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#24 | |||||
Member
Join Date: Oct 2007
Posts: 2,818
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A wonderful few hours were passed away this morning with the French gentleman I spoke of previously, some may question his authority of such items, antique edge weapons is his love and does reflect in the quality and rarity of some weapons I have never had the privilege of handling before.
His knowledge on this subject matter is incredible when heard first hand. His credentials stand high, curator in France until 1979, is director and founder and curator of well known and respected art galleries and foundations whose artists are represented at the Queensland State art gallery, is an approved valuer of Cultural Heritage to the Commonwealth Government for Australian Artists, both Aboriginal and contempory, also French sculpture, prints, paintings, decorative arts & furniture from 1600-1950. A number of these weapons I have seen today have been and are documented in his family history from the 1860's. Again in length many of my questions were answered in full detail today, the acorns shaped icons I mentioned yesterday are actually a symbol of good luck, they are the "hand of Fatima" http://en.wikipedia.org/wiki/Hamsa His historical knowledge was expressed in great detail, kind of wished I had a tape recorder. He also touched on coral found on Kinjals and that it is the red coral that was most prized as it too is a symbol of good luck. Many points about Niello and it's very early origins were also covered off today from medieval time up until today, his chemistry major was shining through on many other subjects too. Upon further viewing today, what can be viewed of the script remaining in the central panel to the rear of the scabbard, I have been told that it is most likely a verse from the Koran asking for protection or similar, not a presentation as thought by myself and a couple of others, I am still trying to get it read or rubbed for future posting. Again this piece was put at approx 1870-1900 and from all explanations, it is of the highest gallery quality...This differs from a link below but at this stage I am happy to go with either until further research has been done. Throughout this steep learning curve in Kinjals, I am hoping some off the original forumites who made earlier postings will further comment on some comparisons found in the Oriental Arms website that has been offered up to me a few times. I am not looking to discredit anyone, maybe I have now offered up enough imagery that was not available at the initial postings and initial fears and loathing have been overcome? Maybe it will be continue to be said after all comparisons below that it is still not antique? I am just looking to understand why what's is stated as being right for one is not for another even though it shows all the signs of being correct and of period as seen my many first hand, maybe we can all learn from this??? Quote:
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http://www.oriental-arms.com/photos.php?id=966 http://www.oriental-arms.com/photos.php?id=2766 http://www.oriental-arms.com/photos.php?id=1062 http://www.oriental-arms.com/photos.php?id=2885 I haven't looked any further for bad riveting on silver Kindjals..these should do I understand, of course, that photographs are not an ideal way to evaluate antique items, but..... It looks to me as if it hails from the same " workshop" as the first one. Sorry, I am not enjoying bringing bad news....[/QUOTE] Maybe I need a photography course in bringing real essence out of objects?? Here is a link to it's almost twin brother...again from Oriental arms... Actually this link may convince others of it's authenticity??? http://www.oriental-arms.com/photos.php?id=2181 And for argument sake within the forum I'll even run with 1920 ... Quote:
regards Gav Quote:
Hi Alex, with further images, notes, declarations and links provided, is there anything else or other points of interest you can point out? Quote:
The dreaded Kindjal postings continues, still striving for facts... regards Gav Last edited by freebooter; 27th May 2008 at 10:06 AM. |
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