Metuk (Iras) as an indicator of quality

Kulino · 24th December 2016, 11:39 AM

This is a part of a thread which started at the keris forum.
It concerns tombak. Therefore it is continuid inthis section
Underneath a quote of Alan Maisey on the enclosed tombak. This tombak has mentuk iras.

When I say that this tombak is of lower quality because the metuk was carved integrally with the blade, the standard I am using is a Javanese standard:- it is their weapon, their art, their icon:- they make the rules.

Its a bit like the Japanese sword thing:- a person from a different cultural background cannot presume to set the quality rules for Japanese swords; similarly only the Javanese can set the quality rules for Javanese weapons.

But we have a bit of a problem here, because there are tombak that come from other areas of Indonesia where the metuk iras is usual, so obviously those people do not consider metuk iras to be inferior.

On the other hand, Javanese culture is now, has been been for at least 700 years, the dominant culture in Maritime S.E. Asia, a fact that gets a lot of people upset. So the Javanese standards tend to supplant other local standards in many ways.

In the world of tosan aji it seems to me that since the revival of keris culture beginning in the 1970's, and which began in Jawa, Javanese standards and terminology have pretty much replaced whatever understanding of tosan aji existed in other areas in the past.

Thus we have a question:- does a collector of tosan aji who is based in a western culture need to observe Javanese standards, or does he invent his own standards?

My opinion, and it is only an opinion, is that if this collector is just a collector of objects he can be perfectly at liberty to adopt whatever standards he wishes. However, if he wants to understand that which he collects then he must adopt the standards of the culture and society from which the object comes. This then becomes a personal choice:- collect things, or understand things? Its up to the individual.

The line of thought that might apply to the distinction between metuk iras and and a separately made metuk is similar to the line of thought that applies to the gonjo of a keris. There are societal and cultural elements involved.

The metuk of a tombak is mechanically fixed in place, not welded.

24th December 2016, 11:39 AM	#1
Kulino Member Join Date: Aug 2010 Posts: 84	Metuk (Iras) as an indicator of quality This is a part of a thread which started at the keris forum. It concerns tombak. Therefore it is continuid inthis section Underneath a quote of Alan Maisey on the enclosed tombak. This tombak has mentuk iras. When I say that this tombak is of lower quality because the metuk was carved integrally with the blade, the standard I am using is a Javanese standard:- it is their weapon, their art, their icon:- they make the rules. Its a bit like the Japanese sword thing:- a person from a different cultural background cannot presume to set the quality rules for Japanese swords; similarly only the Javanese can set the quality rules for Javanese weapons. But we have a bit of a problem here, because there are tombak that come from other areas of Indonesia where the metuk iras is usual, so obviously those people do not consider metuk iras to be inferior. On the other hand, Javanese culture is now, has been been for at least 700 years, the dominant culture in Maritime S.E. Asia, a fact that gets a lot of people upset. So the Javanese standards tend to supplant other local standards in many ways. In the world of tosan aji it seems to me that since the revival of keris culture beginning in the 1970's, and which began in Jawa, Javanese standards and terminology have pretty much replaced whatever understanding of tosan aji existed in other areas in the past. Thus we have a question:- does a collector of tosan aji who is based in a western culture need to observe Javanese standards, or does he invent his own standards? My opinion, and it is only an opinion, is that if this collector is just a collector of objects he can be perfectly at liberty to adopt whatever standards he wishes. However, if he wants to understand that which he collects then he must adopt the standards of the culture and society from which the object comes. This then becomes a personal choice:- collect things, or understand things? Its up to the individual. The line of thought that might apply to the distinction between metuk iras and and a separately made metuk is similar to the line of thought that applies to the gonjo of a keris. There are societal and cultural elements involved. The metuk of a tombak is mechanically fixed in place, not welded. Attached Images Last edited by Kulino; 24th December 2016 at 11:42 AM. Reason: Wrong section. This should go to Ethnic.