Earliest Use of Paired Crescent Moons on Solingen Blades

[Jim McDougall]

Originally Posted by Ibrahiim al Balooshi

Excellent thread ...To which I add in agreement that these moons were probably not owned by individual sword makers moreover they were associated with different factories rather as a quality marker...something like the Passau wolf marks...and Ferrera marks. In my view I view Arabian swords with moons placed by local sword smiths here at https://books.google.com.om/books?id...swords&f=false

I am not certain when all the sword design/decoration influence occurred between Europe and Africa though some sources indicate as early as 14th C...It seems to me that moons were often accompanied by suns in the European examples but the Moons were either favoured by African and Islamic subjects because of the new moon thus must have carried a TALISMANIC IDEA..

Ibrahiim, it truly is hard to determine reasonably accurate dates of adoption of the various symbols and devices from European blades into the talismanic motifs on native blades. We can compellingly presume these are indeed talismanic as in the case of the 'dukari' (paired moons) which are the subject of our study, these were placed in addorsed position while most European blades had single examples of the moon.
Native blacksmiths in the Sahara with the Tuareg, as well as Hausas, were just as in many cultures, viewed with dark suspicions, and their blades seen as possessing 'magic'.

While the sun and stars are included in the astral theme of blades in many cultures and these kinds of motif, it is the moon which seems to carry the most impetus talismanially and with folk religions and superstitions.

I think you are quite right in looking toward the 'hogs back' or sickle marks of European origin as perhaps a lunar symbol. The arc and the dentations indicating reflective rays, whether of that intention in European parlance or not, certainly might be perceived in native cultures as a reflective moon.
While many aspects of such symbolism in native folk religions have to do with phases of the moon (as with Lohr panels on Sudanese blades), the commonly placed use of the duality theme is also often present.

With cosmological symbolism often key in folk religions and superstitions in many native cultures, it is not surprising that they saw the talismanic and magically themed blades of Europe as having imbued powers. Even with blades with alternate themes, inscriptions or marks, they would likely have seen these in the same sense, but presuming these other motif as simply the same scope but similar properties.

Absolutely Ulfberth!!
The more examples we can find of these moons in different contexts the more we can build a reasonable perspective on their diffusion both geographically and perhaps even chronologically.