I guess I should avoid the pamor areas as it will stain the nickel part just the same? |
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#5 |
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Join Date: May 2006
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I'm not sure that it will stain nickelous pamor in the same way as it will ferric material. I have never tried a full blade, only ever used it to touch up worn areas. I think that the effect on nickel would probably be that it would give it a brownish tinge, but I think this could probably be polished off with steel wool on a toothpick. With care you could fake a proper stain I believe.
However, the problem is this:- not all pamor is simple modern nickel. If its pamor Luwu it will most likely contain iron, and that will stain dark and be uncleanable. If it is high phosphorus iron it will stain just the same as the rest of the blade, but with a different colour. Best to limit the use of cold blue to a touch up job. |
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#6 |
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Join Date: Jul 2009
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Many thanks. I will stick to my original intention - covering patches previously filled by rust (mostly black are anyway) as well as tangs / pesi. Off to harass my Australian cousin!!
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#7 |
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Join Date: Dec 2009
Posts: 329
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Such products are difficult to find. I was told that the chemical composition prevents from shipping via air mail.
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