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#1 |
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Member
Join Date: Dec 2004
Posts: 1,712
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Fascinating!
Spiral |
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#2 |
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Member
Join Date: Jul 2006
Location: Buraimi Oman, on the border with the UAE
Posts: 4,408
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The Bar'aa
Salaams All.. In Dhofar in particular and more often (though dancing with Khanjars is also done in the North) the Bar'aa dance is performed. The Bar'aa is performed as a celebration of youth by two dancers, each holding a Khanjar dagger in his right hand and his shal, fixed at the waist, in his left hand. The characteristic movement of the Bar'aa is a powerful one-footed leap into the air. The two dancers move in a synchronized series of steps, advancing and retreating while they both make full circles. At a particular moment, both dancers bow down before the musicians to allow the soloists to come forward and sing. Regards, Ibrahiim al Balooshi. |
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#3 |
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Member
Join Date: Jul 2006
Location: Buraimi Oman, on the border with the UAE
Posts: 4,408
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Salaams All, Note to Library,
Correction to past threads on the Habbaabi Khanjar form of the Saudia Arabia Asir regional dagger. The Name of the weapon appears as Habbaabi but is probably from Abha and either there is a silent letter at the front which has become muddled in the sound ... Abha is the capital of the Asir thus it is there that I think the name has sprung from. Abhaabi which sounds like Habbaabi. It is this Muscat Khanjar that was "copied in" as a style of weapon into the then Yemeni region now part of the Saudia Asir region... likely imported there by Omani/Yemeni ships trading between Red Sea Ports, Zanzibar and Oman. I show below the grainy old picture from what is an epic pamphlet on Omani Silver by Ruth Hawley. of the original form of Muscat Khanjar... whose design of scabbard became part of the Royal Khanjar by Sheherazad in about 1850. (It may be remembered that she designed the Hilt ...and also the Royal Turban). With that please see http://www.vikingsword.com/vb/showthread.php?t=360 by Congre...for the Abhaabi dagger details also brought to the pictures below; A map of the Asir is included. Regards, Ibrahiim al Balooshi.
Last edited by Ibrahiim al Balooshi; 26th January 2014 at 04:08 PM. |
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#4 |
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Member
Join Date: Jul 2006
Location: Buraimi Oman, on the border with the UAE
Posts: 4,408
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The Royal Khanjar.
Designer Sherazad in circa 1850. The later finer intricate work inspired after about 1970... and could be called the modern design. This dagger however is a very meaty example and heavily ornate about the hilt which is all covered in silver and known here as "Tams". This is a huge 7 Ringer. The entire scabbard arrangement influenced by the Muscat Khanjar and integrated by the designer with a hilt of largely Indian form/decorative style. Regards, Ibrahiim al Balooshi. Last edited by Ibrahiim al Balooshi; 31st January 2014 at 09:34 AM. |
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#5 |
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Member
Join Date: Jul 2006
Location: Buraimi Oman, on the border with the UAE
Posts: 4,408
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Salaams all; Note to Library;
Brought from Rostaq; This khanjar is of good quality though for some reason the black Rhino hilt is not considered comparable to the clear Rhino... The Khanjar sports a tight pattern of Baatinah style below the belt and has excellent design in silver pin form on the hilt with a full silver back. The blade is good with a dull thudding resonance and smells like sweaty socks and herbs !! A good sign. The belt is fine being silver stitched on leather and no expense is spared on its quality buttons and buckles. ![]() Regards, Ibrahiim al Balooshi. |
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#6 |
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Member
Join Date: Jul 2006
Location: Buraimi Oman, on the border with the UAE
Posts: 4,408
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#7 |
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Member
Join Date: Jul 2006
Location: Buraimi Oman, on the border with the UAE
Posts: 4,408
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A couple of designs just encountered ~ I particularly liked the parallel line silver decoration ..The Khanjar with gilded buttons has been reworked...as many Khanjars have these days...and to include some gold pins. The dagger with the black leather scabbard is from Salalah and closely related to a Yemeni style already discussed on these pages.
Comments welcome folks !! Ibrahiim al Balooshi.
Last edited by Ibrahiim al Balooshi; 16th April 2014 at 03:40 PM. Reason: art |
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#8 | |
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Member
Join Date: Aug 2007
Location: CHRISTCHURCH NEW ZEALAND
Posts: 2,830
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Quote:
As far as the scabbard being the basis of the Royal Khanjar goes, I was of the impression that Saudi scabbards tended to be more up turned at the toe than Omani ones. You attribute the design as originating from the Muscat Khanjar, which may or may not be the case, but concrete proof would in my opinion be needed before any conclusive decision could be reached. |
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#9 | |
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Member
Join Date: Jul 2006
Location: Buraimi Oman, on the border with the UAE
Posts: 4,408
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Quote:
The scabbard of the Royal Omani Khanjar!!... You have missed the point. Its not the Royal Khanjar Scabbard that was designed by Sheherazad...Its the Hilt!! The Scabbard on the Royal Omani Khanjar comes from the Muscat Khanjar. It appears true that Yemeni and Saudia Khanjars are traditionally more turned at the toe...or to get it right chronologically The Omani Khanjar tends to be less turned at the toe section than the Yemeni and Saudia styles. Within the mixture of Southern Arabian Daggers cross pollination, copying , mirroring of styles has occured and for good reason this Habaabi dagger has been adopted there...Seatrade...The Zanzibar link... I don't deal in concrete. As you are aware on these pages cast iron situations are seldom proveable ..nor are they sought. This situation with the Omani influence in the Asir has been shown to be entirely plausible...how else could it have transpired? I repeat that we have at forum compared the two regional weapons The Muscat and the Abha... If another area is to be balanced and compared then it too has to be researched...then...considered. I am interested to know where and how it is explained in your Saudia reference ...that the Ruth Hawley Muscat Khanjar is in fact from Saudia?? Regards, Ibrahiim al Balooshi. |
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#10 | |
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Member
Join Date: Aug 2007
Location: CHRISTCHURCH NEW ZEALAND
Posts: 2,830
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Quote:
As far as the Saudia source I quoted is concerned, this style of Khanjar (illustrated by them) is attributed to the Al Ahsa area, not Abha. I am also aware that you have done considerable research into these matters, BUT, word is not enough in my opinion. It needs to be backed up by conclusive and irrefutable documentation. If this is not forthcoming then what is printed here can only be described as opinion. |
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#11 | |
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Member
Join Date: Jul 2006
Location: Buraimi Oman, on the border with the UAE
Posts: 4,408
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Quote:
Last point first if I may; I think that is what Forum largely extends to itself and its members;... opinions. On occasions important details are uncovered sometimes sources are called into question. It is not for me to consider your source since it is not one I have to hand...however I would be surprised if it states that the Muscat Khanjar in Ruth Hawleys publication is from Saudia..and that the style of weapon seen and worn in the Asir is from the east...when it is clearly of the Muscat design..What exactly does your reference state? As I have noted what needs to be done is a brief study of the Al Ahsa work and then to compare where required.. What you may find(though without wanting to pre empt ) is that the Al Ahsa may be related to Omani work and for similar reasons... i.e. trade with the Bahrain region ...not just a name coined to describe the Islands but a large slice of the mainland in which the oasis of Al Ahsa is located.. Regarding the Muscat Khanjar in Ruth Hawleys work..it is presented as a more turned scabbard. That is how it looks in her publication...I have not seen the actual item. In this case could there be some camera angle play going on?...or was that particular Khanjar made deliberately with a greater turn in the scabbard?...It could be simply a bigger curve built in as a one off... I simply don't know...or that Muscati daggers tended to be made with bigger curves...as #113 indicates.. Last edited by Ibrahiim al Balooshi; 25th May 2014 at 07:53 AM. |
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