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Old 22nd January 2014, 02:43 PM   #1
Ibrahiim al Balooshi
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So physical speaking, more weight than average & enough curve to the blade to put a sideways pull in rather than a straight linear pull is required? so that it pulls free?

Or to my mind, if as sharp as a cut throat razor would work as well? But would colour your fingers perhaps...

Spiral

Salaams Spiral~ I have the distinct impression it is more to do with the square root of the wily grin on the customers face divided by the depth of his pocket !!

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Old 22nd January 2014, 05:14 PM   #2
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Salaams Spiral~ I have the distinct impression it is more to do with the square root of the wily grin on the customers face divided by the depth of his pocket !!

Regards,
Ibrahiim al Balooshi.

That's sounds esoterical rather than physical!

So its all a salesmans con trick, to lighten the customers weight realy?

So not truly a worthy test?

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Old 22nd January 2014, 05:29 PM   #3
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Quote:
Originally Posted by spiral
That's sounds esoterical rather than physical!

So its all a salesmans con trick, to lighten the customers weight realy?

So not truly a worthy test?

spiral

Salaams spiral... Nothing to do with the salesman and everything to do with the customer.. They come armed with techniques to prove the good or poor blade. These things are hard wired into the Bedu and frankly most of the potential local buyers.. The smell and taste test, tweak and flip, the ring test and this one holding the blade by the tip. These are the traditional ways...
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Old 22nd January 2014, 05:34 PM   #4
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Fascinating!

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Old 24th January 2014, 02:36 PM   #5
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Default The Funoon and the Khanjar. The Bar'aa

The Bar'aa

Salaams All.. In Dhofar in particular and more often (though dancing with Khanjars is also done in the North) the Bar'aa dance is performed.


The Bar'aa is performed as a celebration of youth by two dancers, each holding a Khanjar dagger in his right hand and his shal, fixed at the waist, in his left hand. The characteristic movement of the Bar'aa is a powerful one-footed leap into the air. The two dancers move in a synchronized series of steps, advancing and retreating while they both make full circles. At a particular moment, both dancers bow down before the musicians to allow the soloists to come forward and sing.

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Old 26th January 2014, 03:32 PM   #6
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Salaams All, Note to Library,

Correction to past threads on the Habbaabi Khanjar
form of the Saudia Arabia Asir regional dagger. The Name of the weapon appears as Habbaabi but is probably from Abha and either there is a silent letter at the front which has become muddled in the sound ... Abha is the capital of the Asir thus it is there that I think the name has sprung from. Abhaabi which sounds like Habbaabi.

It is this Muscat Khanjar that was "copied in" as a style of weapon into the then Yemeni region now part of the Saudia Asir region... likely imported there by Omani/Yemeni ships trading between Red Sea Ports, Zanzibar and Oman.

I show below the grainy old picture from what is an epic pamphlet on Omani Silver by Ruth Hawley. of the original form of Muscat Khanjar... whose design of scabbard became part of the Royal Khanjar by Sheherazad in about 1850. (It may be remembered that she designed the Hilt ...and also the Royal Turban).

With that please see http://www.vikingsword.com/vb/showthread.php?t=360 by Congre...for the Abhaabi dagger details also brought to the pictures below;

A map of the Asir is included.

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Old 30th January 2014, 06:19 PM   #7
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The Royal Khanjar.

Designer Sherazad in circa 1850. The later finer intricate work inspired after about 1970... and could be called the modern design. This dagger however is a very meaty example and heavily ornate about the hilt which is all covered in silver and known here as "Tams". This is a huge 7 Ringer. The entire scabbard arrangement influenced by the Muscat Khanjar and integrated by the designer with a hilt of largely Indian form/decorative style.
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Last edited by Ibrahiim al Balooshi; 31st January 2014 at 09:34 AM.
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Old 23rd May 2014, 11:57 PM   #8
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Quote:
Originally Posted by Ibrahiim al Balooshi
Salaams All, Note to Library,

Correction to past threads on the Habbaabi Khanjar
form of the Saudia Arabia Asir regional dagger. The Name of the weapon appears as Habbaabi but is probably from Abha and either there is a silent letter at the front which has become muddled in the sound ... Abha is the capital of the Asir thus it is there that I think the name has sprung from. Abhaabi which sounds like Habbaabi.

It is this Muscat Khanjar that was "copied in" as a style of weapon into the then Yemeni region now part of the Saudia Asir region... likely imported there by Omani/Yemeni ships trading between Red Sea Ports, Zanzibar and Oman.

I show below the grainy old picture from what is an epic pamphlet on Omani Silver by Ruth Hawley. of the original form of Muscat Khanjar... whose design of scabbard became part of the Royal Khanjar by Sheherazad in about 1850. (It may be remembered that she designed the Hilt ...and also the Royal Turban).

With that please see http://www.vikingsword.com/vb/showthread.php?t=360 by Congre...for the Abhaabi dagger details also brought to the pictures below;

A map of the Asir is included.

Regards,
Ibrahiim al Balooshi.
I do not intend to reopen the "discussion" on so called Habaabi khanjars, but the style of Khanjar shown by Ruth Hawley, has been described by the King Faisal Center for Islamic Studies in Riyadh, as coming from the Al Ahsa area of Saudi Arabia. This area is situated in the eastern area of Saudi, bordering Oman, and therefore many miles from Abha.
As far as the scabbard being the basis of the Royal Khanjar goes, I was of the impression that Saudi scabbards tended to be more up turned at the toe than Omani ones.
You attribute the design as originating from the Muscat Khanjar, which may or may not be the case, but concrete proof would in my opinion be needed before any conclusive decision could be reached.
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